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Canicola

Titolo originale: Hundstage
  • 2001
  • VM18
  • 2h 1min
VALUTAZIONE IMDb
7,0/10
6721
LA TUA VALUTAZIONE
Franziska Weisz in Canicola (2001)
Dramma

Aggiungi una trama nella tua linguaIn the tomb-like quiet of their ranch-style purgatory, a divorced husband and wife fight a wordless war while mourning an unspeakable mutual loss. A sadistic lover's ritual humiliation spawn... Leggi tuttoIn the tomb-like quiet of their ranch-style purgatory, a divorced husband and wife fight a wordless war while mourning an unspeakable mutual loss. A sadistic lover's ritual humiliation spawns both tenderness and revenge.In the tomb-like quiet of their ranch-style purgatory, a divorced husband and wife fight a wordless war while mourning an unspeakable mutual loss. A sadistic lover's ritual humiliation spawns both tenderness and revenge.

  • Regia
    • Ulrich Seidl
  • Sceneggiatura
    • Ulrich Seidl
    • Veronika Franz
  • Star
    • Maria Hofstätter
    • Christine Jirku
    • Viktor Hennemann
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,0/10
    6721
    LA TUA VALUTAZIONE
    • Regia
      • Ulrich Seidl
    • Sceneggiatura
      • Ulrich Seidl
      • Veronika Franz
    • Star
      • Maria Hofstätter
      • Christine Jirku
      • Viktor Hennemann
    • 44Recensioni degli utenti
    • 39Recensioni della critica
    • 66Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 7 vittorie e 3 candidature totali

    Foto7

    Visualizza poster
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    Interpreti principali29

    Modifica
    Maria Hofstätter
    Maria Hofstätter
    • Die Autostopperin
    Christine Jirku
    • Die Lehrerin
    Viktor Hennemann
    • Der Liebhaber
    Georg Friedrich
    Georg Friedrich
    • Der Freund des Liebhabers
    Alfred Mrva
    • Der Mann für die Sicherheit
    Erich Finsches
    • Der alte Mann
    Gerti Lehner
    • Die Haushälterin
    Franziska Weisz
    Franziska Weisz
    • Das junge Mädchen
    • (as Franziska Weiß)
    Rene Wanko
    • Der Freund
    Claudia Martini
    • Die Ex-Ehefrau
    Victor Rathbone
    • Der Ex-Ehemann
    Christian Bakonyi
    • Der Masseur
    Ingeborg Wehofer
    • Autogeschädigte
    Leopold Schlol
    • Autogeschädigte
    Silvia Piglmann
    • Autogeschädigte
    Karl Christoph
    • Autogeschädigte
    Henriette Maslo
    • Autofahrer
    Christina Horvath
    • Autofahrer
    • Regia
      • Ulrich Seidl
    • Sceneggiatura
      • Ulrich Seidl
      • Veronika Franz
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti44

    7,06.7K
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    Recensioni in evidenza

    8shaid

    Not for anyone

    This film show peoples in the middle of the hottest 2 days in Austria. It shows people humiliating other peoples and being cruel to other peoples. It show the inability of people to communicate or talk with others.

    In the screening I have attended people were leaving in the middle because they could no longer watch the film. And rightly so. Because the film is not and easy one to watch. It has a very depressing message and there isn't any moment of mercy in the film. It is a very cruel movie, not for everyone's taste. You can not speak of terms of enjoyment from this film. It grips you in your throat and never let go and in the end you simply feels breathless because of its intensity.

    I can not "recommend" or "not recommend" this film. You should make your own mind based on what I have said earlier. Just be aware that this is not a regular film and it is not for everyone's taste.
    ellkew

    A bleak and at time funny reality

    An outstanding film by all accounts. Bleak, yes. Funny, yes. Shocking, yes. To all those reviewers harping on about lack of plot, then surely this is to miss the point. Seidl draws on his documentary background and indeed blends the this with the fictional elements. Do we really need the narrative signposts that we are force-fed in films. Life is not that black and white. I cannot understand the constant desire for fast paced cutting. Go and watch a commercial if you need to but leave the rest of us with well made, insightful films that speak about the bigger issues in life. This is a marvellous film that is disturbing and shocking but not in a gratuitous manner. I think it is in the tiny minutiae of life that these moments are revealed. I found the moment when the couple visit the grave and when the old woman does the striptease to be very moving. You need to look underneath the surface of the characters to see what makes them tick and Seidl has done this. As a result we have complex characters that seem too real for some viewers perhaps to stomach. I should stop defending the film. Just go and see it. Brilliant film-making.
    8anatolvitouch

    A perfect film about life as it often is: Brutal, hard to take but sometimes very beautiful

    This film is great. As often heard, it is indeed very realistic and sometimes brutal, but unlike some other people I am clearly not of the opinion that it is depressing, negativistic or dismantling Austria as a proto-fascist society. Quite the contrary: While there are indeed some very heavy scenes in HUNDSTAGE and some characters are to be called very bad persons, at the same time you watch love, beauty and humor in Ulrich Seidls film. And that's exactly what distinguishes HUNDSTAGE for me from other films that try to show the lives of the 'ordinary people' in an intense, realistic way; their hustle, their wishes, their dark sides: Seidl clearly never tries to prove, that the lives of the working-class people are trash! In my opinion, viewers who come to this conclusion seem to be very afraid of admitting, that nearly nobody's live is as 'clean' and 'normal' as we would like other people to believe. And that every live has its dark and often depressing sides. The most beautiful scene: The old Viennese man, watching his old girl dancing 'the oriental way', as he is calling it. I think everybody who finds this scene ugly lacks a sense of beauty and should ask themselves what it is, that's proto-fascist: The characters in HUNDSTAGE or viewers, who are turned off by the body of a 70+ year old woman, dancing with all her charms for her lover.
    zombiezen

    another day in dullsville

    I rented this (the uncut version with hardcore scenes intact) with the thought that it might offer some insight into the daily lives of the people of this suburban neighborhood. I found instead just rather pointless montages of bland characters without any rhyme or reason. It's acted nicely and there is nothing technically wrong with the film it just isn't interesting really. We wander from one scene to another some brutal and vile and some just dull. I'm not sure what the director was trying to go for but short cuts or magnolia its not. I did not feel disgusted really but just disappointed in the lack of purpose the film had.
    10ifaz

    The truth is always reasonable, or is it?

    Trailers of this movie may show scenes of violence or non mainstream sexuality, but these scenes are just rare fragments, picked out to attract audience. They are, of course showing the main message of the movie:

    People who are constantly kicked on their heads in their jobs and lives, using power, which they may have somewhere else, to notoriously oppress others. And at the low end of the oppression chain, mostly women.

    A movie showing this as brutally as Hundstage is surely tough to face, but having to endure such lives, is even tougher.

    Technically the film is much like Short Cuts, but consisting of documentary style episodes, featuring people like your neighbour, playing just the way they are. Without any glitter, and most disturbingly, without any hope. Its documentary style makes the movie even more disturbing, because you realize, such people are out there, and there are many of them, although our society focuses on the nice exterior looks. Somewhere the porn industry has to do its business, somewhere unreported domestic violence has to take place, somewhere hopes have to shatter. I sure do know such people.

    If you want to see a movie without any funny scenes (some may think the handicapped woman repeating the top ten supermarkets is funny, but this happens for real) and without any melodramatic, go watch this movie. However it will lose when you are focusing on subtitles I fear, as subtitles can´t transport accentuation.

    Altri elementi simili

    Import Export
    7,0
    Import Export
    Paradiso: Fede
    6,7
    Paradiso: Fede
    Paradies: Hoffnung
    6,6
    Paradies: Hoffnung
    Paradies: Liebe
    7,0
    Paradies: Liebe
    Models
    6,5
    Models
    Im Keller
    6,7
    Im Keller
    Rimini
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    Safari
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    Böse Spiele - Rimini Sparta
    Tierische Liebe
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    Jesus, Du weisst
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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Franziska Weisz's debut.
    • Blooper
      At the beginning of the movie in front of the supermarket the boom mic and the camera are reflected in a car window.
    • Connessioni
      Follows Spass ohne Grenzen (1998)

    I più visti

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    Dettagli

    Modifica
    • Data di uscita
      • 18 gennaio 2002 (Austria)
    • Paese di origine
      • Austria
    • Lingua
      • Tedesco
    • Celebre anche come
      • Dog Days
    • Luoghi delle riprese
      • Vienna, Austria
    • Aziende produttrici
      • Allegro Film
      • Essential Filmproduktion GmbH
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo Stati Uniti e Canada
      • 13.031 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 6267 USD
      • 24 ago 2003
    • Lordo in tutto il mondo
      • 545.117 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      2 ore 1 minuto
    • Colore
      • Color
    • Proporzioni
      • 1.85 : 1

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