Gli occhi della vita

This movie is every good thing that was written on this board and maybe more.

First, when I saw that movie in the guide i had never heard of it before but being a fan of Lewis and Thurman I couldn't let this pass even if apriori the plot SEEMED a little less than original.

Boy was I in for a surprise. Not all great first scene gives you a good film but all good film will give you a great intro scene, but this one gets its greatness in it's "nothingness". There is so "nothing" about it that as soon as you see Juliette and Uma come on the screen, your jawbone drops.

Not only are they unrecognizable but from the moment you see them you KNOW and FEEL exactly where you are, who you are dealing with and that's exactly every director's dream...or nightmare...can I put my audience in the context of the next x minutes.

This could have been an ordinary movie with an ordinary story..who wants to hear about screwed up bimbos stuck in no name city, no name job and a no name life, But somehow without ever falling into melodrama, pity or cliché, you just fall in love with every caracter.

This is a very well directed movie as it is far from obvious and easy to move a story like this into such an enjoyable moment.

As far as acting goes, well as someone else said, It's off the chart. I love Lewis (Natural born killers at her best...here too) and frankly I've seen alot of Uma but she literally blew me away in this. Both are so good that like I said from the first scene they appear, all you see are the caracters not the actresses.

You can see what a truly beautiful women is when even with an "altered down" image of herself (to say the least) you just can't get your eyes off her (yeah I'm a man)

I think the scene in the bar when she really goes loose is stunning and again it comes from a subtle chemistry between good directing and good acting, As a man I felt like the barman which the camera just give you a quick glimpse just to give you the hint. You look at her and you feel love and compassion even admiration for that woman while if it had been badly acted and/or directed she could have looked stupid and slutty so again masterfully crafted. In other scenes you feel her misery and you want it to end as bad and fast as her.

I can't just say I enjoyed that movie, it feels more like you've met real people that were graceful enough to share their life for a monent, wide open. So real that iI felt as an everyday guy like me could ask Uma out for a drink...that's something :-)

My hat to HBO for this one

Seeing Uma Thurman play a genuine, sensitive woman is a strange thing for me. Everyone (including myself) knows she's a terrific actress — but as a Tarantino die-hard obsessed with "Kill Bill" (I've legitimately seen "Vol. 1" at least thirty times), I'm hardly used to her portraying a woman capable of carrying on a soul-baring conversation without cutting someone in half with a Hattori Hanzō sword. Perhaps I should see what else she's capable of before I start making assumptions — so I suppose "Hysterical Blindness", an HBO TV-movie for which she won a Golden Globe, is a good place to start.

Thurman is Debby Miller, a thirty-ish, '80s bound, New Jersey bred, lonely heart in the process of sinking into the suppressed life of an old maid. She's desperate for love — she and her best friend, single mom Beth (Juliette Lewis), parade around seedy bars looking for potential suitors like a second job — but as her low self-confidence is more up front than her immense good looks, she turns most men off, finding herself in a plight of one-night-stands instead of meaningful relationships. She's torn between continuing her search for Mr. Right and completely giving up; she still lives with her mother (Gena Rowlands), and still holds onto a low-paying job she most likely got in her early twenties. Eventually, Debby finds a possible mate in Rick (Justin Chambers), a seemingly nice guy she met during one of her late-night escapades.

The hysterical blindness of the title derives from a condition that causes its victim to temporary become visually impaired after a long period of unresolved stress. Debby, so mind-numbingly obsessed with her lack of a love life, experiences the bizarre phenomenon, twice in the film (once in the beginning, to develop her as a neurotic leading lady, and once toward the conclusion, as a dramatic high point that begs her to consider what the hell she's doing with her life).

Directed by Mira Nair, "Hysterical Blindness" is a drama frustrating in its inability to stay earnest throughout its length. Most of the film is moving, well-acted, but Nair, against good judgment, feels the need to include "Girls Just Want to Have Fun" repeatedly in the soundtrack as if to make the impression that we're watching a sappy woman's world drama more spurious than sincere, to render Debby and Beth as stereotypically New Jersey as possible to make their desperation even more desperate. Thurman and Lewis are so broadly drawn that it's a relief that they stir our emotions during their more dramatic scenes — there, the acting school vulgarity disappears and we finally feel like we understand these women.

It's irritating that "Hysterical Blindness" is so regularly prodded by fakery, because, at its realest, most truthful, it momentarily turns into a movie rich in its passion. It's at its best when focusing on the relationship between Virginia (Rowlands) and her new boyfriend, Nick (Ben Gazzara). Both in their sixties, both numbed and used to their discontent, the love they find together is unexpected and exciting; Rowlands and Gazzara, in a mini Cassavetes reunion, are deeply touching. The side-plot makes for a good contrast between that of Debby and Beth — they would do anything to have a meaningful romance, and while they wander around various taverns, Virginia, who has been a waitress the majority of her adult life, simple finds someone by being herself. The scenes between Rowlands and Thurman are palpably wistful, their mother-daughter bond so thick that it's less of a familial pairing and more of a friends-forever partnership that guarantees the other that when the going gets rough, sticking together will hardly be an action in question.

"Hysterical Blindness" is mostly a mixed bag, a sometimes poignant, sometimes obviously calculated comedy-drama that hits home at its best moments but feels like leftovers from an actor's previous vie for an Oscar nomination that didn't quite make it at its worst. But the cast does well with the uneven material, especially Rowlands, making "Hysterical Blindness" decent enough to make even the most cynical of viewers take a look at the world around them and wonder just how many people live to love, throwing their happiness away when they can't quite find it.

Being single is always frustrating, but letting that unhappy feeling get the better of you would only make things worse. That's what's all about in this movie. The 80's is always something and this movie sets back in that decade. And I'll say, this movie was excellent. Uma Thurman, Juliet Lewis, and Gena Rowlands were astounding. Uma Thurman, is a heavy hitting actress from "Pulp Fiction" to The "Kill Bill" movies really played her part well as Debby. She goes to the doctor when she temporarily goes blind. It can be scary. At least she's trying to take it easy. Her friend Beth, a wild child had a daughter whose father didn't keep his end on the relationship. Debby's mother Virginia(Rowlands) is strong, yet her daughter's resentment to her new boyfriend lead to her own remorse when the boyfriend died of a heart attack. The resentment was caused when her father left the family. The movie has everything, laughs, cries, wonder, curiosity, and a sense of direction on showing on how important life should be. And it's not too late to catch the big one! A very good movie, and a major keeper in the video library.

I think all women under 40 should see this movie.Thumbs up for the women director's vision on the issues depicted in this movie.Uma Thurman is absolutely gorgeous,very talented,very subtle.All actors are great.This is what women should mostly watch,not soap operas,Pretty Woman,Titanic and other crap.If all movies, TV and music would follow the same pattern of this movie (and other), as opposed to unrealistic,cheesy crap that you usually find,the world would be a better place, for both men and women. The scene in the end where Uma's character makes a spectacle of herself in the pub is right there with Pacino's "say hello to my little friend!".Beautiful.Realistic.Interesting.Shattering.

I am speechless, 10 points.

I rate this highly 'cos of the performances of Thurman and Lewis. They were absolutely outstanding. I take on board the comments about the dodgy accents, music, anachronistic details, but they don't matter to 99% of the people who watch. The characterisations were great! Even if they didn't leave you precisely where intended, they were consistent and you could buy into them.

I really like the comment here to the effect that the film would have some merit if the characters achieved even a hint of self-awareness by the end of the film. This is an important point, and I would agree whole-heartedly if the film had a different title. The title is all that's needed to give this film perspective, to place it specifically and allow it to be what it is without reference to the frame that gives it meaning.