Au plus près du paradis

I liked the concept of this movie, especially when it includes clips from one of my all time favourite movies "An Affair to Remember." Catherine Deneuve plays a hopeless romantic, who is trying to reunite with the love of her life that she had when she was young. The story takes place in France and in the US. The only problem with this movie is the language inconsistency. I would have liked it to either be all in English or all in French. Having to switch back and forth takes away from the movie. It might not be one of her best films, but it is entertaining. The chemistry between the actors is very real and adds to the story. All in all it is an okay movie.

NEAREST TO HEAVEN a memorable line from the 1957 classic AN AFFAIR TO REMEMBER is the springboard for this film...Fanette (Deneuve) is a woman living in regret over the fact she failed to commit to the love of her life during the best times of her life...she's haunted by him on every street corner, corridor, & movie theatre...his image seems to be burnt into her head...now after years of waiting & wondering she finally gets a second chance at love...

The story is uneven & frustrating...music score is sometimes inappropriate to say the least...it's more of a homage to Deneuve than the wonderful Grant/Kerr film...Yes, Deneuve is stunning & yes, the camera seems to caress her every move & expression...but...she comes across as very cold & distant...uncomfortable mostly...its quite believable men in Fanette's life have thrown themselves at her feet & she just shrugs them off....one of them, Matt (Hurt) is a spontaneous photographer who's unexpectedly become her partner in NYC while she's there on business & a long awaited personal appointment...but it seems his character is written in as filler for someone to bounce Deneuve's dialogue off of...

Overall: Even if your a Catherine Deneuve fan as I am, you might want to skip this one...

My wife rented this hoping to see some romance. Idle hope. Not much romance between Hurt and Deneuve. Nice to see that Deneuve can still play an attractive lady though. Hurt is on auto-pilot. There are some fragments from 'An affair to remember' making you wish you were seeing that old movie again instead of this French 'remake'. Definitively not worth the time.

This will suit only some tastes: a dreamy, loosely plotted film about a (presumably divorced) Parisienne (Deneuve) grown very romantic in middle age - idealizing a man she spurned forty years before.

This viewer believes that the man has not gotten in touch with her again -that her longing imagination (spurred by repeated viewing of An Affair To Remember) has so taken over that she only fantasizes that he has left her (threw on the ground to a pursuing Deneuve an envelope containing) a note to meet him at the top of the Empire State Building on a particular day and time. The movie invites other viewers to instead believe that the man is simply cryptic and elusive, and has made such an appointment.

Fortunately for Deneuve's longing, she must go to New York for work (she is writing a book about a painter and must have three paintings currently in New York photographed for the book). While there, the photographer (Hurt playing a very goofy character) falls for her.

So, will she step into reality by taking up with Hurt who offers her love - or proceed further into the fantasy world by making her appointment at the Empire State Building? And if the latter, what will ensue? There are many inconsistencies in Deneuve's character - e.g., she has no sentiment about anything in her past - has just moved from her old home, has no desire to keep close relations with her daughter (and cleaned out her room), seldom attends reunions of the class where she knew the idealized Philippe - yet she aches with every couple she sees kiss and imagines Philippe everywhere.

Only reason to see this is for Deneuve -I'd never seen her play a character who can be rattled, silly, spontaneous - and she's wonderful. Hurt's character is however an idiot whom no woman would fall for - let alone both Paulina Porizkova (playing an art owner's wife involved with Hurt before her marriage) and Catherine Deneuve.

Finally, a warning to men: do not try Hurt's move with Deneuve at home. You will be injured.

This film has grown on me with each repeat viewing. Deneuve is in every scene, so it helps if you are a fan, but then how can you not be? The film demonstrates on one level the connection that people can have with the cinema. How it turns a visual image into a feeling, and how also we can live vicariously through it. The director Tonie Marshall wanted Deneuve for this film, and if she had said no, the film would not have been made, it was Deneuve or nobody. This was because Marshal felt, as I have come to over the years, that Deneuve belongs to cinema. She is a legend. When you find a connection it should be kept, whether it is through an actor/actress, character particular film etc. Deneuve on screen represents film and everything about it, how she conveys feelings etc. The film sees Fannette try to find Phillipe, the love of her life from 30 years ago. She is recreating her own scene from An Affair to Remember, where they meet at the top of the Empire State Building. The film is sad at the same time as hopeful. The repeat viewings allow you to see the different layers of the film that are not apparently obvious at the 1st viewing. It can be seen as a romcom sort of film if you wish. But it is so much more. I hope you enjoy it, I am.