New Suit

What a refreshing, well-written movie is the comedy New Suit. Talented fresh faces backed by solid veterans comprise a very able cast. The clever shooting was done in digital 24P a la George Lucas with fine results -- The framing, colors and scenes are quite lovely. This magnificent send-up of Hollywood is a delight to behold... Quite amazing considering its modest $1 million budget. New Suit is an excellent comedy and a fantastic tonic for the mediocre drivel that the big studios distribute. This movie is obviously the work of a great team -- it's a winner.

I was in New York and saw this film at the GenArt festival. I didn't know what to expect, but was pleasantly surprised with this smart comedy. With the kinds of movies the studios are releasing, it's refreshing to see such a well made, fun and entertaining indie film. The characters are hilarious, with an especially funny depiction of a desperate Hollywood producer by Dan Hedaya. The audience loved it and I was glad I got to see the film.

Watching HBO on a Tuesday afternoon is rarely a very rewarding activity. Wanna be films pour for more than eighty minutes on screen, making me wonder whether sleep doesn't truly have an intellectual purpose. However, from time to time, like once or twice every six months, it just so happens that there's film on, Tuesday in the afternoon, which has a title that appeals in even the faintest regard. Now, that's a day to keep in mind. When there's even a concept behind the thing, a tiny eye-hole vision, then you might just have yourself a funky time on your head.

"New Suit" is by far not an impressive film, but, given the circumstances above mentioned, it gathers some attention for itself, considering the allegorical context: Hollywood living in it's flawless suit of "despickability". Maybe there's not much to laugh at during the movie, but it's a pleasant feeling to sense someone small and innocent portraying Hollywood's fakeness and forgetting that everyone is a "victim" in the system. Of course, it doesn't go too deep and about half of the movie feels just like a dumped story of its kind, but being candid is that which makes it worth its while.

The actors are so well picked - total anonymity dispersed among some familiar faces - that they conjure this fantasy like atmosphere, cleverly backed up by some very lively, nearly surreal colors, obviously denoting that it doesn't take itself too serious. I have to appreciate "New Suit" for being smart, even though it remains somewhat hollow at times.

As self-confessed movie addict, I'd thought I'd seen it all -- but the new indie feature NEW SUIT still managed to impress me. Gorgeously filmed in the new digital 24P (the same technique used by George Lucas for the new Star Wars), NEW SUIT is reminiscent of other hip, fun movie satires like Swimming With Sharks, Living In Oblivion or even LA Story. This one, directed by Frenchman Francois Velle, is deliciously sharp and wickedly dark. Perhaps it takes an outsider to truly see through the gauze of the Hollywood dream factory. Smartly written, beautifully edited, finely acted and backed by a snazzy, peppy soundtrack, NEW SUIT is almost flawless as this French director's crossover English-language debut. As Hollywood hopeful Kevin Taylor, Jordan Bridges is both down-to-earth and likeable. Like his father Beau, he seems set for a very solid movie career. This kid has decency written all over him and is gorgeous to boot. The rest of the cast are equally charismatic, from Marisa Coughlin as beautiful aspiring agent Marianne Roxbury to Dan Hedaya as fearsome CEO Muster Hansau (even the names are hilariously on the nose). Mark Setlock and Heather Donohue (of Blair Witch fame) provide a wonderful comic due as Muster's put upon development executives, driven entirely by fear. Donohue, in particular, reminds one of a young Catherine O'Hara and one hopes she gets the chance to show off her comic talents in other movies. Screenwriter Craig Sherman even takes a cameo as the icecream man Kevin names his fictitious writer after (Jordan Strawberry).

Without giving the plot away, the bones of the story are deliciously simple. Disgusted by the game-playing and back-biting of the studio industry, Kevin takes the concept of the Emperor's New Clothes and makes up an entirely fictitious 'hot script' - just for the joy of seeing his peers squirm as they pretend to have read it. Too late, his 'joke' snowballs out of control - and even Marianne gets in on the scheme. Before she and Kevin know it, she's incited a bidding war between two rival producers, mediated by a icy, bald-domed studio head Braggy Shoot (with his own personal Feng Shui advisor) in a very funny performance by ER's Paul McCrane.

There's far too much to compliment about NEW SUIT -- it's richly layered with many, many insider jokes - and it's the kind of movie you'll want to watch a few times over to really savor all the funny details and smart/snide punchlines. NEW SUIT has the potential to be a hip cult favorite.

New Suit is hands down the worst film I've seen this year. It looks like it was shot using an ugly cam. How does a film look like this get released. Barely, when I saw it, there two people in the theater, and they were theater employees, so I guess they had to be there. The picture doesn't look good, but with the acting, who cares. No performances stand out, they're just mostly mugging actors who have little ability to convey even the simplest of emotions.

If you're not a fan of poor technical qualities, stay away. If you like to laugh, stay away.

In fact, just stay away.