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Full Frontal

  • 2002
  • T
  • 1h 41min
VALUTAZIONE IMDb
4,7/10
11.485
LA TUA VALUTAZIONE
Julia Roberts, Catherine Keener, and Blair Underwood in Full Frontal (2002)
Home Video Trailer from Miramax
Riproduci trailer0:48
2 video
22 foto
SatiraCommediaRomanticismo

Aggiungi una trama nella tua linguaA day in the life of a group of men and women in Hollywood, in the hours leading up to a friend's birthday party.A day in the life of a group of men and women in Hollywood, in the hours leading up to a friend's birthday party.A day in the life of a group of men and women in Hollywood, in the hours leading up to a friend's birthday party.

  • Regia
    • Steven Soderbergh
  • Sceneggiatura
    • Coleman Hough
  • Star
    • Julia Roberts
    • David Hyde Pierce
    • David Duchovny
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    4,7/10
    11.485
    LA TUA VALUTAZIONE
    • Regia
      • Steven Soderbergh
    • Sceneggiatura
      • Coleman Hough
    • Star
      • Julia Roberts
      • David Hyde Pierce
      • David Duchovny
    • 171Recensioni degli utenti
    • 85Recensioni della critica
    • 45Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 2 candidature totali

    Video2

    Full Frontal
    Trailer 0:49
    Full Frontal
    Full Frontal
    Trailer 0:48
    Full Frontal
    Full Frontal
    Trailer 0:48
    Full Frontal

    Foto22

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    + 16
    Visualizza poster

    Interpreti principali60

    Modifica
    Julia Roberts
    Julia Roberts
    • Francesca…
    David Hyde Pierce
    David Hyde Pierce
    • Carl
    David Duchovny
    David Duchovny
    • Gus
    Nicky Katt
    Nicky Katt
    • Hitler
    Catherine Keener
    Catherine Keener
    • Lee
    Mary McCormack
    Mary McCormack
    • Linda
    Blair Underwood
    Blair Underwood
    • Calvin…
    Enrico Colantoni
    Enrico Colantoni
    • Arty…
    Erika Alexander
    Erika Alexander
    • Lucy
    Tracy Vilar
    Tracy Vilar
    • Heather
    Brandon Keener
    Brandon Keener
    • Francesca's Assistant
    Jeff Garlin
    Jeff Garlin
    • Harvey, probably
    David Alan Basche
    David Alan Basche
    • Nicholas's Agent
    Terence Stamp
    Terence Stamp
    • Man on Plane…
    Nancy Lenehan
    Nancy Lenehan
    • Woman on Plane
    Brad Rowe
    Brad Rowe
    • Sam Osborne
    David Fincher
    David Fincher
    • Film Director
    Jerry Weintraub
    Jerry Weintraub
    • Jerry
    • Regia
      • Steven Soderbergh
    • Sceneggiatura
      • Coleman Hough
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti171

    4,711.4K
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    Recensioni in evidenza

    mrchaos33

    Explores New Ground

    Director Steven Soderbergh calls Full Frontal the unofficial sequel to Sex Lies and Videotape, his groundbreaking 1989 film. Most everyone else has called it a mess, or useless waste of time. One prominent American critic even suggested this might be the worst film ever by a major director. I can't say I agree with the harsh criticism. While I'm not exactly sure what the movie is about, and vast passages of it simply do not work, I do think it is a film with great passion and energy. Soderbergh has left behind the slickness of Ocean's 11 and Erin Brockovich and made an experimental film that bristles with inventiveness. Not everything works, but there are several nice performances, particularly by David Hyde Pierce and Catherine Keener and I enjoyed watching an A-list director stray from the tried and true and explore rockier ground.
    seanchai321

    Nod and Wink a full movie doth not make.

    What as waste of energy. Sure you could see where they wanted to go, if it hadn't been made a 1000 times by independants and students. Was Soderburgh trying to re-create something from his "Sex, Lies..." days? This movie can be summed up in that it was a student film made by Hollywood trying to be self-referential. If you were in on the jokes and the cameo/guest appearances then you were in on the movie, otherwise, for most - you're out. Nodding and winking at your clever, in-jokes at Hollywood does not make a movie.

    What was Terence Stamp doing there?
    curciof

    The movie within a movie within a movie just did not work

    I couldn't track the characters and after 20 minutes I didn't want to track them. I just wanted it to end--what was Soderbergh thinking? At first I thought it was supposed to be amateurish since it was a movie within a movie, but, when it went on and on with horrible lighting and terrible hand-held camera work, it was enough to make one want to run out screaming.
    5tvsterling

    Proof of Concept Falls Short

    Rented this film after reading an interview in DV Magazine with Soderbergh. Evidently the film was a concept; to play the visual qualities of film against those of digital video, & to try to integrate the 'Reality Show' idea into a feature film. The film has a few good moments but comes off confusing & visually ugly. I have worked in both film & video. Video is still inferior to film in terms of visual quality but it doesn't have to be ugly. There is lots of footage in the film that is just plain ugly thru run & gun style shooting carelesness. A little more craft in shooting the video would have kept it technically in bounds & still allowed the video quality to express itself. While I'm at it a major mistake was shooting the video with only one cameraman (Soderbergh himself). This is a major advantage of video; cheap multi-camera shooting is one of the great benefits. Double teaming this excellent cast with two good cameramen on these small self-focusing cameras could have produced some awesome cutting material. A tragic mistake. There are also lightweight gymbal camera mounts for these cameras which make beautiful floating camera moves. They could really have helped the hand held camera. Even though the film doesn't quite work I have to hand it to the director for trying. It would be easy to back off the cutting edge thru fear. Hitchcock did proof of concept stuff with 'Rope', nobody ever did that again but the film wasn't a failure either. It's all about guts. I think the reason for the big name cast was that they wanted to try to break some new ground too. Maybe just making lots of money gets boring (although personally I can't see why). The best acting was by Catherine Keener. She got to develop a full & interesting character. Close behind & neck & neck were David Hyde Pierce & Blair Underwood. I also really liked Nicky Katt as Hitler. I agree with others that his role & the producer's should have been expanded; especially his. 101 minutes run time leaves 19 minutes to play around with (120 standard US film). That's lots of time. The article also said that there were some hidden & fully candid cameras used. I wish I could tell where or even if any of that was used. I say reload & try again. Hell even more radical. Shoot the whole thing with hidden cameras. What always kills avant guarde experiments is lack of good actors & there was no lack here.
    3claudio_carvalho

    A Huge Waste of Talented People

    `Full Frontal' is maybe my greatest deception this year. Directed by Steven Soderbergh and having such a cast, I would not believe that the film could be such a crap. There are lots of characters, but none of them is well developed. Therefore, the viewer sees many famous actors and actresses on the screen and is not able to understand who they are, what are their motives, where they are. The plot is very confused, and some actors and actresses perform more than one role. The image and photography are horrible, using a kind of fake Dogma '95 style. I do not know how such talented people could be part of such a mess: friendship or big money? Anyway, a huge waste of talented people and of my time and money, in a film that never works. My vote is three.

    Title (Brazil): `Full Frontal'

    Trama

    Modifica

    Lo sapevi?

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    • Quiz
      Steven Soderbergh attached the following list of rules to the screenplay to his low budget ($2 M) film with a huge list of stars:
      • 1. All sets are practical locations.
      • 2. You will drive yourself to the set. If you are unable to drive yourself, a driver will pick you up, but you will probably become the subject of ridicule. Either way, you must arrive alone.
      • 3. There will be no craft service, so you should arrive on set "having had". Meals will vary in quality.
      • 4. You will pick, provide, and maintain your own wardrobe.
      • 5. You will create and maintain your own hair and make-up.
      • 6. There will be no trailers. The company will attempt to provide holding areas near a given location, but don't count on it. If you need to be alone a lot, you're pretty much screwed.
      • 7. Improvisation will be encouraged.
      • 8. You will be interviewed about your character. This material may end up in the film.
      • 9. You will be interviewed about the other characters. This material may end up in the finished film.
      • 10. You will have fun whether you want to or not. If any of these guidelines are problematic for you, stop reading now and send this screenplay back where it came from.
    • Blooper
      Catherine's black notebook and pen suddenly appear on the airplane armrest between shots, after her tape player clicks.
    • Citazioni

      Carl: I think Lee is like... Have you ever seen a dog get hit by a car but walk away? And there's this impact and you know something terrible has happened to that dog but it walks away and it doesn't seem to even realize the implications cause it just goes on. But you know that something terrible has happened inside this dog. That's, I think, what happened to Lee. It's like she's a dog that got hit by a car, and she walked away and she's still walking, but some very, very important things inside her are damaged.

    • Curiosità sui crediti
      Brad Pitt is credited as playing 2 characters: "Brad Pitt" and "Himself".
    • Versioni alternative
      An extended version was released in 2013 in the Blu-Ray released by Echo Bridge Entertainment. It runs for 112 min (instead of 101 in the theatrical version) and expands several scenes, rearranges the order of some others and takes out two scenes.
    • Connessioni
      Featured in Siskel & Ebert & the Movies: Blood Work/Full Frontal/The Master of Disguise/Martin Lawrence Live: Runteldat (2002)
    • Colonne sonore
      Sarah
      Composed and Orchestrated by Jacques Davidovici

      Published by Telfrance (Administered by Marada USA/Criterion, for USA and Canada)

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    Domande frequenti20

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    • What are the differences between the Theatrical Version and the Extended Version?

    Dettagli

    Modifica
    • Data di uscita
      • 20 settembre 2002 (Italia)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • How to Survive a Hotel Room Fire
    • Luoghi delle riprese
      • New York, New York, Stati Uniti
    • Aziende produttrici
      • Miramax
      • Populist Pictures
      • Monophonic Inc.
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 2.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 2.512.846 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 739.834 USD
      • 4 ago 2002
    • Lordo in tutto il mondo
      • 3.438.804 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 41min(101 min)
    • Colore
      • Color
    • Mix di suoni
      • DTS
      • Dolby Digital
      • SDDS
    • Proporzioni
      • 1.85 : 1

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