Aggiungi una trama nella tua linguaA famed Hollywood director is nearing death and reevaluating his life. What troubles him most is the son he abandoned. As he is shown a film of his son's painful life, he is offered the oppo... Leggi tuttoA famed Hollywood director is nearing death and reevaluating his life. What troubles him most is the son he abandoned. As he is shown a film of his son's painful life, he is offered the opportunity of a lifetime: to set things right.A famed Hollywood director is nearing death and reevaluating his life. What troubles him most is the son he abandoned. As he is shown a film of his son's painful life, he is offered the opportunity of a lifetime: to set things right.
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Douglas plays an aging movie director who will be dying soon. One day, he has what you can only assume is a dream or vision. In this experience, a man (is he an angel?) transports the director magically to a movie theater...complete with a bed for the director. The man shows the director three short films.
The first shows the directors son, Chris, as a teen who is smitten with a girl. It's a tad creepy the way he follows her and the story ends after Chris goes through hell trying to get the girl. It also turns out that the director abandoned the son, long, long ago.
The second film shows Chris about a decade later. He and the girl have gone their separate ways. He is a goth who works for a very self-absorbed no-talent performance artist. One day the artist announces to Chris, his assistant, that he saw the most amazing woman on the street and Chris' job is to find her and invite her to a big event. He's also told if he doesn't find her, he's losing his job and not getting paid! When Chris tracks her down with the clues the artist gives him, he finds it's the same girl from the first film.
In the third and supposedly final film, you see Chris again...about a decade later. He's just being released from prison and goes to the old town looking for the girl. He cannot find her but is befriended by a nice guy (Bryan Cranston) who invites him to his house for a party. At the party, he sees the girl...but it appears that she's married to this nice man and has his child. But is this all? Is there, possibly, a fourth reel?
The film is both very surreal in style and existential as it asks questions about the meaning of life. Both make it a film that many probably might not like, as it's anything but a Hollywood style film. It is something that might appeal to folks who like the films of Ingmar Bergman as well as Kurosawa's later films, as these two famous directors were some of the few who did films that explored these issues. Overall, a truly unique and interesting movie...one that you really should see if you want something different...or if you don't mind exploring your life and life choices.
The challenges of the film are evident in how much to show both the viewer and Douglas' character without giving away the whole truth. Goorjian's character is consistently interesting in that with no direct intervention of a patriarch, he is destined to attack life in unconventionally original ways. An example of this is the wooing of his first and only love by round-robin poetry. Douglas is very engaging, searching for his son through the only medium which he can relate-cinema. Understandably, neither character changes, until the very end.
It is a sad statement on the affairs of father/son relationships. Not being able/unwilling to relate seems to be the common theme in this film. However, when it counts, a true father's voice will always ring loud and clear. The performances are consistent and distant at the same time.
This is clearly a complex film which simply describes lost relationships rediscovered in the only medium that can truly impacts everyone. Yet its appeal can translate to all ages.
This film should be seen all and I feel that Kirk Douglas may finally have found his first Oscar.
That's what is happening to legendary film director Kirk Douglas as his life ends. During some dream he's visited by the ghost of a former film editor passed away long ago. And they go to the movies and see a life of his estranged son played by film creator Michael Goorjian and his pursuit of the love of his life Karen Tucker.
In the end Douglas asks for a different ending to the film and some heavenly editing.
Illusions is an ambitious undertaking and while it doesn't totally succeed there's enough there for us to enjoy and appreciate life. God knows we all look back at things we might have done differently, would we could edit out portions of our lives. In fact I'm not sure of an autobiography exists where the author is 100% truthful.
Goorjian and Douglas give wonderful performances. And Kirk did come back to do one more. But I think in many ways this is an epitaph film for him.
Lo sapevi?
- QuizKirk Douglas was 87 years old during production, making him one of the oldest leading actors in film.
- Citazioni
[first lines]
Narrator: The story doesn't end when you get here, like you think it might. All the mortal pieces have scattered, but the impressions remain. Every last one of them.
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- The Ilusion
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 9261 USD
- Fine settimana di apertura Stati Uniti e Canada
- 9261 USD
- 20 feb 2006
- Lordo in tutto il mondo
- 9261 USD
- Tempo di esecuzione1 ora 46 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1