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It's the end the trail! After nearly eighty years of loyal traditionally animated service, the Walt Disney Company has decided to call it quits, at least for the foreseeable future. You might be asking, `Why now? Why not years ago?' … First off, this isn't the first time that the staple that made the Walt Disney Company what it is today has faced an almost certain death. In 1986, Disney Feature Animation Studio was on its way out the door with The Black Cauldron and The Great Mouse Detective underperforming at the box office and leaving the talented artists little hope … That's until new management came in, cleaned things up, and, with the help of Roy Disney, brought the animation unit back to its former glory with such hits as The Little Mermaid, Beauty & the Beast, Aladdin, and The Lion King. Yep, that Michael Eisner sure knew what he was doing … Who would have thought that the man who kicked started animation up again at Disney would be the one to kill it? That's the word of the day folks … business. With computer animated features clearly outranking traditional ones, its just common business sense. But one has to wonder, with both traditional animation and Pixar out of the picture, what is Eisner thinking? … If he's doing that at all.

The story follows a group of cows out to track down a criminal in order to collect the reward money to save their farm from being auctioned off to the highest bidder. Maggie is one head strong woman. She's rude, crude, and let's everyone know about it because she's doesn't give a hoot about what they say. She would rule the west … if she wasn't a cow. Unfortunately for her, Maggie's former home was auctioned off after the notorious Alameda Slim took off with their prized cow herd and left the owners with next to nothing. And just when things begin to look on the way with Maggie finding a new happy home at Patch of Heaven dairy farm, the bank declares foreclosure on the farm, leaving the owner three days to pay off the $750 in order to keep the farm. Unwilling to lose another home, Maggie leads a small group consisting of Mrs. Calloway and Grace, the other two bovine residents of the farm, to search for the cow thief but they aren't the only after the larcenist. There's also Buck, a horse with high aspirations but too much enthusiasm to back it up, and Rico, the mysterious bounty hunter who has a dark secret up his sleeve, as well. In the end, it's an all out of for truth, justice, and the bovine way! The story for Home on the Range is another prime example of a plot that looks interesting on paper but clearly doesn't go anywhere once it is projected onto the big screen. The problem is that there is no emotional investment in the characters. Granted this is a children's film and it's not intended to be rocket-science or anything like that but one can make the argument that this is a family film and if the adults don't get anything out of it, who's to say that this isn't anything more then a modest diversion.

What's becoming more of a rare oddity is the use of big name stars in animated features to drive movie-goers and though none of the cast of Home on the Range is necessarily going to have people lining outside the door in giddy anticipation, they are well-known … just how well-known depends on who you talk to. Roseanne Barr, famous for her hit television show Roseanne and more recently for her two cancelled TV programs, headlines the cast as Maggie the cow (Is there any use in inserting a joke here? All the good ones seem to have been used up). Here you have to be wondering what the cast director was thinking when they picked her up? The loud, obnoxious, and crude Roseanne was bad enough but a PG-rated version of her is even worse, if that can be imagined just from this description. Sure the kids may get a chuckle here and there from boorish antics but then so what? Cuba Gooding, Jr. voices the over ambitious Buck the horse but once again the audience is given a character they really don't care about. Buck is treated mostly as a joke with no clear sense of the justice system or what it takes to be a hero. If there was more of that in him, maybe we'd care a little more every time he seems to fail but we don't. The only real highlight in the voice cast, at least from a more mature perspective, would have to be Steve Buscemi, who makes a slight appearance voicing a pint-size partner of Alameda Slim. Why is it that this man seems to work no matter where he is placed?

Overall, Home on the Range is a disappointing and undeserving conclusion to the end of Walt Disney traditional animation and only showcases further evidence to why the genre is heading to the grave in the first place. How can traditional 2-D animation compete with the likes of Pixar with trap-holes like this? Not just on the level of visual graphics but at the story and character development levels as well. With Range, the audience is thrown head first into the plot and rushed to a predictable and dispassionate conclusion with no real emotional investment placed with the characters or the actions they take within the course of the film. Even the villain is a pathetic show … Yodeling? Who's the genius that thought that brilliant idea up? This isn't to say that all of Home on the Range is a pointless effort. The musical score as well as the songs are enjoyable highlights but, as with most other films, if the only amusement you find is the music then save your money and buy the soundtrack. All in all, Home on the Range marks the end of a roller coaster ride for traditional animation at Disney … One only wishes it could have ended on a better note then this.

My Rating: *** out of 5 (Grade: C-)

Ignore the hate if you fell in love with this film. I just watched it and I thought it was fine. Yes, it has it's issues, but I wouldn't consider it as a terrible film from Disney.

Home on the Range was kinda unique. It had nice animation and the characters like Maggie, Mrs. Calloway, Grace and Lucky Jack are pretty good.

The villain, Alameda Slim was pretty weak. He's so dang goofy it's hard to take him seriously.

Here are some things I would change about Home on the Range:

1. Have the characters be more interesting. Don't make them flat.

2. Delate some of the cow jokes. There are too many of them.

3. Make Slim a better villain.

4. The yodeling song could use some work with lyrics.

Overall, this is an okay Disney film. I wouldn't say it's bad, but it's okay.

It has been nearly five years since the release of this recent traditionally animated Disney flick, made in a CGI-dominated time, and I definitely didn't even hear about it at the time of its release. It clearly didn't turn out to be a box office smash, which is probably why I never heard about it (unlike "The Incredibles", the hugely successful CGI-animated feature released the same year), and I don't think I knew about it until I saw it mentioned in a book about animated films a couple years ago. After seeing "Home on the Range", I can definitely see why it tanked.

In the old west, Maggie, Mrs. Calloway, and Grace are three cows, all with very different traits, who live on a dairy farm in Nebraska called Patch of Heaven, owned by an elderly widow named Pearl Gesner. Pearl owes a lot of money, which she unfortunately can't pay, so it appears she will soon lose her farm, and it will be auctioned off! So, the three cows decide to set out to try and save their home. They must track down an outlaw, a cattle rustler named Alameda Slim, who uses a false identity to claim many properties in the state, and hypnotizes cows with his yodeling! On their adventure, they meet others on the same mission, to try and stop Alameda Slim, and due to the different traits of the three cows, they don't always get along, with conflict between Maggie and Mrs. Calloway, which obviously won't make it easier!

Others have already mentioned the lacklustre plot of this film, and I'm going to have to agree wholeheartedly. The plot pretty much completely failed to interest me, since it's very simple and forgettable, and the real lack of humour doesn't help. I only rarely found amusing moments, and kept a straight face for almost the entire thing. For example, there's some weak slapstick, which may appeal to kids, but probably not many others. I found that the funniest parts involved Alameda Slim's dimwitted nephews, parts such as them not being able to recognise their uncle after they've seen him put his simple disguise on, but they are very minor characters. Not only is the plot forgettable, so are the gags and most of the characters. Basically, the film was put together fairly simply, and probably could have been more focused. I found myself indifferent to pretty much everything about it, and I'm sure I'm not alone.

It looks like this film marked the end of a very long era, the era of traditionally animated theatrical Disney movies, which began in 1937 with "Snow White and the Seven Dwarfs" and went on with the company long after Walt Disney's death in 1966. Through those decades, so many classics were made in the franchise, so it's unfortunate that they couldn't finish with a much more noteworthy picture. Instead, they finished with a dull one, one which is probably much more appealing to kids than adults, unlike probably most of them, which can be fun for all ages. "Home on the Range" reminds me a lot of "Rock-A-Doodle", a 1991 animated film from Don Bluth, and not one of his more popular efforts. Both are lacklustre animated films with anthropomorphic animals, ones which are basically for the kids, and I've personally found to be very unmemorable.

Having only just moved to her new home, Maggie the cow is shocked to learn that it is to be shut down and auctioned off – more than likely meaning the chop for all the animals. With cows Mrs Caloway and Grace in tow, she sets out to try and save the farm by claiming the reward for bringing in an infamous cattle rustler. Ignoring the sheer improbability of this, they set off only to find that several other parties (animals and humans) have similar ideas.

I came to this film as one of many animated films on during the Christmas period and given the genre perhaps had reasons for looking forward to the usual star cast, kiddie friendly laughs, subversive adult humour and solid plot with a moral at the base of it. Sadly though this genre is no longer one that can be judged based on your Shrek's, Toy Story's and so on but now needs to be approached with caution given how many weak copies there now are out there. It is a shame to have to point the finger at a Disney product for this crime but I couldn't shake the feeling that the planning for this film involved watching the good Pixar films and saying "let's make one of those but without the effort or cost".

And so the film was born and it appears the effort and cost has been removed, perhaps making a more profitable film due to lower overheads and a "look kids it's another animated film" marketing strategy that writes itself, but what it doesn't produce is a good film which is what Home on the Range stands as testimony to. The story is a very simple adventure that doesn't really have much to it beyond the basic description above and I was surprised by how plodding most of it was. The laughs are few and far between and the delivery generally seemed to lack energy. The animation is pretty basic looking and seems to have been made by a rather lacklustre committee, which is ironic when you think about what the significance the film holds within the legacy of Disney.

The voice cast has names but it feels more like actors being "the voice of" rather than playing characters. As a result they tend to just play on their voice rather than develop characters. Roseanne is Roseanne but with weak material (meaning she is just loud and not funny). Dench takes her money and I doubt very much if this film will ever be mentioned when discussing her body of work, and nor should it be. Tilly at least plays up her part and has quite a "fun" voice. Quaid, Gooding Jnr and Warburton are so-so even if small turns from Buscemi and Weaver are quite fun.

Overall then a pretty lacklustre product across the board that seems to be content to just take the success that simply being in a genre that we had gotten used to being good. It might amuse young children with its big bright shapes and loud noises but older children and certainly adults will find little to entertain.

The trailers - especially the trailer on the Finding Nemo DVD - suggested comedy to rival "The Emperor's New Groove," etc. The movie WAS amusing, but not what we've come to expect from recent animated films targeting adult audiences. However, my kids LOVED it, and the theater was full of hearty laughter from all the other kids as well.

"Home on the Range" is full of slapstick humor aimed at a young audience - THIS is a cartoon that remembers what cartoons are supposed to be. And there are plenty of amusing one-liners to keep mom and dad from being bored.

A good, old-fashioned cartoon... "You know, for kids!"