The Movie Hero

An incredibly insightful and daring film that works on so many levels that my friends and I are still talking about it and going "Whoa!" The dialog is impeccable, the acting and directing are brilliant and the premise is a very funny testimony to our current paradigm shift in consciousness.

It begins as a movie about a man who believes his life itself is a movie, and that he has a responsibility to live it very deliberately, offering all the drama and nuances that we, his audience, deserves to see....without boring or offending. While the people around him are convinced that he is crazy, we are not so sure, because after all, we are watching his movie, aren't we??

The writer/director who discussed his movie after the screening at the Ashland Film Festival, said he made this movie based on his own experiences making movies...and while it pays a hilarious tribute to the process of film making I think it goes even deeper. The very nature of performing for an "imaginary" audience invokes the same questions posed by such movies as "Matrix" and even the "Holodeck" on Star Trek, where we realize that we are the direct creators of our own realities. We are the writer, director and producer of our own life movies, which helps us out of the victim role and into the creator mindset. And yet, for all our omnipotence and freewill, life created in a vacuum, without feedback or accountability, is meaningless. Doing or being just for it's own sake feels empty, so we must have a more tangible reason for doing the things we do....hence our audience (or higher power, or inner critic or what have you) that helps us be more aware of and deliberate in our life choices. Makes us want to become the hero instead of the villain or the loser who gets dumped in the end.

So here we are, watching a movie about a guy wanting to create a meaningful movie (ie: Life) for us, his audience, who is watching a movie created by a guy (the director) who wanted to create a meaningful movie for us, his audience, who will hopefully leave the theater wanting to create a meaningful movie of our own lives....so as not disappoint our inner audience.

Whoa.

I saw The Movie Hero at the Dahlonega International Film Festival and it was

fantastic! Great acting, great directing, great script, great everything! The movie is about the pain and difficulty of making art, even if your "art" is just living your own life. I wish this film was playing "in theaters everywhere" as they say. But it's probably not going to. It looks like it's going to play at a lot of festivals though, so I urge you to find it. You won't be disappointed.

most of the critical explanations of this movie i have read are way off...this movie is brilliant and has nothing to do with being overtly charming or endearing... the dialog is complete genius as well as the underlying message..

hope

psycotic

i hate movies, yet i live in an uscripted version of dillusion and surreal reality...the film that all indie films wish it could be when they are through being pretentious and for lack of better words, boring..(from someone who respects indie films in a creative and cinematic way) learn how to script the unscripted and feed off of tragedy...

The fourth wall is broken in this funny, romantic and well-acted and -directed film for all -- especially people who love movies.

At the start, movie lover Blake shares with us -- his own personal, omnipresent audience -- his plan to do what all movie heroes do: battle a "suspicious character" and save the day. But first, he must find the requisite funny "sidekick" (he chooses young, black Antoine, whom Blake likes immediately despite his fear of the cliche their relationship creates). Blake also discovers the lovely, perfectly imperfect woman who must surely be his "love interest" -- and who is, naturally, already attached. Though everyone in his life questions his sanity, Blake believes his ability to see "his" audience is a gift. What's so great is the clever way the movie makes us, the audience, question his sanity at times, too.

Jeremy Sisto easily, breezily carries the film. He plays Blake as warm and likable, with just enough innocence to make us believe in him despite the underlying sadness and desperation in some of Blake's actions. I've been a fan of the actor for ages now, and here he has a role to showcase his full range of talent. He also has chemistry galore with Dina Meyer, who's pretty and smart and whom we want to be happy, just like our hero.

The rest of the cast is also terrific. The always-interesting Peter Stormare is creepy, yes, but it's also apparent he's having a great time, so he's never really threatening. Alexis Arquette has a funny cameo, Frances Bay a heartbreaking one, and Marcia Strassman and Eric Pierpoint (as Blake's mom and dad) are the kind of supportive, funny parents you'd hope to have if the world didn't understand you. Brian White nicely fleshes out Antoine.

Director Brad Gottfred shows a real maturity and confidence in both the script and direction. It wasn't until about halfway through that I realized just how complicated the camera work must have been. He's confronted with a similar challenge as M. Night Shyamalan probably had in presenting certain key scenes in the Sixth Sense. And yet he, DP Samuel Ameen and editor Ryan Rothmaier pull it off flawlessly.

During a Q&A after the screening in Cleveland, Gottfred said as of yet there is no distribution deal. I hope it gets one. Until then, if you have the chance to see this at a film festival, be sure to. I'm already looking forward to seeing it again in the theater, on cable, or DVD.

I saw this film at the Cleveland Film Festival, it was one of the few US films showing, so I wanted to see it, but after reading the review in the festival magazine, my expectations were low. The only reason I call this film "kind of original" is because the concept was original, yet the humor that was employed, has kind of already been done.

It is about an aspiring actor in Los Angles, who is considered a failure by most around him. Because of his failure, he creates an imaginary "audience" (that's you), that watches him as he goes through daily life. He goes to great extents to impress his audience by doing things like attacking random suspicious-looking characters on the street. After a few violations, a judge has him see a psychiatrist, and from there, things start getting a little bit more interesting.

It was a pretty upbeat movie, and a few parts had me laughing, but it mostly consisted of making-fun of common film clichés and stereotypes, and despite this, the film still employed a few of these on its own. The main character often talks directly to the audience, which gets sort of irritating and there's also this villain that runs around, who also becomes annoying. The acting was nothing special, but I will give the writer a bit of credit, sometimes you are left wondering where he will go next, but for the most part the film manages to remain entertaining. Pretty average: 5/10.