In America - Il sogno che non c'era

If you're of a sensitive caring disposition, are empathetic, loving and genuinely see the best in people then this is a film for you. No leaps of faith needed here as Paddy Considine and Samantha Morton share with us the plight of those less well off than most. After suffering a traumatic family event we find them in a new country, a new city, with all its cultural variations and contradictions to overcome - a landscape of limited opportunity. Join them on their journey but be warned, their daughters Christy and Ariel will steal your heart, break you in two, stream tears from your soul. Join them on their journey and let it remind you what it means to be alive.

"In America" is about an Irish family of four who enter America at the Canadian border, sell their car for money, take up residence in a slum-like walkup in NYC inhabited by losers and druggies, and proceed to do really stupid things like let their little girls eat ice cream across the street unattended or bet all their money on a stupid carney game or enter an unknown black man's apartment while trick or treating. The film continues from there fabricating, manufacturing, and contriving moments with the obvious purpose of evoking emotions...joy, pathos, angst, woe, etc. And it worked. I could go on but anything I write will simply be lost in the wake of plaudits from all corners. "In America" is a hugely popular flick with a good cast, excellent performances, and solid production value recommended for everyone but me. (B)

'In America' is a film about a family of Irish immigrants who move to Manhattan and face some hard times in America. The story is primarily told through the eyes of the little girls, and they go through the hard times of adjusting to a new life while learning loss and gain. There is a sense of magic and cultural identity in the film, and this makes it even much more touching when told through the eyes of the little girls who have had their lives turned upside down in the search for a new and better life in America. In some places, it is a little too sweet and magical, but I don't think it ruins the film because it is told through the eyes of the girl, and I am certain that many more immigrant families went through experiences like this and even worse than this. I also thought that the acting by the little girls was done well. It's a sweet film; it's a little sad, and it's magical. It just made me feel all warm inside. Go see it for yourself and see if you get caught up in the magic as much as I did.

Greetings again from the darkness. I have no idea what has taken so long for this film to be released. Director/Producer/Writer Jim Sheridan ("My Left Foot", "In the Name of the Father" "The Boxer") has always been a tremendous filmmaker and with "In America" he has become a wonderful story teller. This semi-autobiographical picture was co-written by Sheridan and his two daughters and is the story of an Irish family's immigration to New York. I am a fan of Levinson's "Avalon" and Scorsese's "Gangs of New York" and I will rank this with both. It causes what I call "crossover". That is when I no longer feel I am watching a movie, but that I become part of the story. The characters are no longer actors, but real people. The writing, directing and acting are all terrific. Paddy Considine (a Stephen Rea lookalike), Samantha Morton ("Minority Report"), Djimon Hounsou ("Gladiator") are all exceptional in their roles. However, this movie belongs to the real-life Bolger sisters, Sarah and Emma, who play Christy and Ariel. Ariel's innocence and need to believe along with Christy's wisdom-beyond-her-years truly make this film work. Rarely do child actors carry a movie of significance. While these two bring joy, laughter, sadness and tears, they never cross the line of overly cute or overly sympathetic. Another odd twist to this film is the importance that Spielberg's "ET" plays. The dream of home and the presence of aliens (drug dealers, etc) in their tenemant tie in nicely. Their friendship with Mateo (Hounsou) is both bizarre and heartwarming. This is an extremely emotional ride for the audience, but one well worth taking.

Johnny, Sarah and their young daughters Christy and Ariel move to New York from Ireland. With barely any money they find an apartment in a run-down building that is overrun with drug addicts. Johnny, an actor, struggles to get a role and the family eke out an existence. Also hanging over them is the death of their son, Frankie. Then one day the little girls meet and befriend the mysterious, solitary neighbour, Mateo.

Written and directed by Jim Sheridan (My Left Foot, In The Name Of The Father), the movie is a bitter-sweet experience. The trials and tribulations of an immigrant family struggling to make ends meet, mixed with the recent tragedy in their history and the complexity of the Mateo situation make for an emotional journey. The daughters also provide a sweet, innocent perspective to proceedings.

Yet it all feels underdone. The family's situation is not as grittily shown as we imagine it should be. The basic summary of this movie reminded me of another Irish movie, Angela's Ashes, and that was a harrowing journey, where no positive outcomes are assured, making for an incredibly interesting and engaging experience. This movie is too neat and non-confrontational to feel like there are any really negative plot developments ahead.

In addition, certain key aspects are not developed very well. We never really get to know Mateo well enough to feel totally engaged by his character. Even the Frankie story, possibly the most emotional aspect to the movie, feels it is in there to demand our emotional energy rather than earn it, and the conclusion to that feels a bit clumsy.

Can't fault the performances though. Paddy Considine and Samantha Morton put in solid performances as Johnny and Sarah, as does Djimon Hounsou as Mateo and Sarah and Emma Bolger steal the show as Christy and Ariel.

Overall: an interesting, emotional movie but far from perfect.