The Core

How do you jump start the Earth's core? Well, if you want to find out (and have a few laughs in between) all you need to do is watch 'The Core'...

Yes, it's stupid, yes, it makes no sense, yes, the science is flawed, and yes, it's impossible. Nevertheless, I have to say I enjoyed watching this movie. It's one of those 'get a beer and some popcorn, turn your brain off and enjoy the afternoon' type of pictures. If you are not pretentious and take this film for what it is, you are more likely than not to enjoy it as I did.

All in all, this is a classic disaster flick, and for a disaster flick, this is above average.

** out of ****

The Core is the "low-budget" answer to Armageddon, meaning it was made on less than half the cost but desires to be its equal in delivering thrills and big buckets of popcorn fun. Now, whether or not you liked Armageddon is a good determinant of whether or not you should even bother watching The Core in the first place. I myself haven't seen that Michael Bay/Jerry Bruckheimer production in a while, and memory serves that it was an unbelievably preposterous, but enjoyable thrill ride that had a great sense of humor. How does The Core compare?

Well, if I hadn't seen Armageddon, I might have liked this film more, which is not to say that it's a weaker movie, just that the disaster formula plays out in much the same way so there's a sense of deja vu hanging over the proceedings. There are a lot of people out there who hated Armageddon, perhaps for its absurd science or for its quick-cut action sequences, so for those who didn't like the latter, The Core would be more up their alley, though the science here is even sillier.

The premise is the anti-Deep Impact/Armageddon. A group of expert individuals have to go to the center of the Earth to jumpstart the core, which has stopped spinning for some unknown reason. Heading this mission is professor Josh Keys (Aaron Eckhart), who's leading a six-man team, with a woman playing a key role, of course, as the pilot, played by Hilary Swank. Recognizable faces Delroy Lindo, Tcheky Karyo, Stanely Tucci, and Bruce Greenwood round out the rest of this very expendable team.

Already, we realize the plot is fundamentally impossible. The only people who wouldn't recognize this are those still in grade school, so they'll probably get a kick out of the movie while thinking they're getting some kind of education out of this because of all the scientific mumbo-jumbo and technobabble. More discriminatory viewers will scoff at all the sudden new inventions that aid our intrepid group of heroes, particularly the hull Delroy Lindo devises that's actually strengthened by heat. For me, scientific flaws are acceptable so long as it's not so blatantly obvious, but this movie's stretching my suspension of disbelief.

But those who don't care for any scientific inaccuracies will wonder, is the action any good? The answer's a mixed bag. Almost all the action is entirely CGI-related, so the question of whether or not you find it exciting to see an "earthcraft" (named Virgil) get banged around quite a few times is crucial to your enjoyment. The action aboveground is all given away in the trailers, and none of it's particularly exciting, thanks to the weak special effects. The space shuttle crash, the destruction of the Roman Colosseum and the Golden Gate bridge are not examples of CGI-work at its best, to put it kindly. A 60 million dollar budget isn't quite enough to pull a movie of this sort off, and it sometimes shows.

Surprisingly enough, the scenes set below ground do somewhat make up for the slack. A crisis is introduced every five to ten minutes to keep the characters working, so what we get is a briskly paced and often enjoyable second half. The effects work is still spotty, but I found the characters relatively engaging, the situations fairly compelling, and the Mcgyverish-solutions amusing. Still marring this outing on a consistent basis, however, are the film's predictability, the occasionally really bad dialogue, the lack of solid intentional humor, and the stilted finale. The Core is not an unenjoyable timewaster, but it's not exactly a great night at the movies, either.

I love this flick,not boring for a second,moves along at a fair clip,no long drawn out boring scenes.But boy,is it stupid,oozes out of every frame but not for a second does that get in the way of doing it's job,which is to entertain,which it does in spades. The science is at the same level as 'Journey to the Center of the Earth' with James Mason,no giant mushrooms here,but we do get giant diamonds and a geode the size of New York. The actors are all having a blast,playing it straight for the most part,their fun translates to the audience,but never over the top.The effects are capable,the story ridiculous,but who cares,a more fun disaster movie is not too easy to find,it certainly is a 'guilty pleasure' type of flick,and some days,that's all you want to see.

Hollywood has always had an infatuation with films that deal with natural disasters. However, the portrayal of such disasters is usually far over-blown for the sake of dramatic effect. But these films can't be taken seriously, as their purpose is nothing more than to give their audience an exciting, wild ride. This was the case in `The Core,' the new film from director Jon Amiel whose last film was 1999s `Entrapment,' which starred Sean Connery and Catherin Zeta-Jones. At first glance, `The Core' appears to be a science fiction/disaster flick about the end of the world. However, after analyzing the film, it's safe to say that this film is about 25% science fiction, and about 75% absurdity. But don't let that stop you from seeing it. Despite its silly story, `The Core' is a likable film that actually had me cracking up more than shivering with fear.

The film opens with various minor catastrophes occurring worldwide, from 32 sudden deaths in a major American city to flocks of birds flying into crowds of people and buildings (an apparent rip-off of Hitchcock's, `The Birds'). Scientists are brought in to examine these occurances and they hypothesize that the core of the earth has stopped spinning. They now need to find a way to get the core rotating once again in order to stop the cataclismic events from taking place. With the help of world's best scientists, they create a ship, properly titled as `Virgil,' designed to travel to the center of the earth, dump off a nuclear payload of about four bombs, and then as Aaron Eckhart's character, Josh says, `then we outrun the biggest shock wave in history.' `The Core' has some great talent. Eckhart (`Erin Brockovich') and Tcheky Karyo (`The Patriot') portray professors brought on to study the devastation of the super storms and strange deaths that are happening. Stanley Tucci (`Road To Perdition') plays a famed scientist with a severe ego problem. Hilary Swank, the Oscar winning actress of `Boys Don't Cry' plays a NASA astronaut sent to maneuver the ship through the earth's interior, along with Bruce Greenwood of `Double Jeopardy.' Richard Jenkins, who has appeared in several Farrelly brother's films including `There's Something About Mary,' and `Me, Myself, and Irene' appears as a general in charge of the mission.

Perhaps the film's most humorous points transpire when DJ Qualls (`The New Guy') enters the film has a hacker recruited to keep the media out of the public's eye by hacking the Internet and rooting out those who know of this secret mission to save the planet. If word of the events did get out, naturally as in any disaster flick, the fear of rioting and social unrest could take place. `The Core' is filled with clichés. It's easy to sit there and point out scenes that have taken place in other films, especially `Deep Impact,' and `Armageddon.' However, I found it to be forgivable. I liked `The Core' and found it to be fun escapism, not to be taken to heart. Disaster films have always been ridiculous, especially the greatest disaster schlock film of all, `Earthquake,' which starred Charlton Heston and George Kennedy. In recent years though, the idea of Earth's destruction from a force that mankind has no hold over has grabbed both the film industry and the public's attention, most notably with `Armageddon.' Quite frankly, I don't see why so many people loved `Armageddon' what with its stupidity, exaggerated direction from Michael Bay (`Pearl Harbor') and its dumbfounded performances from Ben Affleck and Bruce Willis. `Deep Impact' was a far superior film that was a box-office success in its time, but wasn't remembered because of mass appeal of `Armageddon.' Nonetheless, `The Core' is a decent flick that the average person can check his or her brain at the door of the theater with and veg-out to. ***

Hollywood's gone to the outer reaches of our galaxy (not to mention others), it's plumbed the depths of the ocean, mapped dank swamps and arid deserts, but one place it hasn't gone to with any sort of regularity is the inner core itself.

The Core is certainly one of those movies for which one must suspend disbelief. It's a science-fiction movie that emphasizes fiction over all; that is, the physics of the film don't hold up to snuff. If you're an engineer or physicist, you should be smart enough not to watch it - you'll just spend most of your time second-guessing the inane psuedoscience.

It seems the inner core of the Earth has stopped spinning, for some reason, and this has caused the electromagnetic field that surrounds and protects the planet to begin to decompose. This is evidenced by, among other things, pigeons in Tralfagar Square in London suddenly veering at plate-glass windows and sundry people who wish they were extras in a less-violent movie, like Daddy Daycare or maybe Finding Nemo. At any rate, the world's leading scientists, commissioned by the military (it wouldn't be a Save the Planet from Imminent Destruction without our pals in the movie military), figure out that the core's stopped rotating, and that Something Must Be Done to get it going again.

Ah, but what? We've only drilled down about 8 miles, and according to my calculations the distance from the surface to the core is .... a bit further. We must drill down, sayeth the sage scientists, and lo and behold, through the magic of movies, there's this guy in the desert who's been working on a laser rocket thingy that'll help them blast all the way down. This handy little thing is just the cure, so a crew is hastily assembled: Commander Iverson (Bruce Greenwood), Major Beck Childs (Hilary Swank), Dr. Josh Keyes (Aaron Eckhart), Dr. Serge Leveque (Tcheky Karyo), Dr. Conrad Zimsky (Stanley Tucci), and Dr. Ed Brazzelton.

Like such doomsday movies as Armageddon, what The Core has going for it are likeable characters and a lot of nifty FX. It also has the unknown working for it; we don't know what lies beneath the thin crust of the Earth, because we haven't drilled beyond it. That allows filmmakers a lot of free reign to depict whatever the heck they want in terms of What's Down There.

What The Core has going against it, however, is a predictable plot and some howlingly awful dialog. Now, it's not giving anything away to mention that at least one person doesn't make it back from this mission. It's also not giving anything away to note that there's at least one knockdown, drag-out hissy fit of a scene in which Keyes admonishes Childs for something she didn't do. It's hysterical to watch, although I suspect the emotion the director was attempting to convey was more like empathy, not euphoria. Or ennui, which is unfortunately how some of the movie felt.

The Core is cheesy. No, not the actual inner core - although, come to think of it, maybe it is, since we don't know for sure what it's made of. And wouldn't that be fitting? A cheesy core for a cheesy film made by cheesy people in a cheesy society? Who's up for some Muenster?