Laurel Canyon

People are often disappointed in the ones that love them or the ones that they love. This disappointment can stem from the mistakes made by parents in the upbringing of their children, or perhaps the simple differences that separate family members. It is this frustration that plagues Christian Bale's character, Sam, in the film `Laurel Canyon.' A well-made character study, `Laurel Canyon,' explores the reasons for the distress and resentment that can reside between parents and their children. `Laurel Canyon' is about a man named Sam (Bale) and his fiancé Alex (Kate Bekinsale) who move to California so he can begin his medical residency at a local hospital and she can finish her dissertation. The pair moves in with Sam's mom Jane (Frances McDormand) who is record producer who lives on Laurel Canyon Road in Hollywood. Although she is in her mid 40s, she lives the life of a rock star, smoking pot, drinking, partying, and hanging out with her rock star boyfriend Ian (Alessandro Nivola), who is 16 years younger than she. Sam and Jane are always at odds with each other as he is ultraconservative and Jane is like a teenager. The two must weed out their problems and come to terms with each other about the mistakes that Jane made while bringing up Sam. Although a bit slow at times, `Laurel Canyon' was an interesting film that has its lighthearted and touching moments. It's funny to watch the subtle changes that begin in the characters lives. Alex, although conservative like Sam, is slowly being drawn into the free spirited world of Jane's home, with her parties and rock friends always around. Sam is being tempted by the fruit of another woman named Sara (Natascha McElhone), as their share their sexual desires with each other over private conversations in a car. And even Jane is beginning to recognize her own faults-she had several lovers throughout her life is starting to feel the need to settle on just one, Ian. Every character starts to understand that they are all the extreme end of different spectrums and they must learn to meet somewhere in the middle. The acting in the film was excellent. Every actor was believable and to a certain extent, the audience can feel their pain and happiness. McDormand (`Fargo') and Bale (`Empire of The Sun') steal the show with their amazing abilities to transcend the characters in the script to the dynamic people they present on the screen. Praise must also be given to Bekinsale (`Pearl Harbor') and Nivola (`Jurassic Park 3') for their exceptional performances.

One other superior quality of `Laurel Canyon' was the music, some of which was sung by Nivola. The soundtrack holds a great deal of classic rock songs from groups such as `Steely Dan,' `Leroy' and `Mercury Rev.'

Overall, `Laurel Canyon' was a very good movie that reminds its audience to look beyond the surface of things and to see what really matters in all relationships-love. ***

If you like being smacked in the face and having characters who behave in emotionally "traceable" ways (i.e., whose motivations are apparent as soon as they act), you won't like this film but what a joy it is to watch a film unfold in layers, slowly, subtly, un-rushed, in a way that most American films don't allow, too much in a rush to get to the next "plot point" and too obsessed with big dramatic turns. Audiences have to be fed such things, constantly, or they'll lose interest, right? Wrong, I hope. And, Laurel Canyon makes the point better than a debate ever will. This is a remarkable piece of tapestry in muted tones and hues, populated by complicated, confused, uncertain, searching people. And, they change. But, they change by degrees, not by full turns of the wheel. Kate Beckinsale should watch this film over and over, and get out of the Spandex and Leather of the comic book films she's been doing. She and Frances McDormand are as real as any two actors you'll ever see on film. There are a couple of possible story "cop outs" in this film, which we won't mention because they'd spoil the story. But, in the end, they might not be cop-outs at all. They might be preferable to answering all the questions and delivering us from the theatre all neatly reconciled and sent off to coffee and desert. Good for you, Lisa Cholodenko. A brave choice and a fine film.

This is an insightful and truly under-appreciated film. And, as anyone who has lived in the Hollywood/ West Hollywood area can attest, the film is also a very accurate portrayal of LA life in the biz. Bale and Beckinsale shine as well. Definitely McDormand's best work outside of "Fargo"; her versatility and talent continue to amaze and impress. The producers' choice of music is perfect and truly reflects the mood and tone of the film--it makes me want to go out and buy the soundtrack. :) Also, "Laurel Canyon" shows how frail and tenuous life's relationships can be. By straying from the "norms" of his serious, medical student world, Bale understands his mother's complexities and foibles and thus establishes the bond with her that he has possibly sought all his life. Well done!! *** 1/2

I really enjoy reading other folks reviews of films I have seen. It is interesting to see how personal perspective is, well, personal.

I have been a paid critic in the past and have often explained to folks that opinions are just that, opinion. So I will endeavor to explain my case for this fine film.

This is a story of a journey. It is not the journey the characters think they're taking. It is the odd place they go on their way to what they thought they wanted. In that way, it is a lot like life.

You have the fish out of water aspect. A young couple wonders into his mother's life. A life he has never appreciated or enjoyed. His girlfriend, on the other hand, seems primed for the hedonism she encounters.

The mother (played to amazing life by Frances McDormand) is a record producer with a successful business life and a spotty personal one. She's in the midst of recording a record when her son descends. But it is the young man who fronts the group she's producing that has both her and her son's girlfriend in a lather.

There are emotional affairs flying about. There is moral condescension from characters who've been less than honorable.

On top of a good to great cast of principal actors, there's the soundtrack of flat-out great music.

Well directed, admirably cast, with an ambiguous and thoughtful script, plus enough sexual tension to fuel a score of teen comedies. Great flick. Bring your moral compass, and your ears.

There's a clash of cultures, families and sexual orientations in "Laurel Canyon", and I enjoyed all of it. Sam (Christian Bale) and Alex (Kate Beckinsale) are an uptight, New York couple in complete control of their lives, until they move in with Sam's mother Jane (Frances McDormand) who is a loose hippie (in all senses of the words). Jane also has a slew of rock-and-roll men living in her house, most notably, Ian (Alessandro Nivola), her primary boyfriend with an irresistible accent - but then again Jane and Ian don't really label anything, especially relationships.

As Sam grows increasingly frustrated by his mother's lifestyle, Alex grows increasingly intrigued by it. Sam's need to control everything can get annoying, but Bale plays well off of Beckinsale's quiet energy. The sexual tension between Beckinsale, Nivola and McDormand is electric and is able to keep driving the film forward.

The dialogue is funny enough and the actors are all very good that they make up for the slightly predictable plot. At the Independent Spirit Awards, Frances McDormand was nominated for Best Supporting Actress and Alessandro Nivola for Best Supporting Actor. Well deserved nominations and quite possibly the best performances of their careers. Be prepared for sexual energy in every direction, but I recommend "Laurel Canyon".