Jopog manura

This is definitely one of my top 10 favorite films. I guess it's the remarkable, sweet and subtle romance that somehow is so well placed that makes it so bright/clever. I'm very impressed by how the romance is evenly mixed with comedy and still so very touching. It very much proves a light and cheerful film can be very touching which western movies should take after more (and not being either cheerful/comical or sincere/romantic). I always thought I didn't like romance at all until some rare dramas made me understand I'm just very demanding on modesty, taste and ingenuity and this film certainly has such romance that passes my level-headed taste. oh and it does have very good action (fighting) and is overall very amusing.

MWIAG is an action comedy, based I believe on a Korean comic series. The blend is biased a little towards the comedy side, but what quantity the action might like is more than made up for by quality.

Backdrop: Cha Eun-Jin has been raised as a Jopog (gangster) since childhood, and has risen through the ranks to 'Big Brother', no. 2 in the organisation. She also happens to be a female, but this is a detail that is largely considered to be irrelevant - especially by her. She's smart, confident, ruthless, and as luck would have it a fantastic fighter. The movie begins with a fight, filmed in the rain with dark shadows and slow motion creating a very artful effect. Two gangster are up against a group of many, and about to get killed when their savior appears - Eun-Jin silhouetted against the light looking full on comic-book cool before she somersaults into the ground and spins, kicks, twists, rolls and slashes her way through all comers. The dark lighting, rain and camerawork create a wonderful look and mood for this, and the choreography is easily up to anything Hong Kong has offered us for years. Short, but very sweet.

Eun-Jin would possibly carry on like this happily for the rest of her life, but the discovery of her sister whom she hasn't seen since childhood introduces new complexity. Her sister has cancer, and may not live much longer. Her one wish is to see Eun-Jin get married before she dies.

Eun-Jin's sudden need to address her feminine side, and the fact that she wants the husband she chooses to remain unaware of her profession, is the basic dynamic from which any number of comic situations are derived. The transplanting of her gangster persona & gangster cronies into totally non-gangster circumstances is a cool 'fish out of water' scenario, and very effectively spoofs the gangster attitudes and conventions.

The main backbone of the movie, as with most strong movies, is the characters. Eun-Jin is a wonderful character, and the performance by Shin Eun-Gyeong is absolutely spot on. Tough, cool, mean and thoroughly hilarious. The supporting cast are all just as well developed too.

The movie is paced quite gently, shifting from amusing situation to amusing situation without feeling the need to hurry the plot along too fast. Action scenes break out quite frequently, but there is a marked difference between the 3 scenes in which Eun-Jin fights (beginning, middle and end) and the remainder of the action. Her men, the thugs, fight street - grappling, stumbling, beating with whatever they can reach. Sometimes this is played for laughs, sometimes not. Realistic, but not massively exciting. When Eun-Jin fights however... it is a thing of beauty. Clearly modelled on HK action, with a little Samurai thrown in too, these scenes are amazingly choreographed and filmed. Between this and Bichunmoo (which MWIAG easily surpasses), and hopefully Musa when it arrives, it looks like Korea is making a very strong bid for Hong Kong's action crown.

If you buy the movie just for the action, doubtless you'll love it - but really it's not the strongest part of the movie. The characters, the performances and the humour are all equally well developed and fill more screen time. If you buy it for these... doubtless you will love it also. Can't really lose out on this one in fact :)

"My Wife is a Gangster" (aka "Jopog manura") is an entertaining movie, as it has a good amount of action and a good amount of offbeat humor in it. And it is also spiced up with a good, wholeheartedly storyline.

The story in the movie is about Cha Eun-jin, a female gangster boss, whom is forced to live out her dying sisters last wish; that being to see her married. And while having no suitable romances, her henchmen are sent out to find a man for her to marry. She ends up tying the knot with a man unknowing of her true nature and line of work.

There is a good amount of action throughout the movie, with the fight sequences being quite nicely choreographed. And the action part of "My Wife is a Gangster" is a necessary aspect to the movie, as this is a gangster movie, after all.

And there is also a good amount of comedy throughout the course of the movie, especially in the parts where Cha Eun-jin has to become feminine and let go of her rugged, masculine, gangster mentality. And the situation with the gangster wife and the unsuspecting husband also does incur some hilarious moments.

What works in favor of the movie is the characters, as they are detailed, memorable and outstanding; and that goes from the main characters and right down to the goons in the gangster family. Lots of nice details and colorful characters throughout the movie. And actress Eun-Kyung Shin does a good job in the lead role.

"My Wife is a Gangster" is a good movie for an introduction to the wonderful world of the South Korean cinema, if you are not already familiar with it. It is an entertaining movie and can actually been watched more than once. I have seen it three times by now, since I stumbled upon the movie somewhere back in the mid-2000's.

First, let me explain that I don't speak or comprehend Korean. I also watched the only available version of this film, which just happens to be with Korean audio and no subtitles. Also, my knowledge of Korean history is pretty sparse, but serves me well enough.

With the caveats aside, I enjoyed this film as well as one can without understanding any of the dialog. I agree with the other reviewers who say this film is a good mix of action, drama, and comedy. Obviously, the action translates just fine. I understood a great deal of the comedy and was surprised to be able to get most of the dramatic happenings. That said, most of the drama was lost on me, I was only able to understand the basic gist of it.

This did not stop me from enjoying the film. I was surprised at how similar this film was to a Hollywood offering. The 'wife' does action well and the closing scene was a good laugh. Maybe if I understood the dialog I would have seen it coming, but it was a funny surprise to me. The hip-hop closing credit song surprised me. Funny how flexible western culture can be. I can understand how people of other nationalities can feel they are being 'invaded' and sense a loss of their own culture. Perhaps if I watch it again, the combination of reading other's reviews and having seen it once, I would get a lot more from it.

I am just starting to get into writing reviews and look forward to doing many more.

In contrast to the glowing reviews from other viewers, I would give this film a 6, maybe a 7, out of 10. While the fight scenes are well choreographed and entertaining, the humor in this film fits awkwardly with its melodrama. Humor there is and, when dealing with the misfit gangsters working for the protagonist, it is genuinely funny. However, Ms. Eun-Kyung Shin, in the lead role as the gangster wife, has the difficult job of trying to portray a character we are intended to feel sympathetic toward, in some scenes, while in other settings she presents as a vicious and ruthless sociopath. Her relationship with her husband exhibits tenderness a little too late for a credible attachment to develop. Her husband's nebbish character seems to capitulate more for the script than any believable budding affection, particularly after the abuse he suffers from her. We are asked to sympathize with the gangsters even though there is little reason to feel any sympathy for them, they are either clowns or killers. The fumbling attempts at injecting soap opera-like themes in the film gives the movie an asymmetry, not a richer story.