VALUTAZIONE IMDb
6,4/10
29.522
LA TUA VALUTAZIONE
La crudeltà del mondo si confronta con l'amore di due persone diverse che cercano di salvare l'umanità dalla povertà e dalla guerra.La crudeltà del mondo si confronta con l'amore di due persone diverse che cercano di salvare l'umanità dalla povertà e dalla guerra.La crudeltà del mondo si confronta con l'amore di due persone diverse che cercano di salvare l'umanità dalla povertà e dalla guerra.
- Premi
- 2 candidature totali
Jonathan Higgins
- Philip
- (as Johnathan Higgins)
Keelan Anthony
- Jojo
- (as Keelan Anthony Ray Forsythe)
Norman Mikeal Berketa
- Police Officer
- (as Norm Berketa)
Recensioni in evidenza
I loved the movie because it opened my eyes to the world of relief work. It may not be accurate, but for some reason, it made me want to be a relief worker. I know that my work as one would not be a love a story, but what's important is that the movie showed me some characteristics about the line of work and its importance to third world countries. I also like the touch of Schumann music. He is my favorite composer. Jolie is a great actress, my favorite. I believe she held the film together. It is a delicate plot; I agree with others on that.
However, I did take note of the fact that the amount of money used to make the movie could have been more effective on third world countries if they were to buy food, medicine, and make better living environments. Yes that would have been more productive.
But I am still happy that they made the movie because it did touch a number of people. Even though I am 16 years old, I still do what I can by no longer spending money on superfulous items and saving what I have for the relief/aid program I am starting in my high school. So I must give credit to those involved in making the movie, because without it, I wouldn't be living the life I'm living. Not to make it sound like some sort of god, but I am proud of the effects that the movie brought into my life. I hope that it affected other people in the same way, both old and young.
However, I did take note of the fact that the amount of money used to make the movie could have been more effective on third world countries if they were to buy food, medicine, and make better living environments. Yes that would have been more productive.
But I am still happy that they made the movie because it did touch a number of people. Even though I am 16 years old, I still do what I can by no longer spending money on superfulous items and saving what I have for the relief/aid program I am starting in my high school. So I must give credit to those involved in making the movie, because without it, I wouldn't be living the life I'm living. Not to make it sound like some sort of god, but I am proud of the effects that the movie brought into my life. I hope that it affected other people in the same way, both old and young.
I agree 98% with what Mentalcritic has to say about this film. I, too, felt that Jolie's character is quite selfish and though she did what she thought was the most helpful and self-sacrificing it was in fact pointless and irresponsible. There is, however, some good that comes of films like these.
The general public who would never know of the situations portrayed in the film are now introduced to a world they may never have known existed. I have been honored to serve overseas for aid purposes and was amazed when several friends(even those who know of my experience) would ask unbelievingly "The movie is a bit extreme. Things like that don't actually happen, right?" Sadly, what Beyond Borders showed us was the milder side of the world's human rights issues. It stimulates the humanitarian in an otherwise ignorant audience.
The general public who would never know of the situations portrayed in the film are now introduced to a world they may never have known existed. I have been honored to serve overseas for aid purposes and was amazed when several friends(even those who know of my experience) would ask unbelievingly "The movie is a bit extreme. Things like that don't actually happen, right?" Sadly, what Beyond Borders showed us was the milder side of the world's human rights issues. It stimulates the humanitarian in an otherwise ignorant audience.
No one can accuse 'Beyond Borders' of not having its heart in the right place. After all, how many mainstream American movies so much as acknowledge the existence of starving people in the world, let alone make them the centerpiece of their stories? For its willingness to do that, the film deserves a certain amount of genuine praise. Unfortunately, having gone this far, the filmmakers then cheapen it all by pasting onto the film a corny, superficial love story more appropriate to a Harlequin Romance than an ostensibly serious social drama.
Angelina Jolie plays a United Nations relief worker who flits from one worldwide trouble spot to another - Africa, Cambodia, Chechnya - dispensing aid and carrying on an adulterous affair with a handsome field doctor (played by Clive Owen) whom she met several years earlier (the film takes place in the 1980's and '90's). It's a little hard to take seriously the extreme plight of these suffering people when Sarah and Nick are making goo-goo eyes at one another in between saving lives and delivering inspirational, we-are-the-world speeches. As with so many movies of this type, the put-upon, indigenous people become little more than extras in their own story, a mere backdrop for the trite personal drama occupying center stage. It's as if American audiences couldn't possibly find any interest or relevance in all this misery if we didn't have some well-fed, well-scrubbed white people serving as our guide to get us through it all. I'm sure that the last thing the people who made this movie intended was to in any way demean the incredible efforts done by relief workers around the world, yet that is exactly what they end up doing by forcing all this heartbreaking human tragedy through the funnel of a hackneyed love story.
The moments of highest interest come when we see the incredible amount of power politics that goes on even when it comes to delivering food and medicine to dying people - although the filmmakers don't always make those complicated logistics entirely clear for the lay audience. We often can't tell what exactly is happening on a socio political level that's preventing the aid from getting through. A little less time spent on the romance and a little more on the behind-the-scenes aspects of the story would have gone a long way towards redeeming the film. Unfortunately, there's something almost comical about the sight of Sarah and Nick, nattily dressed and perfectly coiffed, making passionate love amidst the rubble and ruin of war torn Chechnya.
Jolie and Owen turn in relatively lackluster performances, not entirely their fault given the stock characters they play and the bland dialogue they've been assigned to deliver. Jolie has one basic expression throughout - that of teary-eyed sympathy and concern - that wears awfully thin after awhile.
The filmmakers are highly critical of all those well-off people who merely pay lip service to helping Third World causes but who are really only concerned with salving their own guilty consciences (the film begins at one of those lavish fund raising dinners with everyone dressed to the nines and enjoying a sumptuous banquet while they're giving one another awards for great humanitarian achievements for helping to eradicate poverty and hunger). Yet, by treating the material as if it were some sort of bourgeois romantic fantasy, the movie makers are, in many ways, doing the very same thing they accuse the elite snobs of doing - which is making misery palatable and easily digestible for the complacent, self-satisfied masses.
'Beyond Borders' is, obviously, a labor of love for all those involved in its making. That is turns out to be a misfire of almost laughably bad proportions is, perhaps, the greatest tragedy of all.
Angelina Jolie plays a United Nations relief worker who flits from one worldwide trouble spot to another - Africa, Cambodia, Chechnya - dispensing aid and carrying on an adulterous affair with a handsome field doctor (played by Clive Owen) whom she met several years earlier (the film takes place in the 1980's and '90's). It's a little hard to take seriously the extreme plight of these suffering people when Sarah and Nick are making goo-goo eyes at one another in between saving lives and delivering inspirational, we-are-the-world speeches. As with so many movies of this type, the put-upon, indigenous people become little more than extras in their own story, a mere backdrop for the trite personal drama occupying center stage. It's as if American audiences couldn't possibly find any interest or relevance in all this misery if we didn't have some well-fed, well-scrubbed white people serving as our guide to get us through it all. I'm sure that the last thing the people who made this movie intended was to in any way demean the incredible efforts done by relief workers around the world, yet that is exactly what they end up doing by forcing all this heartbreaking human tragedy through the funnel of a hackneyed love story.
The moments of highest interest come when we see the incredible amount of power politics that goes on even when it comes to delivering food and medicine to dying people - although the filmmakers don't always make those complicated logistics entirely clear for the lay audience. We often can't tell what exactly is happening on a socio political level that's preventing the aid from getting through. A little less time spent on the romance and a little more on the behind-the-scenes aspects of the story would have gone a long way towards redeeming the film. Unfortunately, there's something almost comical about the sight of Sarah and Nick, nattily dressed and perfectly coiffed, making passionate love amidst the rubble and ruin of war torn Chechnya.
Jolie and Owen turn in relatively lackluster performances, not entirely their fault given the stock characters they play and the bland dialogue they've been assigned to deliver. Jolie has one basic expression throughout - that of teary-eyed sympathy and concern - that wears awfully thin after awhile.
The filmmakers are highly critical of all those well-off people who merely pay lip service to helping Third World causes but who are really only concerned with salving their own guilty consciences (the film begins at one of those lavish fund raising dinners with everyone dressed to the nines and enjoying a sumptuous banquet while they're giving one another awards for great humanitarian achievements for helping to eradicate poverty and hunger). Yet, by treating the material as if it were some sort of bourgeois romantic fantasy, the movie makers are, in many ways, doing the very same thing they accuse the elite snobs of doing - which is making misery palatable and easily digestible for the complacent, self-satisfied masses.
'Beyond Borders' is, obviously, a labor of love for all those involved in its making. That is turns out to be a misfire of almost laughably bad proportions is, perhaps, the greatest tragedy of all.
10strizzy_
This movie leaves you speechless, and takes you to a new emotional level. I feel this movie will not reach people like it should though... People and Middle America will pass it off and just play it up as Hollywood hype and just really not want to acknowledge what is happening in the real world... This movie is a 10 and I just hope it can bring light to subject matters that just get pushed under the carpet.
Perhaps lingering is the wrong word, since as I write this, I only left the theater about 30 minutes ago... But I can still feel my heart clenched in my chest, and my mind is still rolling back and forth over what I've just seen. In my experience, those are the kinds of films that stay with you.
There have been a lot of reviews on both sides as far as Beyond Borders goes, and I think it comes down to knowing yourself as a movie viewer. Beyond Borders presents you with a glimpse of the world, and it asks you to believe in it, to internalize it. If you're the kind of person who can EXPERIENCE a film, rather than just kick back and watch it, than you'll be brushing flies out of your eyes, and jumping at every sudden burst of gunfire. You'll be overwhelmed by the desperation around you, and you'll feel despair, and helplessness, and you'll think "Good for those people who go to Ethiopia/to Chechnya/to Cambodia. I'm so glad someone's helping," and then deep down, you'll be ashamed to realize that you think that just because you elected to see a movie about Relief Workers rather than The Texas Chainsaw Massacres, you deserve some sort of gold star.
And yes, there is the love story. And if you love love stories (as do I) you'll love this one. Again, it comes down to how much you'll let your self believe in a movie, and how much you expect to be convinced. Certainly, I would NEVER accuse Angelina Jolie and Clive Owens of sharing no chemistry, as I was completely unable to breathe during most of the scenes they shared. Both actors excelled in their roles, together and separately.
No, it wasn't fast-paced. It wasn't full of witty acerbic dialogue, or fantastic car chases. There were no jokes about bodily functions. It was just sincere, and powerful, and good (in every sense of the world). Though it was by no means perfect, I gladly rated it a 10 for excellence.
There have been a lot of reviews on both sides as far as Beyond Borders goes, and I think it comes down to knowing yourself as a movie viewer. Beyond Borders presents you with a glimpse of the world, and it asks you to believe in it, to internalize it. If you're the kind of person who can EXPERIENCE a film, rather than just kick back and watch it, than you'll be brushing flies out of your eyes, and jumping at every sudden burst of gunfire. You'll be overwhelmed by the desperation around you, and you'll feel despair, and helplessness, and you'll think "Good for those people who go to Ethiopia/to Chechnya/to Cambodia. I'm so glad someone's helping," and then deep down, you'll be ashamed to realize that you think that just because you elected to see a movie about Relief Workers rather than The Texas Chainsaw Massacres, you deserve some sort of gold star.
And yes, there is the love story. And if you love love stories (as do I) you'll love this one. Again, it comes down to how much you'll let your self believe in a movie, and how much you expect to be convinced. Certainly, I would NEVER accuse Angelina Jolie and Clive Owens of sharing no chemistry, as I was completely unable to breathe during most of the scenes they shared. Both actors excelled in their roles, together and separately.
No, it wasn't fast-paced. It wasn't full of witty acerbic dialogue, or fantastic car chases. There were no jokes about bodily functions. It was just sincere, and powerful, and good (in every sense of the world). Though it was by no means perfect, I gladly rated it a 10 for excellence.
Lo sapevi?
- QuizAll the villages in exotic locations were authentic. The crews installed real running water for the grateful villagers. Some of them had never even seen a white man until then.
- BlooperJimmy Bauford is 4 years old in the 1989 segment and 10 years old in the 1995 segment. He is played by the same child actor in both segments, and he does not age a day.
- Citazioni
[last lines]
Sarah Jordan: You have always been with me. Your courage, your smile, your damned stubbornness. There has never been any distance between us, and there never will be. I love you Nick. I love you.
- Curiosità sui creditiThis film is dedicated to all relief workers and the millions of people who are victims of war and persecution. They continue to inspire us all with their courage and will to survive.
- ConnessioniFeatured in Six Feet Under: The Rainbow of Her Reasons (2005)
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Dettagli
- Data di uscita
- Paesi di origine
- Lingue
- Celebre anche come
- Beyond Borders
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 35.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 4.430.101 USD
- Fine settimana di apertura Stati Uniti e Canada
- 2.076.402 USD
- 26 ott 2003
- Lordo in tutto il mondo
- 11.705.002 USD
- Tempo di esecuzione
- 2h 7min(127 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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