VALUTAZIONE IMDb
6,1/10
3474
LA TUA VALUTAZIONE
Un tentativo di assassinio fallito a Harbin, in Cina, nel 1909 cambia il corso della storia. Ora, due agenti della JBI devono trovare i collegamenti tra questo e un antico artefatto coreano.Un tentativo di assassinio fallito a Harbin, in Cina, nel 1909 cambia il corso della storia. Ora, due agenti della JBI devono trovare i collegamenti tra questo e un antico artefatto coreano.Un tentativo di assassinio fallito a Harbin, in Cina, nel 1909 cambia il corso della storia. Ora, due agenti della JBI devono trovare i collegamenti tra questo e un antico artefatto coreano.
- Regia
- Sceneggiatura
- Star
- Premi
- 5 vittorie e 12 candidature totali
Kim Gyu-ri
- Teacher
- (as Kim Min-seon)
Recensioni in evidenza
An interesting opening and superb ending make up for a few less than stellar plot transitions as Lost Memories is one Action Drama that I won't soon forget. The music really complements this film and allows the slow motion sequences to make an impact. As for action its fairly standard and the acting is good but not award caliber. A solid Action drama with a few brief Science Fiction moments. Mixing Both Japanese (mostly the first half) and Korean the rest of the way, Lost Memories2009 is amongst a growing wave of multicultural/national Pan Asian films that could find an audience outside of Asia with a bit more exposure.
If a 100 is Perfect 81/100
If a 100 is Perfect 81/100
I didn't really know what this movie was about when I started it. I wasn't disappointed. The movie takes place in an alternate timeline where Japan owns Seoul and the rest of Korea. Korean terrorists wreak havoc in a fancy building for some as-yet unclear reason, and it's the job of two cops (one Japanese, the other Korean) to find out what's going on. What follows is one hell of a ride. Make sure you're resting while watching this movie, because you wouldn't want to get hurt.
The first action sequence at the beginning of the movie sets the tone for the rest of the flick. The shoot-out has this incredible intensity and never lets up. The rest of the movie follows suit. You don't really know what's going on at first, but you know it's going to be explained, and that it's going to be worth it. The shoot-outs that follow only top one another, which, after seeing the first 15 minutes, is quite hard to believe. They're so incredible. They might not have the scale as 'Heat' or the budget of 'The Rock' but they sure as hell are as intense (if not more), and as good, if not better, than whatever comes out of Hollywood.
As with 'Shiri', the action in this movie rests on one great story. Throughout the movie, the characters become more and more like real people. No one is a hero, no one is Superman here. The characters are thrust into improbably situations, but they always stay rather believable. When they're not shooting guns, the drama part of the story takes over, and you're actually as impressed with what happens. You feel for the characters, and you're actually kind of glad you don't have to make the decisions they have to make. I could kind of see where some of the relationships were going, and I didn't really want them to go there, but I suppose they had to. The story, on the other hand, is a complete mystery. I never knew where it was going.
This movie actually says something, as well. Just like in 'Shiri', it's not action for the sake of action - it's action for the sake of actually saying something. It's slightly on the nationalistic side, but that doesn't really bother me, the message that the movie portrays is definitely worth the moments spent nationalism. It's really not as bad as some other movies I've seen. The movie is insanely political, I was actually very surprised. No Hollywood studio would have the guts to do something like this. I suppose the implications of the movie are universal, but they chose to have Japan control Korea. It's quite refreshing to see a movie, an action movie no less, with a thoughtful story.
The cinematography is gorgeous. I've seen all of 3 Korean movies and they all had this incredible visual style. This one is obviously included. Most of the movie is shot with a lot of blues and grays. It creates this nice, calm atmosphere among the instances of carnage. Add to that some great, invigorating music (which also reminded of the music in 'Shiri', but that's probably due to the fact that the same composer scored both movies), and the entire mood is perfectly set.
An amazing movie with brains and brawn, everybody should enjoy this movie.
The first action sequence at the beginning of the movie sets the tone for the rest of the flick. The shoot-out has this incredible intensity and never lets up. The rest of the movie follows suit. You don't really know what's going on at first, but you know it's going to be explained, and that it's going to be worth it. The shoot-outs that follow only top one another, which, after seeing the first 15 minutes, is quite hard to believe. They're so incredible. They might not have the scale as 'Heat' or the budget of 'The Rock' but they sure as hell are as intense (if not more), and as good, if not better, than whatever comes out of Hollywood.
As with 'Shiri', the action in this movie rests on one great story. Throughout the movie, the characters become more and more like real people. No one is a hero, no one is Superman here. The characters are thrust into improbably situations, but they always stay rather believable. When they're not shooting guns, the drama part of the story takes over, and you're actually as impressed with what happens. You feel for the characters, and you're actually kind of glad you don't have to make the decisions they have to make. I could kind of see where some of the relationships were going, and I didn't really want them to go there, but I suppose they had to. The story, on the other hand, is a complete mystery. I never knew where it was going.
This movie actually says something, as well. Just like in 'Shiri', it's not action for the sake of action - it's action for the sake of actually saying something. It's slightly on the nationalistic side, but that doesn't really bother me, the message that the movie portrays is definitely worth the moments spent nationalism. It's really not as bad as some other movies I've seen. The movie is insanely political, I was actually very surprised. No Hollywood studio would have the guts to do something like this. I suppose the implications of the movie are universal, but they chose to have Japan control Korea. It's quite refreshing to see a movie, an action movie no less, with a thoughtful story.
The cinematography is gorgeous. I've seen all of 3 Korean movies and they all had this incredible visual style. This one is obviously included. Most of the movie is shot with a lot of blues and grays. It creates this nice, calm atmosphere among the instances of carnage. Add to that some great, invigorating music (which also reminded of the music in 'Shiri', but that's probably due to the fact that the same composer scored both movies), and the entire mood is perfectly set.
An amazing movie with brains and brawn, everybody should enjoy this movie.
No, we are not talking about another Matrix-esque film where the world is really a virtual reality dream/nightmare...this is a film that takes a serious look at one of the many great "what if's" in history and shows how the world would have been. One of my favorite things about this film is that it shows the extremes of what people will do to either keep that history or change it. Its race against race; father against son; and friend against friend in a race for a nation's identity. Who will win, who will lose, and who will ultimately decide the fate of the world? Fantastic action sequences that seem almost too real. The bloodshed abounds in this film as we see repeated scenes of terrorists face off against police forces in shoot-outs that can only end with the annihilation of one group or the other. The battle scenes are realistic in that you don't see your standard "good guys never miss while bad guys can't hit the broad side of a barn" routine, these are truly horrific battles with a large casualty count from both sides.
The film, however, isn't all about action. The story itself stands on its own as you try to piece together the jigsaw of clues and dead-ends to find out what in the world is the truth. Even when you arrive at the climax of the whole story you are left on one cliff-hanger after another, wondering if this will be the final bullet to decide it all...and at the ending there is no cliff hanging, the writers have thrown you off the cliff and you wonder what awaits you at the bottom.
Despite this nail biting ending, the film had is draw backs: 1) a plot that progresses like a starting train, VERY slow at first before gaining tremendous steam at the end; 2)lots and lots of blood, not for the squeamish; 3)the ending had a loose end that was never explained; and 4)you will want more character background and insight from the two main characters.
A very good film that had plenty of room for improvement.
The film, however, isn't all about action. The story itself stands on its own as you try to piece together the jigsaw of clues and dead-ends to find out what in the world is the truth. Even when you arrive at the climax of the whole story you are left on one cliff-hanger after another, wondering if this will be the final bullet to decide it all...and at the ending there is no cliff hanging, the writers have thrown you off the cliff and you wonder what awaits you at the bottom.
Despite this nail biting ending, the film had is draw backs: 1) a plot that progresses like a starting train, VERY slow at first before gaining tremendous steam at the end; 2)lots and lots of blood, not for the squeamish; 3)the ending had a loose end that was never explained; and 4)you will want more character background and insight from the two main characters.
A very good film that had plenty of room for improvement.
This movie has a semi interesting plot. Not very new or original, neither very bad or too obvious. As usual when it comes to South Korean popular movie industry the craftsmanship is next to flawless. The lighting and the scenery are beautiful, the soundtrack is very sentimental and bordering to über-cheese but that shouldn't be a surprise to anyone with the slightest experience in Asian movies. The acting is also good though the English dub doesn't seem to even try to do any lip sync and brings down the overall impression. The special effects are functional but not really that spectacular. Also, the action scenes have way to much slow motion for my taste. Though, I guess this is made in order to boost the sense of patriotism. And, this is where I have my main criticism.
It contains about all components of the propaganda the nationalistic parts of South Korean society likes to flatter itself with. Embarrassingly obvious, even more than usual. North and South Korea are united because they really are brothers. No Korean would harm another Korean. Japan is an enemy, has always been and will always be. Japanese people are not to be trusted, not even those you consider close friends. The Korean on the other hand are brave and self sacrificing with a pure heart. The key to the entire plot comes from the superior ancient culture and system of worship from the Korean peninsula. There are so many subtle details that are being pushed in that mean really a lot if you have an understanding of Korean culture, like the Korean main character has become so Japanese he doesn't even eat Kimchi (!).
I agree that the patriotism is so much an undisputed part of Korean culture even today that it should not come as a surprise, and I have enough experience of South Korea to be very aware of this when watching this movie. The problem here is that this script is so saturated with nationalistic propaganda that I feel it being written for this very purpose. It can sometimes lead to (umm...) interesting results, though seldom to properly good ones.
It's the equivalent of the American action movie where all baddies have a "foreign" accent, smoke cigarettes and the bad guy boss has a hint of latent homosexuality. Just translate those components into Korean values. Enjoy it as no-brainer entertainment for killing some time, or more interestingly for understanding the components of Korean nationalism and the grudge toward Japan in a commercial movie production. If you want to see a really good Korean movie, for there are lots of them, pick another one.
It contains about all components of the propaganda the nationalistic parts of South Korean society likes to flatter itself with. Embarrassingly obvious, even more than usual. North and South Korea are united because they really are brothers. No Korean would harm another Korean. Japan is an enemy, has always been and will always be. Japanese people are not to be trusted, not even those you consider close friends. The Korean on the other hand are brave and self sacrificing with a pure heart. The key to the entire plot comes from the superior ancient culture and system of worship from the Korean peninsula. There are so many subtle details that are being pushed in that mean really a lot if you have an understanding of Korean culture, like the Korean main character has become so Japanese he doesn't even eat Kimchi (!).
I agree that the patriotism is so much an undisputed part of Korean culture even today that it should not come as a surprise, and I have enough experience of South Korea to be very aware of this when watching this movie. The problem here is that this script is so saturated with nationalistic propaganda that I feel it being written for this very purpose. It can sometimes lead to (umm...) interesting results, though seldom to properly good ones.
It's the equivalent of the American action movie where all baddies have a "foreign" accent, smoke cigarettes and the bad guy boss has a hint of latent homosexuality. Just translate those components into Korean values. Enjoy it as no-brainer entertainment for killing some time, or more interestingly for understanding the components of Korean nationalism and the grudge toward Japan in a commercial movie production. If you want to see a really good Korean movie, for there are lots of them, pick another one.
The year is 2009, but it's a 2009 in an alternate history to ours, where Japan fought with the US in World War II and won... and still occupies and controls Korea. Most Koreans have accepted the state of affairs after 100 years, but there is still a small band of terrorists/freedom fighters that want to see Korea regain independence.
Our hero is a cop of Korean descent who now works in the Japanese Beaureau Of Investigation, comfortable socialising with Japanese friends and speaking the language as default. After a major attack on an exhibition centre, however, he begins to investigate the terrorists to understand their motives. As he finds out more about their fight, he begins to question the legitimacy of Japanese occupation, and starts to feel the Korean blood flowing stronger in his veins.
Clearly inspired by the box office success of SHIRI in 1999, the producers of 2009: LOST MEMORIES have conspired to produce a slick action thriller with production values that compete fairly well with Hollywood productions of only a few years back. Like SHIRI, the trade off for absorbing some of Hollywood's virtues seems to be acquiring some of its vices too - chiefly, a shallow script with major plot holes and a certain amount of xenophobia. These qualities are worse in 2009 than SHIRI, and to be fair worse than the better Hollywood productions too.
The script for 2009: LOST MEMORIES can hardly be called strong, but it is interesting and not overly predictable, despite the presence of large amounts of cheese (which maybe explains why it's so full of holes?). I did find myself checking the time quite frequently as I watched, but I got through all 130 minutes of the film without feeling too bored. It would have been much harder to say this if it weren't for the action scenes, however, which are of a very high calibre. There are just enough scenes of cool Hong Kong style gunplay to qualify 2009: LM as one of the better action movies of recent years. Also one of the more violent action movies - the body count is huge, and there is no hesitation about showing the damage a bullet can do to the human body.
The production values are mostly very high - some great sets and props (many of which get severely destroyed in the gun fights). Good cinematography, though that hardly needs mentioning for a Korean film these days. The soundtrack is perhaps a little OTT, but then so is the melodrama in the script. Acting is acceptable, though no performance approaches "great".
Overall I was rather disappointed with the film, having heard so many very positive opinions expressed about it. I liked the action, but felt the script could have been a lot better. It's a little too much like a Hollywood movie, which was probably what the producers were aiming for, but isn't what I want when I watch a Korean film. It's bound to be a film that people will be talking about a lot, and may influence the direction of the Korean industry, so any fan of Korean cinema should probably watch it if they haven't already
Our hero is a cop of Korean descent who now works in the Japanese Beaureau Of Investigation, comfortable socialising with Japanese friends and speaking the language as default. After a major attack on an exhibition centre, however, he begins to investigate the terrorists to understand their motives. As he finds out more about their fight, he begins to question the legitimacy of Japanese occupation, and starts to feel the Korean blood flowing stronger in his veins.
Clearly inspired by the box office success of SHIRI in 1999, the producers of 2009: LOST MEMORIES have conspired to produce a slick action thriller with production values that compete fairly well with Hollywood productions of only a few years back. Like SHIRI, the trade off for absorbing some of Hollywood's virtues seems to be acquiring some of its vices too - chiefly, a shallow script with major plot holes and a certain amount of xenophobia. These qualities are worse in 2009 than SHIRI, and to be fair worse than the better Hollywood productions too.
The script for 2009: LOST MEMORIES can hardly be called strong, but it is interesting and not overly predictable, despite the presence of large amounts of cheese (which maybe explains why it's so full of holes?). I did find myself checking the time quite frequently as I watched, but I got through all 130 minutes of the film without feeling too bored. It would have been much harder to say this if it weren't for the action scenes, however, which are of a very high calibre. There are just enough scenes of cool Hong Kong style gunplay to qualify 2009: LM as one of the better action movies of recent years. Also one of the more violent action movies - the body count is huge, and there is no hesitation about showing the damage a bullet can do to the human body.
The production values are mostly very high - some great sets and props (many of which get severely destroyed in the gun fights). Good cinematography, though that hardly needs mentioning for a Korean film these days. The soundtrack is perhaps a little OTT, but then so is the melodrama in the script. Acting is acceptable, though no performance approaches "great".
Overall I was rather disappointed with the film, having heard so many very positive opinions expressed about it. I liked the action, but felt the script could have been a lot better. It's a little too much like a Hollywood movie, which was probably what the producers were aiming for, but isn't what I want when I watch a Korean film. It's bound to be a film that people will be talking about a lot, and may influence the direction of the Korean industry, so any fan of Korean cinema should probably watch it if they haven't already
Lo sapevi?
- QuizBok Geo-il, author of the source novel Bimyeong-eul Chajaseo ("Looking for an Epitaph") (1987), refused to be associated with the finished product, and successfully sued the film-makers to have his name removed from the credits.
- BlooperWhen Sakamoto dives behind the couch you can see that next to his gun holster, on the back of the couch, there is a mound exactly where the squib for the gunshot is going to go off.
- ConnessioniReferences Uisa Ahn Jung-geun (1972)
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Dettagli
Botteghino
- Budget
- 7.000.000 USD (previsto)
- Lordo in tutto il mondo
- 12.049.825 USD
- Tempo di esecuzione2 ore 16 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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By what name was 2009 - Memorie perdute (2002) officially released in India in English?
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