Butterfly Man

There is little doubt that this is a very low budget film. It has that "shot on a home video camera from 1989" look, and everything--the directing, acting, editing, and so on--is a bit rough around the edges. You're either familiar or not familiar with this kind of "guerilla" film-making. If you're familiar with it, you know what to expect and know whether you should avoid Butterfly Man based on your opinion of those kinds of films, which have to be watched a bit differently than the high gloss stuff. If you're not familiar with it, don't initiate yourself with this film, because this is a pretty good one, and you don't want to waste the experience on trying to acclimate yourself to the style.

The first sign of success is that to a large extent Butterfly Man feels like a transparent home movie made by Adam (Stuart Laing). The film somewhat vacillates between a rough travelogue, almost ala "Globe Trekker" (which happens to be my favorite travel series of all time), and a more normal narrative. It's an iffy mixture that ends up working quite well here. It also affords a stronger immersion in Thailand as a foreign culture, which is very important to the plot.

Because the film begins more like a travelogue with a thin dramatic overlay, it's something of a surprise as it turns into a "hell-in-a-handbasket" film with a well-constructed thriller plot. Unfortunately, this is a case where a fat budget would have helped immensely, but writer/director Kaprice Kea and crew still do a more than decent job with the resources available. The ending is also notable for being very unusual, poetic and admirable. Fans of recent microbudget indies shouldn't miss this one and everyone else should check out five or six of the crappy recent micro-budget indies before coming back to some of the good ones like this film and Milk and Honey (2003).

Butterfly Man is a touching and complex movie about the despair and hope of a British backpacker who finds a deeper sense of purpose in the colorful and beautiful world he experiences in Thailand. The visuals of this movie will make you feel that you are in an island paradise yourself, as they're filled with prelapserian visions of purity and sweetness.

Plus, there's a truly wonderful theme underneath the movie: the dangers of Colonialism and expansion, and the exploitation that such endeavors come with. I really liked this movie.

The two main characters, Adam and Em, acted expertly by Stuart Laing and Napakpapha "Mamee" Nakprasitte, share a passionate bond, one that will make you believe in the redemptive and soulful power of compassion.

Ignore the 1-star reviewers... these cretins weren't even watching closely enough to summarize the plot points correctly. True, those in search of a quick-fix nudity high will be disappointed, but this film captures a deep and transcendent sensuality that puts conventional love scenes to shame. The casting is magnificent, the dialog is smart and authentic, and the plot is rarely predictable and complemented by a steady stream of touching vignettes full of warm, genuine humanity. The major characters are authentically drawn, but each reveals a shift that will remind you that in the exotic world of "asymmetrical" tourism things are not always as they seem. If you have been to Thailand you will appreciate the palpable ambiance created by the dazzling cinematography and the lush score and sound design. Treat this movie like farang Joe's description of the Thai massage... (paraphrasing) "lie back and relax and for an hour and a half let the filmmaker pay your soul one of the biggest compliments it has ever received."

Thailand is infamous for being a sexual shangri-la for Western men, a place where even a dopey-looking Brit (like the guy in this movie) can be a "butterfly man", flitting from one pretty Thai girl to another. Nevertheless, this movie seems VERY romanticized. In fact, it borrows heavily from one of the most romantic love stories of all times, "A Farewell to Arms", even though the Far East "sex tourist" trade hardly provides the dramaticic background of the World War I setting of the famous Hemingway novel.

I've only spent a short time in Thailand myself, but nevertheless several things in this movie struck me as inaccurate or at least very highly romanticized. The Thai prostitutes may be more demure than other prostitutes, but they're probably no more likely to have the mythical "heart of gold" like the girl in this movie does. I also found it a little too convenient, given today's political climate, that the girl's vicious pimp is an American. American soldiers may have heavily subsidized the Thai sex trade during the Vietnam War, but it probably owes a lot more today to the Europeans, the Aussies, and the Japanese. And Americans certainly are not running things (the guys who were always trying to drag me off the Bangkok streets and into the go-go bars and massage parlors all pretty much seemed to be locals).

This movie is lyrical and heart-breaking like other reviewers have said, but it is also somewhat at odds with a reality that is often just seedy and depressing. See it by all means, but balance it out with something like "Lilya 4ever" which is equally lyrical and heart-breaking but also much more realistic.

This is a truly amazing film, if you understand Thailand… As a frequent traveler to Thailand, I can tell you that this movie is one of a few that truly captures the 'feel of Thailand' I know a lot of people are bashing this movie, yes there is some bad acting, yes it's low budget, but it has a great feel to it.

Warning: If you think Pattaya is Thailand. If you think Thai are stupid people. If all you do is sit on the beach drink and go out at night if you are in Thailand then this film will mean nothing to you.

But if you know Thai, if you hang out with them iso farang then check out this movie. Just sit down and enjoy….. It comes highly recommended by me.