Il maggiordomo del castello

Paul Ruud is hysterical in "The Chateau," a largely improvised indie feature filmed in France. The film is very comic--almost sit-com-ish-- but also borrows liberally from the romance and drama genres, too. It's a fun movie that's perhaps most perfect for a date or a "night in" cuddling on the couch; also a very good film to watch with friends who are sick of your standard studio fare...

I think this a very well-acted movie that has some very funny moments.

Unfortunately, I don't believe that it holds together and in the end, you are left wondering if it really made any sense.

I watched in on TV which may be the reason I enjoyed it more than the other commenter. This is not a big screen vehicle. This is really a small film that can be enjoyed as an alternative to watching the sitcoms.

I think that Paul Rudd does a great job playing the neurotic, try-to-be-nice-all-the-time, new age nerd. Romany Malco does a very solid job as a no-nonsense businessman, who tries to play it cool, but deep down is a sweet guy.

It is a pleasant film. A movie that seems to have more potential than it ultimately delivers.

The movie was on cable here in Israel and I thought it had potential -- clash of cultures, conflicting interests between the heirs and the staff, but it went absolutely nowhere. Too bad. It was a half-baked writing effort.

But coming from Canada and knowing how francophones who don't speak a lot of English react when bombarded by anglophones who think they do, I must rate Sylvie Testud's performance as a tour-de-force. She was clicking on the English words she might have been expected to catch, and straining at the rest, just as would happen in real life. This is not easy to achieve and she must be an actress of considerable skills. I would love to see her in a remake of Madame Bovary or something of that nature in English. This girl is as good as they come.

There was one very funny scene in my book so it wasn't a total loss, when the Rudd character reads the fractured French letter he wrote to the staff who could not understand a word of it, except the main one, vendre, causing an uproar.

This film centers around the story of two brothers (one white, one black - turns out he was adopted) go to France to claim their château which they inherited from their French uncle whom they have never met. What follows is a series of interactions between the French and Americans, where language barriers play a vital role. Though a comedy, it's not too funny, most of the time. It's even rather simple, as the love sub-plot is not too interesting, and too many laughs have to do with misusing French by the wonderful Paul Rudd (when will he get his big break, eh?) and some laughs that have to do with his black brother and his "jive talk". Shot in what seems to be DV, the look of the film is quite uneven, going from natural landscape look that looks like film to grainy night scenes that look like 8 mm. I am also not at all sure that the sound mix was done in DTS, as the current details state in IMDB. It was hardly the 2.0 and there is no need for more than that. The movie is quite talkie, but as such, does not really analyze the French attitude of the Americans. It is in the end a comedy about how the French are viewed by the Americans, not so much what the French really think of their ill-mannered new owners. Both sides are ludicrous and rude, the Americans with their superficial understanding of land and tradition, and the French with their inefficient way of doing business and their complete distrust of anything not French. While the movie was amusing, it lacks the serious discussion of clashing cultures and national protection of traditions and assets in a multi-cultural capitalist world, and issue we have seen many films about coming from Europe in recent years.

Saw this at a screening last night and thoroughly enjoyed it - a very clever and nimble little film that operates on a loopy, improvisational tone all its own. Charming, witty and wise, with the biggest charm factor belonging to French actress Sylvie Testud, who transforms the screen into pure magic whenever she appears.