Aggiungi una trama nella tua linguaTwo estranged middle-aged siblings are forced back together when they inherit a pickle factory which they struggle to keep afloat due to a lack of funds and little business acumen, as they b... Leggi tuttoTwo estranged middle-aged siblings are forced back together when they inherit a pickle factory which they struggle to keep afloat due to a lack of funds and little business acumen, as they both vie for control.Two estranged middle-aged siblings are forced back together when they inherit a pickle factory which they struggle to keep afloat due to a lack of funds and little business acumen, as they both vie for control.
- Regia
- Sceneggiatura
- Star
Foto
- Walter Tattersall
- (as Eddie Malin)
Recensioni in evidenza
This feeling isn't that surprising. In the 1970's most major British sitcoms were turned into film versions, every time with inferior results. The best of these sitcoms, like "Steptoe and Son", "Porridge" and "Rising Damp" still managed to produce quite good films. However the results with the second rank comedies were generally poor. This is such an example.
It is difficult to turn a 25-30 minutes format into a workable feature film. The writers and producers always took the characters out of their original situation and then struggled to keep quality and pace going for 90 minutes. Here the characters are sent to Blackpool for part of the film (a holiday being a standard plot device) and then pad the rest out with a marriage. Where "Nearest and Dearest" especially struggles is its lack of real comic quality. The best sitcoms had really well-drawn characters and were capable of social comment and even pathos. It is one of those sitcoms that relies very heavily on innuendo, which has not fared well over time. There are the habitual comic confusions of the time over sex, with any suggestion of pre-marital action provoking apoplexy in those more traditional times. It also has the standard inclusion of some large-breasted young women for laughs, an approach we have rather transcended.
Other humour comes from Nellie's malapropisms. These are quite amusing in small doses but lose their impact over time. Most frustrating is the use of stupid behaviour in a feeble attempt to amuse.
There are some funny lines and the film will certainly hold some nostalgic interest for fans of the series and of the seventies in general. However after seeing this it is hard to seriously see those days as the halcyon ones they are often portrayed - certainly not in terms of comedy. I think we should be thankful that our modern favourites are not subjected to this sort of demolition on the big screen.
People criticise this film for its dated humour, but it still holds up well alongside others like Are you Being Served & On the Buses
I never watched the TV series on which this film was based. All I can say is that if both TV and film were more or less equal how on earth did either get made let alone viewed.
The fact that so many companies were involved in it's making makes you wonder if raising finance for making the film provide to be difficult.
The film goes back to when the show started and the death of Eli and Nellie Pledge's father. Both siblings now inherit their dad's pickle business in Colne, Lancashire.
Even though Eli has been away for a number of years, hoping to make his fortune in London. He arrived back home potless.
Eli and Nellie go to Blackpool for a seaside break. He attracts the attention of amorous widow Mrs Rowbottom (Yootha Joyce.) Then has the idea of marrying Nellie off to Vernon Smallpiece (Norman Mitchell.) A middle aged pickler from Oldham who is also single.
Only Vernon agrees to reluctantly marry Nellie as he is in desperate financial straits himself.
The film aimed for Carry On style cheeky postcard humour. It lost the pull of the television series. Both Jimmy Jewel and Hylda Baker struggle with the script. It is plotless and witless.
The early scene when Eli strands his girlfriend Freda (Pat Ashton) in London and they nastily throws a portion of chips at her. That is basically assault. It gets worse later, Eli does a striptease.
Then there are lazy scenes to reunite the characters from the show. On the trip to Blackpool, Eli and Nellie bump into Walter and Lily. As well as factory workers Stan and Bert.
Overall a dismal offering.
Lo sapevi?
- QuizHylda Baker sings the theme: the lyrics had been added to Derek Hilton's original instrumental for her 1969 Columbia Records disc "Nearest and Dearest" (DB 8644), though the film uses a different version.
- Citazioni
[Nellie has inspected nude statues at the art gallery]
Nellie Pledge: Ooooh, these sculpturers! They don't know when to stop chiselling, do they?
Eli Pledge: I suppose that statue is what you call a Greek god.
Nellie Pledge: Well, I don't know if he were Greek, but he were a big lad.
Eli Pledge: Well, what's worrying you then?
Nellie Pledge: Well, I'm going to get married next week, aren't I? I don't want Vernon to be disappointed.
Eli Pledge: If you're going by that statue in the art gallery it's you that's going to be bloody disappointed.
- ConnessioniReferenced in Diminishing Returns: Absolutely Fabulous (2016)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Drama na família
- Luoghi delle riprese
- The Kursaal, Southend-on-Sea, Essex, Inghilterra, Regno Unito(Blackpool Pleasure Beach)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 1h 26min(86 min)
- Proporzioni
- 1.85 : 1