I am Dina - Questa è la mia storia

I Am Dina is a powerful epic, which likes Scandinavia has never produced before. The tragic story of Dina, who accidently kills her mother, touches and effects you so much, that you can't get it out of your mind when you leave the cinema.

The film is brilliantly directed by Dane, Ole Bornedal. He has previously directed the world famous thriller Nightwatch, starring Nick Nolte. He can create warmth in one scene, and horrifying pictures in the next. It's powerful, and it works.

Some one who also is worth mentioning, is the lead actress, Maria Bonnevie. She is brilliant, and powerful. You really feel with this poor girl, who has been treated so badly by life. She deserves all the Oscars in the world for her great performance.

Also the score, the art direction and the cinematography is great. I truly hope and wish that I Am Dina will be nominated for a handful of Oscars in march 2003. Only time will tell.

So do it. Go watch it. It's worth it!

Norwegian Herbjørg Wassmos bestseller is turned into an unorthodox costume drama by the director of "Night Watch", Danish Ole Bornedal. Overwrought, but fast paced drama tells the story of Dina, a young girl who was way ahead of her time, and her influence on the men in her life, her stern father (Floberg), husband Jacob (Depardieu, in great form), and Russian lover Leo (Eccleston, sporting as dubious a Russian accent as Sean Connery did in The Hunt for Red October...). Dina is played by Maria Bonnevie, who turns in a wild-eyed, over-the-top performance that is alternately frightening and fascinating (think Liv Tyler with a bad caffeine addiction). Major liabilities are the shifting accents, due to the film´s cast of mostly Northern European actors. This is a distraction, and would have worked better just sticking to Norwegian actors, but then, no one would probably go see "I Am Dina". Many Danish character actors appear in bit parts; you can spot them by their dodgy accents...although Sætter-Lassen and Mikkelsen stand out positively as cello tutor Lorch and the treacherous bookkeeper Niels. Beautiful locations and lush cinematography by Dan Laustsen, a Bernard Herrmann-inspired music score by Marco Beltrami help this a long way. Plenty of sex and violence that you wouldn´t find in a Merchant-Ivory working of the same theme, the film is more reminiscent in tone and execution to Luc Besson´s "Joan of Arc", but just as uneven.

Best scene has young Dina introduced to the magic of the cello. 6/10.

"I am Dina" tells us a romantic story, which takes place in the romantic era of Europe.

When I'm saying romantic, I think of the the original meaning of the word, which means something like: emotions at a cosmic scale and importance.

Dina is a joyful child, until a truly unfortunate accident, which scars her soul for eternity, and makes her grow up to be a very troubled woman. On the other hand, she is beautiful, and witty, so men find her very attracting. Now she has to choose herself a man, and a life.

I've always been in trouble with the typical romantic setting (and this film is a fine example for that), for mostly it makes the most illogical (yet, stereotypical) plots, and the best acting performances come together in a film.

And that's the exact same case here. Characters in this movie are endlessly ruining each others life, just because they feel like it. They never think. Never learn. They're all passionate, stubborn, selfish, arrogant people, with a high emotional level, and absolute no sense of reality. And that's what it makes all performances very strong, yet very melodramatic. And since it's a pretty long movie, all this kind of approach, and all the suffering gets a bit too much, too overreacted, and too monotone as the movie flows, and you find yourself waiting for the end. Te tension is always in the air, but it makes you numb after awhile.

But technically, this film is flawless. That's the way it should go. Only a bit shorter maybe.

(I didn't have any problems with the accents of various actors. And since American dubbing voices for foreign movies mostly turn out to be failures, I think this is the best way they could execute this film)

I feel I must disagree with the previous review of this film. The title of the move is, after all "I Am Dina," and not "We are the people who live and interact with Dina." The fact that the director of this film does not indulge in a more in-depth exploration of the supporting characters is to be expected, as the premise of the movie is that it allows us to witness the world through Dina's eyes, to see the effect other people have on her, and to a lesser extent, the effect she has on them. In this way, the movie is an astounding success. The masterfully crafted dialogue allows for the unique, if subordinate, personas of the supporting actors to shine through while not overpowering the focus of the story: an achingly real, beautiful woman who fights a personal struggle on both the internal and external fronts. This is certainly not a movie for every one. At times, it leaves one feeling as a guest in the imagination of the director as he reads an excellent book; as such the movie deserves an audience that is capable of being swept away by a story.

First I was sick, then I was enthralled, in the end I was totally convinced that this is one movie worth seeing. I totally agree with other comments noting that the acting should have been kept in Norwegian, but alas, international budgets require international language.

But - but - the awkward phrases are soon forgotten when you're sucked into the powerful story of a psychotic Norwegian woman, battling with her past, the men around her and her own role in a very restricted provincial community. Dina is by no means the weakest woman potrayed on screen, rather her person will probably go over into film history as *the* strongest and most strong-willed female heroine ever in Scandinavian movie history.

The story's gaudy, vulgar, perverse and absolutely mesmerizing. I found myself hating this woman and yet feel very strongly for her. See it, and see if you agree with this uncompromising story.