Pyaar Tune Kya Kiya...

The Bollywood masala rip-off of the famed Clint Eastwood film 'Play Misty For Me'.Subtle variations are made to suit the co-called Bollywood code of morals and virtues.Here trying to present a maniac as a martyr of love!Fardeen is plausible and full of youth.Urmilla is better though her exposure is needless.The comedy is useless.THe direction is passing.I fee the writer should have followed the Eastwood classic to the explosive end to give the story a more meaningful climax.This movie might have given a realistic view of the fact that despite being so liberated the essential Indian woman is still rooted to her ages old tradition of honour and respect.It always pop up in her conscience by hook or by crook.The bollywood masala recipe of sex,dance and nudity will one day reduce the film industry to pornography.

I would rate this film not exactly as "Time Pass", but above that, watchable, if you want to see something new or "Hat Ke", rather then hurting yourself will all the run-of-mill stories.

The first half of movie drags while the second half has more pace that it should have been. Also, there was no reason to introduce comic relief in form of the non-sense "Chhota Vakeel" stuff. It is ridiculous that Indian Directors still cannot come out of notion that there "Should Be" a comedy in movie, whether it seems appropriate or not.

One can feel that Urmila is doing the sequel to her role in "Kaun". However, character of "Jai" is portrayed in a very good manner, with all the weaknesses and down-to-earth nature, rather then depicting him as a typical Hindi movie "Hero". Other characters give in their fair share.

On an whole, a nice movie, if you want to see something different. I should appreciate Ram Gopal Verma and Rajat Mukherjee for coming out with some different stuff. Next, time they should concentrate on building more solid story line. Perhaps, they could have taken clue from Yash Chopras "Darr" (Which ironically fails in second half)

Pyar Tune Kya Kiya, one of the most eagerly awaited releases of 2001, begs to differ from the regular Bollywood run-of-the mill potboiler.

Instead of whipping up a candy-floss romance between 2 NRI adolescents, the debutante director tells the tale of a head-strong rich bitch who loses it all on discovering that her objet d'amour is a happily married man ! The psychotic miss then makes life HELL for the love birds until the saga climaxes in to a very gripping finalé !

Sounds good ? Errr ... well ! Not really. The tale incorporates an extremely avoidable series of comic (??) scenes in the first half which leaves the audience pondering over its relevance to the film. The director miserably fails in his attempt of providing comic relief by way of the "CHOTA VAKEEL" scenes which, in fact, drive you up the wall !

On the PLUS side, we have a SUPER music score by Sandeep Chowtha. The songs Kambakht Ishq and the title track, though unnecessary to the plot, are very hummable and catchy 'n' extremely well shot. Amongst the performances, Urmila is top-notch as the head-strong femme fatale. Apart from looking WHITE-HOT in the work-out and modeling scenes, she adds several dimensions to her challenging role. The surprise package is however Sonali Kulkarni who charms her way into your heart with her tinkering laughter and her dainty ways after playing Hrithik Roshan's mother in Mission Kashmir. Fardeen, though not particularly gifted as an actor, is easy on the eyes and has a friendly 'n' flirtatious screen presence.

All in all, it's a flick worth a watch provided you are prepared to take a nap while the ridiculous 'Chhota Vakeel' scenes play on !!

Indian film industry has done it again. Rather than coming up with new ideas, they are copying the hollywood movies and making money. This film is the copy of "fatal attraction" english movie with some spicy scenes at the beginning. It was OK for the first time, but I would not see it again.

One of the finest movies ever. How come the rating is 5.7? Urmila is at her best. The only weak link is Fardeen Khan.