Devadoothan

A huge number of viewers of the time the movie released and those of the present days tend to believe that Maheswar indeed came and took Aleena with him to a different world where they flew like two adorable pigeons. This is because our viewers have an overload of romantic expectations. On the contrary, I would like to see it as a revenge story made colorful with the sound and fury of Vishal Krishnamurthy (Mohan Lal) who plots a devious plan to get rid of Madam Angelina Ignatius, the lady who destroyed the course of his life on a fine day by ousting him from the college on the alleged playing of the 'Seven Bells'. We know that it is precisely because of that Murthy had to live a difficult life and that his dreams got dashed onto the rock on which you could hear only a clatter of stones than the harmony of music.

All those years after college he must have been forced to live a sullen life with resent. He must have been looking for ways to take revenge and set his life straight. In comes Principal father with an offer for a musical. Grabbing the opportunity, with the help of his friend Ithakk (Jagadeesh), Murthy, like the Namboothirippad of Manichithrathazhu creates a Tantric ceremony like atmosphere for his enemy Madam Angelina Igantius.

Having gotten rid of Madam Angelina, Murthy had his revenge and regained his dreams of becoming a well known musician. Although the movie, fell short of becoming yet another classic of psychological thriller genre, thus opens opportunities for multiple interpretations. If you are a romantic you can believe the first story, if you are a rational thinker or a pragmatist, you can believe the latter.

Just watch it once you will get the best Felling..

What a movie, please watch it. I think the movie can take us to some other world.

'Devadoothan'..meaning a 'messenger of god' is a perfect example of intellectuality and experimentation in Malayalam Cinema..where the silence of the movie says too much at times..it's always the unknown factor or the quest for the unknown which is haunting & likewise, Devadoothan though depicting somewhat a clear story line has the viewer feeling that "there's something at the end of the tunnel". Mohanlal beautifully plays a music maestro whose urge for truth becomes the core of the movie..almost all characters are beautifully arranged & do deliver beclouded statements which add to the suspense & justify their roles..giving us chills and enriching imaginations, the background music fulfills its responsibility as being the movie's backbone...Devadoothan may not be a movie for masses, but stands out as an effort which can never be forgotten..

Watching the 4K Dolby remastered version from the theater was pure bliss. The Matinee Now Remaster a few years ago was good but I noticed a slight change in color grading with that one. This didn't have that kind of an issue and with a tighter edit, cutting down the unnecessary comedy portions, it was an incredible audio-visual experience.

It's now a pure gothic horror romance that is so atmospheric. The cinematography and production design need to be commended. The sets, the clothes, and everything else are chosen specifically to create a specific look. Even random things can be seen here and there that add to the beauty of the frames. So many frames that are gorgeous, and so unlike most of the mainstream Malayalam movies from that era. I guess, it shows more about how the directors like Sibi Malayil shoot the film in a way that is apt for that style of film. I wish they'd have made more movies like this then. This kind of aesthetics would've been a little more popular among those who came after.

However, the greatest thing about this movie is its soundtrack. All the songs and the background music are just such masterpieces. Just to watch and listen to those songs with a crowd, I can go to the theatre again. "Ayaal Sangeethathingte Rajaavanu" is for Vidyasagar, he truly shows he's a king of music. All the songs in this movie are favorites of mine.

Cutting this movie down was mostly a very good thing. The introduction fight and the scenes along with it always felt like they didn't belong in this movie. Removing that and the unnecessary comedy scenes was right. But in doing that there were a few scenes that made a little less sense. A few abrupt cuts, some information missing etc were there. I didn't mind those too much. I understand the decision to remove Jagathi because of his characterisation mainly for comedic purposes but completely removing his portions made the phantom dogs sequences less impactful. Those were the parts where the movie became truly a horror movie with that eeriness that lingers for some time. Without the length of it, we don't truly get that feel there. But I do understand why they did it.

Mohanlal looks great and delivers the role really well. Everyone talks about that, so I don't really have to add. But it's really Jayaprada that gives that emotional connection with her eyes so easily. She is just such an incredible actress.

But the other actress just for the sake of having a heroine was pretty bad. But I won't really blame her for that because it was clear that she had such bad lines and even vague situations to act out where the director should've been giving better directions on how to present it. Even in general, the dialogues are not the best. Whenever the characters Aleena or Maheshwar are present, physically or otherwise, there's a mystery and pathos present, and at those moments, the dialogues work really well. But in every other instance, the dialogue and the delivery are very bad. This is even more apparent now that the unnecessary comedy scenes are all cut down.

Nonetheless, it was such a great theater experience. I was glad to see that even on a Monday morning, most of the good seats in the theater was filled for such a re-release.