Marfa si banii

Rarely did I feel such a deep and vivid satisfaction, while watching a movie... I could simply not take my eyes off the computer display, permanently letting go spontaneous remarks like: "Wow!", "O.M.F.G., how GOOD it can be!", "Dammit, but it's GREAT!", "Now, this is what I call a movie!", "Cristi, you sonovagun, you really DID IT!"

The script is simple but not simplistic, classic and revolutionary at the same time. Following the seemingly linear main plot, the authors subtly insert elements from a parallel story, never disclosed (the mysterious thugs who chase the protagonists - in a very "Duel"-like formula) and explosively blown in the corpses-on-the-field scene. All the elements of this structure charge the movie with so much tension, that the ending becomes barely bearable. In truth, it's one of the best built movie endings I saw in Romanian cinema. Just the thought of what might happen tomorrow gives you the creeps!

The direction is masterful and deconstructivist. Cristi's long and mobile shots, apparently messy, in truth perfectly figured, contribute to the inexorable build-up. The actors are snappy, precise - and so natural, that the stream of profanities they utter becomes literally charming. All in all, it's a certain recipe for quality: what one can do with a simple script and a few bucks, if one really has TALENT.

One should also add that this movie opened the so-called "minimalist trend" in Romanian cinema - the trademark of the New Generation. As some opinions were stating, one should mark it in our culture's history by the formula B.C.P. / A.C.P.: "Before Cristi Puiu" / "After..." - or "Annum..."! ;)

Stuff and Dough (2001) is a low-budged road movie by one of the talented directors of so-called Romanian New Wave, and it is arguably the initiator of this wave. The freshness of the film comes both from the subject and from the style!

We are in contemporary Romania. A post-communist country where every citizen struggle to break trough with a business enterprise. Our main protagonist, mummy's boy Ovidiu accepts to deliver a package of medicines, which obviously is something different considering the money he received for delivery from his mafia-like 'boss'. On his way to Bucharest he is accompanied with a close friend Vali and his girlfriend Bety, and they are shocked when they are attacked by a group of men.

Besides the story, film successfully delivers living conditions of ordinary people in contemporary Romania, that is why, in some way, it resembles neo-realist approach. We are especially informed about the struggle of youth, their interests, targets and moral behaviors, how they accommodate to new liberal system, however post-communist type of liberalism.

On the other hand, style is more new wave; a fresh, unorthodox type of filmmaking. Hand-held camera, natural acting, coarse editing, full of jump cuts and elliptical cuts.

I do not agree with the people who say that this movie has a lot of useless scenes in it.

We say this because we are used to movies in which a lot happens, quick scenes following each other accompanied with "meaningfull" music. Every word the actors say may seem improvised, but it's very well chosen. And it's so realistic at times it hurts to be Romanian. Coz it's simply true. When the movie seems to fall in a kind of trance, you suddenly wake up. The suspense is held up to the very last moment. If any other can make such a movie with no budget, he may eat the director alive ( his name literally means chicken). Puiu put the first step to the rehabilitation of the Romanian culture and cinema.

Bravo

"Marfa si banii" remains one of the most remarkable films. For freshness and for simplicity. For performances. And for the mark of a remarkable Romanian director. A film in which the bitter humor and the profound honesty about Romania after 1989 are good tools for a well crafted story and a precise diagnosis about a world in wake-up level, who has as basic purpose to survive. A smart film. And the personal mark of Cristi Puiu.

I seen on top 250 a lot of movies which are considered masterpieces, but they are just very good, if not stupid. This movie is very simple, but an incredible suspense-film, with perfect acting. The sound is bad because of very low budget, and also because the sound is produced at the same time with the image. In fact, the movie follow the set of rules confirmed by DOGMA 95. Often, people like to consider that great movies are complex, complicated, hard to understand, etc. I think this is a mistake. Marfa si banii is a great movie, and let's not exagerate with the subevaluation! 10/10