Failan

Failan is the tale of a Chinese woman who comes to Korea seeking relatives after the death of her parents. Unfortunately, they have moved on to Canada and now she must try and make a new life for herself in a foreign country. Firstly, I must admit, what drew me to Failan was the presence of Choi Min-Shik in the cast. After seeing him in both Shiri and Oldboy I wanted to explore more of the career of this extraordinarily talented actor. I expected a lot from him, and I was not disappointed. Nor was I disappointed with the extremely talented supporting cast. Cecilia Cheung is both charming and eminently watchable as Failan. And the rather colourful mobsters are appalling and humorous in equal amounts. The story is a slow paced one and is built heavily around character and emotion and is not made in the style of Hollywood offerings. Following Failan's experiences and the way in which others react to her story is a captivating experience which quickly pulls you in. It is a keenly observed and intimate tale that will pull at the heart-strings of anyone, even the most cynical. Make sure you have a handkerchief to hand when watching this, there really is a good chance you'll cry.

'Failan' is the sophomore feature film of director Song Hae-seong, who made a big splash in 1999 with another time-twisting romance called 'Calla'. This time around, he works with acclaimed Japanese novelist Jiro Asada (reknowned for his best-selling novel 'Love Letter' which had been previously made into a memorable Japanese film in 1995).

Song has created a stirring romantic tragedy of immense emotional wallop that it's not easily shaken. Executed with the same quiet subtlety seen in other recent Korean romances (such as 'Il Mare' and 'Christmas in August'), 'Failan' poignantly and convincingly illustrates the tragic missed opportunity between two ill-fated star-crossed lovers while eloquently showing what it means, and how it feels, to be in love.

Despite having never met, they end up giving each other the dignity and self-respect that their lives had been missing for so long. Unfortunately, the realization of what he meant to Failan comes to Kang-jae comes too late, leading to the film's most heartbreaking scene, which is compounded by the irony of how she treasured what he quickly forgot or cast off.

As the film's titular character, Cheung easily does the best work of her career. Her sympathetic turn as the quiet Failan is a marvel to watch. Two of the film's more memorable sequences: Failan using quick-thinking to avoid being sold to a strip club, and the heart-wrenching first night at her new home. It is also easy to see why Choi, as Cheung's love interest, is one of Korea's most popular actors-- despite his character's slovenly appearance and boorish behavior, Choi evokes sympathy for Kang-jae with a nuanced performance that reveals the man's insecurity and gentle spirit.

This indeed goes without saying that 'Failan' is one of the best films of the year.

This is one of the top 3, if not the best, Korean drama I've seen so far. I admit I was stunned by the beauty of Cecilia Cheung, but even though that might have had some effect on my objectivity, "Failan"'s still a very good film. The acting performances by Cheung and especially by Choi Min-sik are strong and believable.

In short, this is a drama of two persons, Kang-jae and Failan, who are married with each other, but never even meet. (check the DVD for the details.) Yet they share the same tragic fate. The saddest thing of this sad story is that you know that if the two characters would meet just once, everything would turn out ok.

The story is originally written by a Japanese, Jiro Asada, who also wrote the Japanese top hit "Love letter". Even though the story in "Failan" is different from "Love letter", some resemblance can be noticed in the structure of both films. And most of all, you get the same mix of sad and warm feelings in both. And that's why I really like "Failan". Because even though the film is entirely sad, it is also in a way warm and beautiful.

Maybe a bit more focus on the Failan character instead of the smalltime crook Kang-jae would be desirable. After all, the emotional part of the story does not begin until the appearance of Failan.

Korean film has improved enormously in the last few years. "Failan" is a good example and I highly recommend it. Overall rating 8,5.

This movie has a very strong story, somehow its both sentimental and not at the same time. Kang-jae is a lowlife gangster who to get some money marries a Chinese immigrant who he doesn't even care to look at. Failan pays for the arrangement in order to seek out her remaining relatives after her other passes away. Even though Kang-jae don't care for her at all, she is to him forever grateful for what he has done and keeps writing him letters like a loving wife.

This movie is very well done. By the end of it I shed a few tears and felt really moved by it. The devotion and hardship of Failan is very touching and the indifference of Kang-jae makes it all tragic. Tragic in a realistic way that is, not as in the TV drama variety. Also this is the movie which made me a fan of Choi Min-sik, not the little overrated 'Oldboy' in which he is cool, but too remote to make an impact. In here he is like Kitano Takeshi in his seedy gangster-don't-care fashion, but rawer and even cooler. Cynthia Chung ain't bad either, she makes a good character and is very pretty, but I couldn't stop wishing that she didn't do her nose like that. I don't get it, why surgically make a western nose when whats there from before is much more beautiful?? Asians (and others of course) everywhere, please stop the foolish surgery, people are beautiful as they are, not as they are created in a fashion image.

I've never cried because of a movie. I always sympathize with characters, yet I never empathize. I can never feel the true emotion. Sure, "Schindler's List" had amazing worksmanship, but it didn't do anything for me, and "Grave of the Fireflies" is equally as good, but neither, as well as pretty much any other film I've seen, has made me cry.

But "Failan" made me come pretty close.

At first, I was skeptical of the film. Korean films have come a long way, yet I trust their action and flashy stylish movies more then their dramas. "JSA" and "Shiri" are great, "Jakarta's" a lot of fun, and "Nowhere to Hide" is stylistical live manga if I've ever seen it.

But "Failan" comes out of nowhere, and makes me wonder why this didn't make it out of Korea. It's hands down one of the best films of the last year. Storywise, it avoids cliche, and other traps of romantic/tragic films, and comes out on its own.

The story is simple. A wretched bum Kang Jae(Min-Sik Choi of Shiri fame) who sells pornography and is involved in the organized crime syndicate in Inchon marries Failan (Cecilia Cheung in an amazing performance,) a young Chinese girl abandoned and alone in the world in a marriage of convenience; she gets to stay in Korea and work, and he gets some cash for it. The two never meet, yet Failan is eternally grateful.

The thing is though, Failan is not even mentioned until 45 minutes into the story. Until that point, you're following the life of Kang Jae. But as you soon discover, both are tragic characters. Failan, is one of the most beautiful characters put onto film; not just in terms of outer aesthetics, but in terms of inner beauty. She is the sweetest character I've seen in a film, and that fact makes it even harder to watch.

The film borders on drama and melodrama, but thankfully, most of it is not melodramatic. Oh sure, there's some parts where the audience scoffs, but there are other parts when what is happening is so tragically beautiful, that you can't help but get involved emotionally. Thankfully, most of it is subtle and not slam in your face "Pay it Forward" style. What affected me was when Kang Jae was reading the letter from Failan thanking him for being the kindest person she's met. What's said isn't long prose, and if you're familiar with the Korean language, the sentence structure is very simple. However, the way in which the Failan's voice-over reads it is so innocent, so sweet, and so full of emotion that I choked up at that point.

The rest of the film is equally as wonderful. The group I saw it with, 2 girls and 3 guys all in college, were all equally affected. It surprises me that Shiri, conceivably a Hollywood-esque film (albeit very well done) gets a release in the U.S but this one doesn't.

If you get a chance to see this film, do not hesitate. It took me a while to get into it, as the first 45 minutes seem to have little bearing on the story, but they actually do. Beautiful acting, cinematography, and a story. Highly Recommended.