Zelary

This magnificent film arrives way too late after it was nominated for the best foreign movie of 2003! Important European movies don't have the great market they should have in America, even though, this picture is better than some of the local fare. Director Ondrej Trojan must be congratulated for what he has done with this movie.

The story begins in 1943, at the time where Europe was going through one of the worst moments of WWII. The Germans are everywhere and the Gestapo is the instrument to eliminate the people that are working in the resistance. When the young medical student and nurse, Eliska, is found to be in danger, she is send to the country with one of the patients she has been taking care at the hospital. Thus begins the saga of a woman who must hide, or face jail, or probably death.

The movie then changes to a pastoral setting when Joza, the peasant who has been kind enough to take Eliska to his farm, agrees to marry her in conspiracy with the local priest and the school teacher. That part of the country is catholic and backward. There is a hypocrisy in the way this teacher and priest keep a closed eye about what the local peasantry are doing. On the one hand, the peasants appear to be God loving citizens, but they live lives dominated by alcohol, rape, incest, and other evil practices. No one questions anything.

Joza enters in the marriage out of gratitude toward the nurse that helped him heal his wounds. Then, steadily, he falls in love with a woman who is completely different from him. In turn, Hana, as she is now named, starts seeing in Joza qualities she has taken for granted. Their love is genuine.

The two principals, Anne Geislerova and Gyorgi Cserhalmi are wonderful in that make us believe they are these two people that get to know and love one another under the worst possible circumstances.

The countryside where the film was filmed is so beautiful that it makes one wonder how could war have been waged in such surroundings. The magnificent cinematography of the picture takes us back to those sad years of the war, and what that country endured as a Soviet satellite nation.

A deep and lasting love does not always fit our pictures and indeed can arise from the most unlikely circumstances. In Zelary, a Czech film by Ondrej Trojan, an abiding romance between a rugged sawmill worker and a sophisticated medical student emerges from the conflict in Czechoslovakia during World War II. Based on the autobiographical novel Jozova Hanule by Kveta Legatova, Zelary is about a young medical student who is forced to live in a remote mountain village in order to escape the Gestapo. It is a film that poignantly depicts the upheaval of war and how people had to call upon their hidden resources simply to survive.

Set in May 1943 when the Germans, under the guise of a protectorate, occupied Bohemia and Moravia, Aliska (Ana Geislerova), a student in Prague, works as a nurse in a provincial hospital after the Nazis close the universities. As the film opens, she is having an affair with Richard (Ivan Trojan), a successful surgeon. Both are members of the Czech resistance movement along with their superior at the hospital. When a planned underground operation fails, Richard is forced to emigrate and Eliska is given a new identity and safe passage to live out the war in the mountain village of Zelary with Joza (Gyorgy Cserhalmi), a patient at the hospital whose life was saved by Eliska's blood donation.

It is clear from the outset that her adjustment to rural life will take time. Upon reaching the cottage after a long journey, she asks, "Where's the yard?" "Everywhere", he replies, She has a hard time living in an area without electricity or plumbing and goats running freely but, given the alternative, she doesn't complain. Eliska, now known as Hana, is met with suspicion by the residents of Zelary who wonder where Joza found her, but she is eventually accepted when she agrees to a marriage of convenience with Joza and begins to integrate herself into the life of the community. At a length of 150 minutes, the film becomes an epic of Hana's gradual adjustment to rural life while living in daily fear of her discovery by the Gestapo. At first, she is reluctant to let Joza touch her but he gradually wins her trust with his gentle manner and she comes to rely on him as her means of protection. In one touching scene, he gently bathes Hana after finding her bruised and drenched in a violent rainstorm.

While Zelary has its tender moments, it is not an idyllic romp through the Czech countryside. The village has its share of drunkenness, abusive husbands, and violent confrontations between parents and children and Hana has to learn to deal with them. In one subplot, the schoolteacher Tkac (Jaroslav Dusak), a strict disciplinarian, constantly berates a young boy named Lipka (Tomas Zatecka) who has problems at home. Lipka leaves the school and is forced to hide in a cave to escape his abusive stepfather (Ondrej Koval), aided only by his friend, Helenka (Anna Vertelarova), a five-year-old girl. As the war refuses to go away, both Hana and Joza have to deal with fear and sudden death, and they both become increasingly resourceful and self-reliant. Hana forms a strong bond with the local midwife, Lucka (Jaraslov Adamova) who teaches her about herbal remedies and allows her to help with the medical needs of the community, exacerbated by the sudden presence of voracious Russian troops.

Zelary does not break any new ground and some of the minor characters are one-dimensional, yet the film reaches us on an emotional level because of its sincerity and disdain for sentimentality. Nominated at the 2003 Oscars for Best Foreign-Language Film, the film is greatly enhanced by the compelling performances of both Geislerova and Cserhalmi, a Hungarian-born actor who exudes both physical and emotional strength. Though I would have liked to learn more about Aliska before and after the war and how her experiences had changed her, Zelary succeeds by transcending limitations of time and place and speaking directly to the human heart.

Set in Eastern Europe during the Nazi occupation, this is the story of a young, urbane, freedom fighter woman who faces discovery and capture every day in the big city. When the heat gets too high, her leaders suddenly send her away, to lessen the risk on her and everyone else. She just as suddenly finds herself with people she does not know, understand, or even like – who make decisions for her in an isolated, "backward" mountain village. How could life get any worse? What is her reason for living any longer? Well, she will see… she will see... one hard day at a time. This is a quietly powerful film, full of natural grandeur, human pettiness, the ebb and flow of pain and pleasure, forgiveness and revenge, taking and giving, and faith and hopelessness. "Zelary" is epic in scope, and full of Life's lessons. It lacks nothing.

Zelary is yet,another good find at the library for me. I hadn't heard of this film and I was sort of taken in by the unusual title. I watched it over 2 nights because I started the first 1/2 of the film kind of late. Otheriwse,I'd have sat straight through it.

While it's true that there are elements in the film that have been used in other World War 2 dramas,that's a very small thing compared to the grandeur of the movie.

It's (as mentioned in the DVD extra's) a love story. Two people get married to protect her from the Nazi's,who would have her executed for working against them. Sort of a marriage of convenience. What starts as something she's not looking forward too,blossoms into love between the two. Despite him being almost 30 years older.

We see little of the German threat here but we know it exists,along with the threat of a young man wanting his way with her or he'll turn her in.

The movie is more about how she truly becomes as one of the of the small village. The villagers are not 2 dimensional as someone mentioned,they are exactly as people were back then in the 1940s and farther back as well. The scenery is breathtaking and real which helps make it look as it did in that era as well.

I feel all the actors did a fine job for a film that took 1 year and 2 months to complete. That long because they wanted authentic time and aging to happen,for a better sense of realism.

It's nothing ground breaking but it was a very fine film to watch and become fully engrossed in.

9 stars,purely for being a good movie,with good drama and heart,as well as entertainment value. (END}

Zelary (2003), directed by Ondrej Trojan, is an variation on the theme of a person thrown into an environment for which he or she is not prepared. In this case, the protagonist Eliska (Anna Geislerová) is a beautiful, sophisticated nurse in Prague during the German occupation. Forced to escape from Prague, Eliska finds herself in a remote Czech farming village.

In this setting, her urban knowledge and social skills are inadequate for survival. Predictably, her basic intelligence and her nursing experience do, indeed prove useful. However, without help from the people in the community, she can't possibly survive. Whether her abilities--and the assistance of the villagers--will prove adequate to ensure survival is the question around which the plot revolves.

The weakness of the film is that Eliska's transition into her role as the wife of a farmer is far from adequate. Anna Geislerová is so refined and elegant that it would have taken more than two long braids to fool the Germans (or anyone else).

Still, the concept is interesting, and the film does well in conveying the complexities and difficulties that confront a stranger in an apparently tranquil rural community.