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IMDbPro

Parla con lei

Titolo originale: Hable con ella
  • 2002
  • T
  • 1h 52min
VALUTAZIONE IMDb
7,9/10
120.426
LA TUA VALUTAZIONE
POPOLARITÀ
4208
633
Javier Cámara, Rosario Flores, Darío Grandinetti, and Leonor Watling in Parla con lei (2002)
Theatrical Trailer from Sony Pictures Classics
Riproduci trailer1:25
9 video
99+ foto
Romanticismo eroticoDrammaMisteroRomanticismo

Due uomini condividono una strana amicizia mentre si prendono cura di due donne che sono entrambe in coma profondo.Due uomini condividono una strana amicizia mentre si prendono cura di due donne che sono entrambe in coma profondo.Due uomini condividono una strana amicizia mentre si prendono cura di due donne che sono entrambe in coma profondo.

  • Regia
    • Pedro Almodóvar
  • Sceneggiatura
    • Pedro Almodóvar
  • Star
    • Rosario Flores
    • Javier Cámara
    • Darío Grandinetti
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,9/10
    120.426
    LA TUA VALUTAZIONE
    POPOLARITÀ
    4208
    633
    • Regia
      • Pedro Almodóvar
    • Sceneggiatura
      • Pedro Almodóvar
    • Star
      • Rosario Flores
      • Javier Cámara
      • Darío Grandinetti
    • 289Recensioni degli utenti
    • 88Recensioni della critica
    • 86Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Vincitore di 1 Oscar
      • 47 vittorie e 47 candidature totali

    Video9

    Talk to Her
    Trailer 1:25
    Talk to Her
    Talk to Her
    Trailer 1:25
    Talk to Her
    Talk to Her
    Trailer 1:25
    Talk to Her
    Talk To Her Scene: Alicia Drops Her Wallet
    Clip 2:51
    Talk To Her Scene: Alicia Drops Her Wallet
    Talk To Her Scene: Goodluck
    Clip 2:43
    Talk To Her Scene: Goodluck
    Talk To Her Scene: Benigno And Marco Meet
    Clip 1:40
    Talk To Her Scene: Benigno And Marco Meet
    Talk To Her Scene: You Were Fast Asleep
    Clip 2:15
    Talk To Her Scene: You Were Fast Asleep

    Foto121

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    + 115
    Visualizza poster

    Interpreti principali86

    Modifica
    Rosario Flores
    Rosario Flores
    • Lydia González
    Javier Cámara
    Javier Cámara
    • Benigno Martín
    Darío Grandinetti
    Darío Grandinetti
    • Marco Zuluaga
    Leonor Watling
    Leonor Watling
    • Alicia
    Mariola Fuentes
    Mariola Fuentes
    • Rosa
    Geraldine Chaplin
    Geraldine Chaplin
    • Katerina Bilova
    Pina Bausch
    Pina Bausch
    • Bailarina 'Café Müller'
    Malou Airaudo
    • Bailarine 'Café Müller' (Dancer)
    Caetano Veloso
    Caetano Veloso
    • Singer at party - "Cucurrucucú Paloma"
    Roberto Álvarez
    Roberto Álvarez
    • Doctor Vega
    • (as Roberto Alvárez)
    Elena Anaya
    Elena Anaya
    • Ángela
    Lola Dueñas
    Lola Dueñas
    • Matilde
    Adolfo Fernández
    • Niño de Valencia
    Ana Fernández
    Ana Fernández
    • Hermana de Lydia
    Chus Lampreave
    Chus Lampreave
    • Portera
    Loles León
    Loles León
    • Presentadora de TV
    Fele Martínez
    Fele Martínez
    • Alfredo
    Helio Pedregal
    • Padre de Alicia
    • Regia
      • Pedro Almodóvar
    • Sceneggiatura
      • Pedro Almodóvar
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti289

    7,9120.4K
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    Recensioni in evidenza

    9philip_vanderveken

    Very beautiful and compelling, but perhaps not for every one.

    I had absolutely no idea what to expect when I watched 'Hable Con Ella'. All I knew was that it was directed by Pedro Almodovar, who is considered as one of the biggest talents outside of Hollywood. Well, he certainly has some talent. A talent to make movies that are not always easy to watch, but certainly thought provoking, beautiful, compelling and stylish.

    'Hable Con Ella' tells the story of two men who are in love with a woman in a coma and how they both handle this in a different way. They meet each other in the hospital with a beautiful friendship between the two men as a result.

    Pedro Almodovar is some kind of artist who likes to paint with words and images. As a result you get a beautiful tale about obsession, love, friendship and desperation, which may not be to everybody's taste because of the bizarre subject, but which certainly touched me. It's very original and I would recommend it to everybody who isn't afraid to watch a movie with a special subject. I give it a 9/10
    9rbverhoef

    About men

    This is a film about men and their emotions. One man has a relationship with a woman, the most famous female matador in Spain. He cries over the most strange things. The female matador gets in a coma. The other man is in love with a woman, he has only spoken to her once. The man is a male nurse and when the woman gets in a coma he is the one to take care of her. Some people around him thinks he is gay so he is allowed to take care of her, see her naked, touch her. The two men get to know each other while waiting at the beds of their loved ones.

    I will not reveal what happens with the two women, or with the men. The way the subject is handled is great. In one way we see the two man devoting their lives two women. In another way we see the creepy part of that. For example we know the male nurse is in love with the one he is taking care of, and as I said, he sees naked every day. The woman seems to be an obsession, the man seems to be obsessed. We have sympathy for the men anyway.

    The acting is good, a very intelligent story and a great direction makes this film one of the year's best. In the end you will have a strange feeling, and a good feeling as well.
    Rave-Reviewer

    Cinema heaven

    Benigno and Marco are both lonely men, Marco because his lover, a woman bullfighter, is in a coma, Benigno, a thirty-year old virgin Momma's boy, from habit. Both are in love, too (Benigno, a male nurse at the clinic, slavishly tends Alicia, a comatose accident victim, for a living). It is he who gives Marco, with whom he strikes up a friendship, the eponymous advice: talk, and your heartfelt monologue will be more meaningful and therapeutic than any marital dialogue.

    Seeing Almodóvar's latest film was one of the most pleasurable cinema experiences I have had for some time. He has over the years amassed the technical skill and maturity to put across quite complex stories in a deceptively simple language. From the shock tactics and punk aesthetics of Pepi, Luci, Bom, y otras chicas del montón (1980), to the Oscar-winning melodrama of All About My Mother (1999), he had already come a long way. Here, finally, was an interweaving of the lives of disparate characters that was not only unabashed in its excess (it always had been), it actually made you care – deeply.

    More bullfighting

    At first sight Hable con ella looks like being another case study in that famously offbeat, not to say queer, book of life according to Pedro. Almodóvar's scenarios have been no strangers to sex, drugs, and heartrending canción (a particular brand of overwrought singing which knows no real Anglo-Saxon equivalent). In Hable con ella we have bullfighting, a theme he used as an excuse for kinky sex in Matador, given a contemporary treatment in the person of 'torera', Lydia (female bullfighters are indeed beginning to compete in a man's profession). Here too we have the apparently off-the-wall and by now notorious scene from the film-within-the-film, El Amante Minguante, in which a shrunken hero takes refuge in his lover's vagina for protection. But neither is gratuitous gesture: Lydia is designed to counterpoint Marco's almost feminine sensitivity, and the latter sequence, far from being there to shock, is a metaphor to spare us a far more harrowing, and morally problematic, plot truth. The ability to turn kitsch into art is increasingly one of Almodóvar's defining features.

    Post-modern?

    While he often refers to other artforms in his films (reality TV in Kika, Ruth Rendell in Live Flesh, canción in High Heels), since All About My Mother the technique has become more assured. Where that film was a paean to female suffering, via All About Eve and A Streetcar Named Desire, in Hable con ella we have two men sharing a tear over a performance by the dancer Pina Bausch. Other references are the Brazilian singer Caetano Veloso, who sings at a party attended by (uncredited) Cecilia Roth and Marisa Paredes (from Mother), and Michael Cunningham, whose novel The Hours similarly has a tripartite structure where each section deepens and sheds light on the others ('tunnels in caves'). In other words the post-modernist borrowing is rendered invisible by being absorbed into the drama: it is not post-modern any more.

    Almodóvar's choice to make a film about the loneliness and longing of men is a courageous one for a very private celebrity, a gamble to follow what might have been the peak of his career, and one which whets our appetite for what is to come.
    10radonner

    Perhaps Almodovar's greatest work

    There are many who say that "Todo Sobre Mi Madre" is his best film, but now that I've seen both these movies, I give the nod - by a long way - to "Hable con Ella". This is a masterpiece, and not just because of the poignancy of the characters, or the story in general, or the way the scenes are shot - watching the matador get dressed was quite engrossing - but EVERYTHING comes together so wonderfully. The brilliance of Spanish-language films never fails to amaze me, and this is another one in that long line of greatness. There will be times where the viewer may feel somewhat uncomfortable with the characters and their actions, but that does not stop Almodovar from exploring such emotions; indeed, one sometimes gets the impression that Almodovar's entire purpose is to make you analyze your own feelings - and simply does it better than anyone else. Recommended for anyone who can read subtitles.
    9Patrick_Allan

    Stunning, both visually and semantically

    On watching "Talk To Her", one of the first things you will notice is the beauty of film-work involved. The colours are rich and saturated, the image is crisp and the camera work is superb. Smooth panning shots and steady zooms guide you safely though s slightly fractured narrative, cutting between the past, present and future on occasions.

    This discontinuity, however, isn't confusing to the viewer and is, in fact, far from it. The cast act and speak so clearly that it is a perfect introduction to anyone new to foreign language film and, aside from the minor plot-line of bullfighting, there aren't an abundance of Spanish cultural references.

    This film, essentially, is a complex story laid out in an extremely simple form. It is not a film you will forget and, no doubt, will think about a lot after watching it. Also, unlike a lot of critically acclaimed films, you will not be cogitating over the events that took place in the film, you will be asking yourself how they apply to your life and relationships with others. Despite "Talk To Her"'s tragic story, it is an incredibly fun film to watch and discuss with others and a film I am extremely glad I added to my collection, having heard little about it at the time I bought it. 9/10

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      When Marco asks Lidia her name, he says something like, "It looks you've been predestined to it." That's because bullfighting is also known as "art of lidi."
    • Citazioni

      Marco Zuluaga: Love is the saddest thing when it goes away, as a song by Jobim goes.

    • Curiosità sui crediti
      The end credits contain the following text: "El 7 de agosto, durante el rodaje de esta película nació Pablo hijo de Cova y de Juan y niño de todos.". This translates to: "On August 7th, while shooting this movie, Pablo, son of Cova and Juan and child of all of us, was born."
    • Connessioni
      Featured in The 60th Annual Golden Globe Awards (2003)
    • Colonne sonore
      Por toda a minha vida
      Written by Antonio Carlos Jobim and Vinicius de Moraes

      Copyright by Arapua Editora Musical (Brasil)

      Used under permision (SEEM, S.A) Alcalá 70, 28009 Madrid (España)

      Performed by Elis Regina

      Courtesy of Universal Music Spain, S.L.

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    Dettagli

    Modifica
    • Data di uscita
      • 28 marzo 2002 (Italia)
    • Paesi di origine
      • Spagna
      • Stati Uniti
    • Sito ufficiale
      • Sony Pictures Classics
    • Lingua
      • Spagnolo
    • Celebre anche come
      • Hable con ella
    • Luoghi delle riprese
      • Puente Romano, Córdoba, Córdoba, Andalucía, Spagna(entering city on Roman bridge)
    • Aziende produttrici
      • El Deseo
      • Antena 3 Televisión
      • Good Machine
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo Stati Uniti e Canada
      • 9.357.911 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 104.396 USD
      • 24 nov 2002
    • Lordo in tutto il mondo
      • 64.826.117 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 52min(112 min)
    • Colore
      • Color
      • Black and White
    • Mix di suoni
      • Dolby Digital
    • Proporzioni
      • 2.35 : 1

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