The Bear

I love "the Snowman" and "Father Christmas", they are timeless Christmas classics. "The Bear" is a simple, haunting and sublime seasonal film, not quite as good as the other two but an essential nonetheless. The story is simple, and so are the characters particularly the warm and loving bear but very effective. The animation is beautiful, very similar to the animation from "The Snowman" and "Father Christmas" and to the illustrations from the book. The music has a haunting and dreamlike quality, with the end song sung beautifully by a young Charlotte Church.

Overall, I highly recommend "The Bear". 10/10 Bethany Cox

An Animated tale in the style of Raymond Briggs' "The Snowman" and "Father Christmas", This tale is about a girl named tilly who visits the zoo and accidentally drops her teddy bear into the polar bear exhibit. Crying herself to sleep she wakes to find the polar bear in her room with he teddy bear. Tilly cares for the polar bear and hides it from her parents, which is no small feet. But he call of the wild bear constallation takes her on an adventure accross the night sky.

This is a must have Briggs' movie, all the charm and warmth of the first two animations are contained inside. Children and adults watch spellbound through another half hour of music and storytelling.

My best to the author and producers, please make more.

The Bear and the other animated Raymond Briggs (based on his books), The Snowman, are examples of how drawings and music, without dialog, can give a sublime narrative experience. This film is romantic and fantastic, about imaginative power. Anyone with young kids knows it is rare to find a movie equally enjoyable for adults 6-year-olds and 2-year-olds, but these films are as close to universal as it gets. The music is wonderful -- it reminds me of George Enescu's Octet.The drawings are simple in style, but the animation is actually sophisticated and quite beautiful - although I've only seen it on VHS with its low quality. I"m sure that on film these films look even better.

While at the zoo a young girl loses her favourite teddy bear into the polar bear enclosure. Later that night she is still upset and goes to sleep with no toys. However in the night the polar bear comes to her house to return the teddy and she lets him stay as a result. The morning comes and sees the girl keeping the bear a secret from her parents – not an easy feat in a three bedroom house. Later that night the pair go out into the snow to see the sights and play games.

With The Snowman being on television every single Christmas from the moment it was made until the very end of time itself, I took the opportunity to see his animation from another Briggs book for the first time. The thing that struck me immediately (and stayed with me throughout) was how very similar it was to the Snowman in terms of theme, look, sound and overall delivery. In fact it is pretty much The Snowman but with a polar bear and no Aled Jones. On one hand this did make me wonder if Briggs only had one trick to play and he had already done it but I did try to be fair and watch it as a film just on its own merits.

Doing so finds an enjoyable film that has all the strengths of the Snowman as it is cheerful with simple animation and good characters. The music is good and the final song is from a younger and less "laddy" Charlotte Church. So it may well be The Snowman with more polar bear but it is still a good short film for the family at Christmas time. It is not as famous as Snowman and I suspect a lot fewer people have seen it, which is probably a reason in itself for seeking it out as an alternative next time the festivities come around.

THE BEAR, huge and gentle - which makes its way from the London Zoo into the bedroom of a lonely little girl - takes her on a magical journey across the Wintertime landscape.

Haunting & evocative, this lovely little animated film - told entirely without narration or dialogue, is a most fitting successor to author Raymond Briggs' earlier triumph The Snowman, to which, at one point, it pays subtle homage. After enjoying the broad comedy of the Polar Visitor trying to hide in the proper English home, the viewer is swept into the Northern sojourn which fulfills the Bear's quest.

Howard Blake's score propels the fanciful images onward; the final song is sung by Charlotte Church.