La costa del sole

John Sayles' films are always interesting. He provokes his audiences to think about what he shows on the screen. This is his latest attempt to draw our attention to the perils of overdevelopment in Florida by unscrupulous people who have nothing invested in the areas where they go to disrupt the lives of different communities, like the one presented in the film. Unfortunately, nothing changes for the better. In many cases it only brings unwanted growth, crime, tackiness in the name of progress. There are very old towns in the Sunshine State that are targeted to be sold by the locals in power as it's the case with the fictional Delrona Beach who, no doubt, are in cahoots with the developers. We can't help but wonder why would anyone in the right mind would go along with those who want to transform these laid back little towns on both Florida coasts and change them into the boring gated communities and condos that dot the landscape. The Greek Chorus led by Alan King and cronies are incredibly on target. They couldn't care less what was there before as long as they can golf every day in the immaculate courses created for their pleasure. Edie Falco is a revelation in this film. She's the one that goes in and out of the different groups with a sense of belonging to the town, obviously not making a very lucrative living out of a beach motel that has seen better days. Even though she has left the town for her own reasons she has come back to run the family business. Angela Bassett is the prodigal daughter who comes back to face her past and have a confrontation with her mother. Mary Alice plays her role of the mother with such dignity that we see right through this mother the hurt and disappointment her daughter has caused in her life. It's a joy to see both of these actresses play their parts in such a restrained manner. There are no hysterics between them, just the bitterness caused by events fate has dealt them. The rest of the cast is wonderful. Mary Steenburgen, Ralph Waite, Jane Alexander, Bill Cobbs are all perfectly cast for their roles. Again, Mr. Sayles has given us a slice of life, and in doing so, he has tackled the task with great panache.

One of those movies which goes nowhere with elegance. It touches on all the basic concerns of humanity: love, race, age, parents, and real estate. More than that, it handles all of them with honesty and kindness.

This movie should be watched late at night when the mind no longer knows where it wants to go. You can let it drift over you like a soft summer breeze. Hopefully in that state you will accept the fact that there is really no graceful resolutions or summations in life, just a review of how we dealt with all the little things which seemed so large at the time. The selection of actors for the movie also reflects the tone. Many very good artists who are drawn from television rather than the box office are able to use this vehicle to show us what they are really capable of.

Where Robert Altman wields gigantic casts like a battering ram, bombarding audiences with overlapping dialogue and showing off with tricksy camerawork, John Sayles draws us in to his richly observant tales by keeping things simple. He is a fine storyteller.

Sunshine State is a perfect example of why Sayles' laid-back approach works so well. This is a flowing, intriguing character study with a wry script delivered by a uniformly excellent and ego-free cast.

There is little by way of drama here, just a snapshot of a beachtown community in which lives frequently change but whose heart stays the same. Sit back and soak up the atmosphere.

THE SUNSHINE STATE (2002) ***1/2 Edie Falco, Angela Bassett, Timothy Hutton, James McDaniel, Jane Alexander, Ralph Waite, Bill Cobbs, Gordon Clapp, Mary Steenburgen, Tom Wright, Mary Alice, Richard Edson, Marc Blucas, Miguel Ferrer, Charlayne Woodard, Alan King, Alexander Lewis. Indie king original John Sayles scores once again in this expertly acted exploration of social class structure, facing past sins and not-so-rosy futures, interracial communities and ultimately the human condition with equal parts stark comedy and poignant drama. Falco and Bassett shine respectively as Floridian natives – one who never left the small resort town, the other finding out the old adage ‘you can never go home again' – and should be ear-marked for awards season.

(2002/John Sayles) ***1/2 out of ****

"In the beginning.....there was nothing."

Small towns are often used as the backdrop for many films, but seldom is the concept often explored. "Sunshine State", like many other films that tackle the concept, offers a slice of life into the world of the people who inhabit a small town, which is, in this case, a beach front town in Northern Florida.

Plantation Island is a picturesque small town. It's residents include many people ranging from different races, including whites, blacks, and Native Americans. But it goes a little deeper. Some of the characters are native to the area, some are just visiting. Edie Falco plays a down-to-earth motel owner, Timothy Hutton plays a land developer, Angela Bassett plays a woman who has just returned to the island after having left when she was 15, and Bill Cobbs plays a retired doctor who doesn't like where the future of the town is going. Throw in a couple of philosophical golf players, and there you have the island of Plantation.

This film has Robert Altman stamped all over it. And that's basically what it is: a toned down mosaic of Floridians, that looks like it was done by Robert Altman himself. This is a very good movie, with deep characters and a story with multiple layers. But the story and scenery can't make up for the periodic lulls here and there. All in all, an above average film that is worth a look.

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