L'ultima estate

I don't think I'm slanted because much of the film was made in my hometown... and the writer-director is the youngest son of a longtime friend. But I thought I'd better establish those facts up front.

If you want to capture the true flavor of the south side of Chicago in the '70s, this movie does it. From the scenes in and around Holy Cross church in Deerfield, to the beautiful Jewish temple on the south side, to the 76th Street beach, to scenes in and around Chicago bungalows, even under the L tracks, this film has it. I grew up on a block on the south side where we were the only family that was not Irish-Catholic. This film depicts the values and relationships of those types of families very well.

Will anyone get a Golden Globe or an Academy Award from "Stolen Summer"? Probably not. But if you want to spend a couple of hours enjoying a good movie with a real message--go see "Stolen Summer". If you're a Chicagoan and want to see a slice of home... so much the better.

Having finally seen `Stolen Summer' I was more surprised than anyone to find the film extremely fetching. I thought it was well made and well acted. It was written and directed by a total novice, Pete Jones, who won a contest- as silly as that sounds. There are scenes that can be called schmaltzy but they seem to fit in with the mood of the picture and feel deserved; they're not simply tacked on as emotional buttons like in lesser screenplays. I hate watching kids in movies because they usually go hand and hand with loud noises and special effects. However, this screenplay gives these kids some heavy-duty subject matter to explore and their performances are intriguing. One might complain the film doesn't have any visual flair or creative camera angles and such. I think the film captures the austere sluggishness of the 1970's rather well.

After reading the external reviews for this movie I had to write a comment. One would think all the nation's critics united against this film. One reviewer said… `There are probably at least nine people who will sit all the way through the well-meaning but inert `Stolen Summer'. What's that mean? Did the guy watch twenty minutes of it and split? Are professional critics allowed to do that? I find that incredibly aggravating. I think all people involved in the film business are eventually driven to this kind of cynicism and contempt. I myself was rather turned off watching `Project Greenlight' on HBO. I realize making movies is an expensive enterprise but there's got to be a better way next time than what Jones went through. They had his you-know-what's in a vice the entire time and treated him like he was just touring Universal Studios for the day. I guess Hollywood is finally letting us in on their secret…that any schmuck off the street can make a movie because in the end it's the executives who really make all the decisions. The director might as well devote his time to the catering concerns.

I just viewed Stolen Summer on DVD and this is a fine film for a first-time director. I am an avid movie watcher who likes everything from Kubrick to Kurosawa to Tarkovsky and it is easy to recognize that Pete Jones has incredible potential as a writer and filmmaker.

A touching story that was well acted, edited and paced. Even the child acting was fairly good. This was a very solid effort for a first-time feature on a tight budget.

Kevin Pollak is a very underrated actor.

Nice job all the way around! I hope we get to see more of Pete's stuff in the future.. it should be worth it.

This movie was a wonderful movie until the last ten minutes when it falls completely flat on its face. The movie examines the unique and heartfelt friendship between the young son of an angry Irish Catholic and the young son of a Jewish Rabbi. Not only are the characters deeply explored, their differing faiths are thoughtfully examined throughout the film. It's a shame that the "powers that be" had to fold in the last ten minutes and give viewers bogus wishy-washy so-called theology that proves moviemakers are still afraid of moral absolutes. What a shame. Bonnie Hunt was so convincing as the dutiful wife and loving mother I wanted to adopt her. Kevin Pollak was incredible as the agonized father living with terminal illness.

This movie is beautifully written and simply acted, with wonderful performances from the child actors bringing it to life. It deals with subtle and complex issues of faith and love, parenting, friendship and flat-out chutzpah. The character of the Rabbi, played by Kevin Pollack, is a joy.

Stolen summer explores what faith means in action and who's got it right. Done from a child's questioning point of view it gets in to and away with some very tough and unresolvable issues. The kids treat the notion of getting in to heaven, whose God is right, what happens when you die- all as things you can actually ask about, and think about. The result is heartfelt and up to the end, wrenching in its honesty.

The final scene of the movie has absolutely no connection to the rest of story. Or rather, it seeks to tie up every single thread and gives you all those answers, revealing in the final two minutes the nature of prayer and the meaning of faith. Predictably it comes out as shallow and baffling. Where did the movie go? The actors are wrenched from any connection to any part of the story leading up to that moment and left doing a Hallmark card. The scene reeks of a desperate move to appeal to some research-specified demographic, the implausible act of an executive justifying his salary by telling the writer what the story needs.

Up until the Advent of Executives, this is a lovely movie, and a great story.