La doppia vita di Mahowny

This is based on a real story that happened in 1980-82. Dan Mahowny (Philip Seymour Hoffman) is the youngest assistant manager of a major bank branch at the heart of Toronto's financial district. Little does anybody know, he has a gambling addiction. He uses his position to steal millions to feed his gambling habit.

This is all about Philip Seymour Hoffman. He is amazing. He isn't just a great co-star. He is the lead. He is the star. And he is compelling. He's been great as the brilliant actor's actor for many years acting beside some of the greats in some great movies. Two years after this, he will win best actor for his own great movie 'Capote'.

The style is strip down. PSH has those 80s glasses. Mostly there is his desperation and his obsession. Minnie Driver goes blonde and I don't really recognize her. Maury Chaykin is great as the bookie.

Interesting examination of a young Canadian bank executive who embezzles money to feed an insatiable gambling addiction.

Hoffman gives a yeoman's if not overly subdued performance as Dan Mahowny, and the film for the most part is a better than average watch. Strangely, the film plops you right into chapter 5 or thereabouts, and your left wondering who is this guy for the entire film. The motivation for Mahowny's odd behavior is never really broached. The film starts with Mahowny sports betting and playing for the usual small stakes, he then mysteriously falls off a cliff in his wagering amounts and we're supposed to swallow that it all stemmed off of a 10000 obligation? Then we're off to the races as he becomes this casino legend. Needed a little more development, and thats being kind.

The direction is clever, in particular the ironic use of scenes showing the symbiotic relationship of bank and casino. On the nay side, the small budget generates the expected technical issues, most glaringly, never once providing camera-work that remotely convinces you he's in either Vegas or Atlantic City. The casino interior shots aren't properly done to eliminate the claustrophobic soundstagitis, and the only exterior shots found in the entire movie, are blatantly in Canada. As example, there is a scene where Mahowny is contemplating life while standing on the beach of the Atlantic Ocean. Its so obviously a lake or even pond and not the ocean, that its borderline embarrassing. Finally John Hurt, who i really like, is given liberty to really ham it overboard. But believe it or not, I genuinely like this film, and do recommend it.

PS/ I don't care that what anyone says, the woman who hits him up for 100 bux in the casino is Sandra Oh.

I'm not sure that it was a fantastic movie, but it really sticks with me. I gamble quite a bit too, and I regularly see Mahoney-like behaviours at the casino. The guy next to me the other day started with $200, then went up, in my eyes undeservingly, to about $2500, and finally lost it all in a matter of half an hour. The entire time completely without expression, like a gambler, like Mahoney. No matter what happens to a gambler in the short term, he knows that it is ephemeral. Unfortunately, the ephemeral losses are a bit bigger than the ephemeral wins, and the cumulative loss is what you are stuck with in the end.

I liked the way that Mahoney was so boring. As though the things that make life interesting for the average person and the things that make the average person interesting all pale in his eyes to the passionate communion that he has with the game.

This is a pretty safe and unremarkable project in many regards. The story is appealing as a sort of funny anti-hero, a resourceful guy with an uncontrolled urge to gamble. He steals so he can feed is habit, and everybody around him has money-related interests except himself. It's made more interesting to follow because it's based on a real story, and apparently it follows it quite closely.

Technically it's as good as most of Hollywood makes, competent in every aspect except direction, which is flat and dead. No defined camera stance, merely the basic representation of what's happening.

But nothing of that matters because who the camera frames almost always is the late Seymour Hoffman. And that is more than enough. Every movement counts, every restrained facial sign shows something. He was really a method student, but i suspect he didn't have to search very deep to get to his characters. His most remarkable characters all live in their own world, tormented by uncontrolled urges, in pain by maladjustment to an unforgiving unfit world. His pain was real in every character of his, he just channeled it each time to a different character, to a different world, to a different misfit quirky corner of the world.

It's an extra pain to watch each one of his movies now, when we know we won't see anything new from him ever again, and we understand that not so much of what he showed us was acting, faking on a stage, but instead was the masking of a real pain. Or it could be the other way around. It could be that, in a tragic sense, the high standard that Hoffman proposed for his own craft drained and exhausted the real man so much that he was left in the limbo between his full creations and the emptiness of the somehow unfulfilled real life, whatever that might be.

It's not difficult to watch this film now, and map the gambling urge of Mahowny to the addictions of Hoffman in the real life, and understand that the "just a few more minutes" could in fact be the few more minutes he always requested from himself.

watch this, the film won't change you, but Philip S. Hoffman will.

For anyone in Dan Mahowny's life who cared to look, all the signs were there. Bad hair, disheveled clothes, no overcoat in Toronto in winter, empty apartment and a '74 Dodge Dart. He should have had more but did not. He had everything the addict needs - a source of income, a source of his addiction and several "enablers" in his life.

Owning Mahowny tells the famous and true story of a mid-level bank manager at the CIBC, who in the early 80s, stole $10,000,000 from several high profile clients, and a few non-existent ones. All the funds were lost in Atlantic City and Vegas. But this is not a con movie, it is far more clever than that. It is a detailed and devastating study of a gambling addiction.

We all know that Mahowny will get caught, but how and when. He has no record, is not a criminal and he is well respected at his job. What this film does almost better than anything is reveals how the day to day events allows the protagonist to prolong his inevitable collapse.

As the film progresses, Mahowny becomes more and more paranoid. Every open file, every meeting and every phone call represents his potential downfall. Note how he maneuvers through key meetings and audits. But he is not afraid of getting caught, he is afraid of losing his lifeline to the thrill of the bet.

You just simply cannot say enough about both the leads in this film. Philip Seymour Hoffman is spot on perfect as Mahowny, focused on the next hand, rarely raising his eyes to the camera. John Hurt is also wonderful as the malevolent casino boss who is all too happy to take Mahowny's money and not care where it came from.

Had this film received better backing, Hoffman may well have received his first Oscar nomination. As it stands, you will have to seek this out on DVD. It is an edgy and well directed study in to the mind of an addict. Not perfect, but I loved this from start to finish. ***1/2 out of ****.