Aggiungi una trama nella tua linguaA history professor teaches at a women's college where his daughter is a student.A history professor teaches at a women's college where his daughter is a student.A history professor teaches at a women's college where his daughter is a student.
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What can I say about Richard Dreyfuss that hasn't already been said in reviews. Having seen all his movies, he never ceases to amaze me at the character roles he develops. He will never be a romantic leading man, but his diversity allows the viewer to love him for who he is without being the stereotypical male actor. I feel like I know Max but he is more complicated than the show has yet to divulge.
"The Education of Max Bickford" has really grown on me. As I predicted I didn't think Aunt Erica/Uncle Stevie could be a recurring theme for long. Even though, CBS didn't overdue it with that role but it too added some interesting plots to the series along with humor. I also loved the way Richard Dreyfuss has evolved Max into a more lovable character, with the human flaws and frailties we all can identify with in our middle-age, daily lives. His children, Nell and Lester are typical of kids today on a multifaceted levels. And Max is finding dating at his age awkward, after many years of marriage and the subsequent loss of his wife. Then to compound matters, and I can really identify with this; his irascible father enters the picture with all the stubbornness and hard-headedness he displayed his whole life.
Max is sandwiched in between two generations both of which he can identify with to a point, but never fully understands either. To add to the interest of his teaching at Chadwick they have incorporated Marcia Gay Hardin, aka Andrea Haskell, who does a wonderful job on the series. She adds some of the balance that Max needs in his life but again she is a colleague and not a new love interest, even though he had his one time fling with her, while she was a student at the college. Perhaps a more intimate relationship will blossom as the show progresses.
For me it will be interesting to see what follows next season because the writers and Dreyfuss have allowed for a wide open door of possibilities. The surprise guest cast even keeps the show on its proverbial toes and adds another dimension and spark for the viewers. One thing I can say that holds my interest is that even though the setting doesn't change, the stories are always a surprise and fully entertaining. Many shows are so predictable that after several episodes one becomes bored. But for Max Bickford, I would give the show a 9.5 on the rating scale.
"The Education of Max Bickford" has really grown on me. As I predicted I didn't think Aunt Erica/Uncle Stevie could be a recurring theme for long. Even though, CBS didn't overdue it with that role but it too added some interesting plots to the series along with humor. I also loved the way Richard Dreyfuss has evolved Max into a more lovable character, with the human flaws and frailties we all can identify with in our middle-age, daily lives. His children, Nell and Lester are typical of kids today on a multifaceted levels. And Max is finding dating at his age awkward, after many years of marriage and the subsequent loss of his wife. Then to compound matters, and I can really identify with this; his irascible father enters the picture with all the stubbornness and hard-headedness he displayed his whole life.
Max is sandwiched in between two generations both of which he can identify with to a point, but never fully understands either. To add to the interest of his teaching at Chadwick they have incorporated Marcia Gay Hardin, aka Andrea Haskell, who does a wonderful job on the series. She adds some of the balance that Max needs in his life but again she is a colleague and not a new love interest, even though he had his one time fling with her, while she was a student at the college. Perhaps a more intimate relationship will blossom as the show progresses.
For me it will be interesting to see what follows next season because the writers and Dreyfuss have allowed for a wide open door of possibilities. The surprise guest cast even keeps the show on its proverbial toes and adds another dimension and spark for the viewers. One thing I can say that holds my interest is that even though the setting doesn't change, the stories are always a surprise and fully entertaining. Many shows are so predictable that after several episodes one becomes bored. But for Max Bickford, I would give the show a 9.5 on the rating scale.
Apparently, the creators of "The Education of Max Bickford," have LEFT the show, because the honchos at CBS want to make Max more "sympathetic."
Why does corrupt corporate marketing constantly encroach upon quality television? One of the things that makes "Bickford" such a delight is its departure from one-dimensional characters and caricatured portrayals which are so endemic to network programming. Yes, Max is hypocritical, contradictory, enervating and downright offensive. And yet, amidst all his spiritual blemishes, Max's good intentions, deep respect for his colleagues and love for his family shine through. As opposed to the black-and-white world of the cop-medical legal dramas that pervade our airwaves these days, the main character's complexity enhances his humanity, rather than diminishes it. Sound like someone you know? Look around...there's more than just a little bit of Max Bickford in each of us.
Perhaps the lower ratings are due to the uniquely American need for blinding escapism, albeit at the cost of introspection. God forbid network television should be an instrument of self-reflection. No, they need those ratings, those delicious and oh-so-informative demographics, which translate into advertising revenue and profit. Where is our profit as the intelligent, discriminating TV viewer, huh? HUH?
Why does corrupt corporate marketing constantly encroach upon quality television? One of the things that makes "Bickford" such a delight is its departure from one-dimensional characters and caricatured portrayals which are so endemic to network programming. Yes, Max is hypocritical, contradictory, enervating and downright offensive. And yet, amidst all his spiritual blemishes, Max's good intentions, deep respect for his colleagues and love for his family shine through. As opposed to the black-and-white world of the cop-medical legal dramas that pervade our airwaves these days, the main character's complexity enhances his humanity, rather than diminishes it. Sound like someone you know? Look around...there's more than just a little bit of Max Bickford in each of us.
Perhaps the lower ratings are due to the uniquely American need for blinding escapism, albeit at the cost of introspection. God forbid network television should be an instrument of self-reflection. No, they need those ratings, those delicious and oh-so-informative demographics, which translate into advertising revenue and profit. Where is our profit as the intelligent, discriminating TV viewer, huh? HUH?
Intelligent TV has returned to commercial television. Great topics with a fine grasp of cross generation relations. Maybe not a fair comparison, but M*A*S*H was rough around the edges when it started. "Max" has a great foundation to start on, it can only get better. Stick with it CBS I plan to keep watching. KM
Just goes to show you, after reading recent comments, no change will please everyone. I am in the camp that was getting tired of watching the "severe" Max Bickford, and was considering dropping it all togther, until they changed the focus and softened him up a bit. I watch the show because I find it entertaining, and it usually makes me think. It seldom tries to come up with a solution, but it touches on such diverse topics as transexuality, aging, doing drugs, lying to parents, bigotry, free speech, plagarism, and on and on. I suppose daughter "Nell" is my favorite character. I know "Max", I am almost Max in my own world. But Nell is a good, bright, conflicted girl trying to find her path into and through young adulthood. I like this show, however I wouldn't expect everyone to. You have to be in touch with the real world.
I watched ` The Education of Max Bickford' and found that the premise of the series is quite promising. I like Richard Dreyfuss (American Graffiti, The Good Bye Girl, Mr. Holland's Opus) and know his work pretty well. Max Bickford reminded me of Mr. Holland in Mr. Holland's Opus, a person who is ready to succeed in life, but the problems and circumstances life itself brings stalls his success. He gets just as annoyed as Elliot Garfield, Dreyfuss character in' The Good Bye Girl' does. He does it really well. Actually he can go through a broad spectrum of emotions and succeed. Dreyfus is an outstanding actor. Max Bickford is a professor who seems to be very good. He is a single parent and sole provider for the family. His teenager is a typical rebel teen, and his little son is very wise. The first episode did not show why he is still single, but did mention that his wife had died. He worked a lot in his profession and just found out that one of his ex-students, Marcia Gay Harden (The Spitfire Grill) received a chair instead of him. That made him really mad. I guess I would have made me mad too. It made him made enough to accept the position of department head that he earlier had refused as political garbage. Then there is a she who used to be a he. `Erica Bettis` Helen Shaver' (The Color of Money). The audience is presented with a series of issues, that could raise good discussion between the characters and to create an atmosphere of a great show! My husband and I both enjoyed the first episode. I liked going to college so much that a new show about a teacher brings back that mystery of finding out what a professor is all about! I recommend this series, and please do yourself a favor and watch something fun and intelligent.
Good Show!
Good Show!
Lo sapevi?
- QuizAfter a strong initial launch, the show's audience 'dropped sharply afterward' despite its prime time slot following 60 Minutes. Within a month, two of its three executive producers were removed and reports claimed the show was being 'overhauled', though CBS denied this, preferring the term 'creative adjustments'.
- ConnessioniFeatured in CBS Sneak Peek (2001)
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By what name was The Education of Max Bickford (2001) officially released in India in English?
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