Havoc - Fuori controllo

I could start off this review in Singlish by saying "This movie damn havoc", and it just about sums it up accurately and nicely. Sex, drugs and gangsterism from the hop is hip culture, this movie attempts to provide a social commentary about the lives of super rich teenagers in the Palasades, wasting their bored lives away by trying to emulate another culture they think is cool, the wannabes who chose not to conform to the norms, but try their darndest best to be one in the 'hood.

Anne Hathaway assumes the lead role as Allison Lang, a wide-eyed teenager whose language is as beautiful as her appearance. Having her material needs satisfied by her ultra rich parents, but living in essentially an empty home, her friends and her seek out the alternative lifestyle which promises loads of fun and excitement - drugs, drink and fights. Being associated with a gang brings about some perceived self esteem and self worth. But where do you draw the line when you're always seeking another high moment? A journey to "downtown" - the areas of the have-nots, where seedy bogeymen reside in, areas where parents warn their children to stay away from, sparks a discovery of a wonderland for Allison and her best friend Emily (Bijou Phillips), as they make repeated trips to be amongst the real boys in the 'hood, to hang out, chill, and do whatever them wannabes have done at a magnitude of 10. It's a primal attraction and sexual tension between the girls and the men (not the boys they hang out with, who pee in their pants when faced with real danger - acting cool is not cool), and between Allison and Hector (Freddy Rodriguez).

But like all revelations, sometimes it takes the hard way to learn a lesson, and the movie picked up on this rather rapidly in the last third, once they got enticed into playing a game of dice (with sexual connotations) in order to be initiated into Hector's gang. Basically, the audience observes the attraction of an alternative lifestyle, of wannabes thinking they can handle it all, and of redemption and change.

While it was a surprise to see Michael Biehn in the movie, the movie clearly belonged to Anne Hathaway in her very first attempt to break away from her goody-two-shoes roles like in the Princess Diaries and Ella Enchanted. However, with the M18 rating here, this movie suffered cuts where it really mattered, and a poor edit too at one of the more pivotal scenes which literally screwed up the understanding of what actually happened, only to be told at face value, suggesting the "truth" of the matter, at a later stage. Sometimes I wonder why not release it as R21, and keep the film intact. Surely Hathaway has fans, but to mutilate the movie to let them in, is a bad decision.

It's peculiar to have the movie released this week, up against Singer's SUperman. Maybe some rebellious bored teenagers happen to be the answer to balance the truth and justice that the last son of Krypton embodies?

OK. I just saw this tonight for the first time. I don't care what you others say, the acting was good, the production was good. Now, Anne was a bad choice for the lead because she does look a little old for the role, but other than that, it was a good film. Let me tell you why, if I may. I grew up in the hood. Not what little preppy white kids consider the hood, but the actual hood. I am talking about drive-bys, gang wars, drug dealers on the corners and at every bus stop. It might bother people, but this was an accurate portrayal of the ghetto. This showed the stereotype of suburban white youth. No, not all white kids are whiggers with attitudes that they can't back up. Just like not all Latinos are rock dealers. But, please you must recognize that this is showing stereotypes and nothing more. Remember, we wouldn't have stereotypes if there wasn't a lot of truth behind it. White kids, especially affluent ones, are fountains of cynicism. They have no direction in life. Therefore, a great many of them turn into what this film shows. Latinos, those from areas like my own, often do gang up and its very common for them to sell rock and reef. Its not racism, and its not an attack on a culture, its the truth, painful as it might be. If you actually watched this film closely, and had an open point of view, you'd see that the only thing in this movie that lacks credibility, is Anne's age.

This movie was often times painful to watch, and it's not because of its "moving" subject matter. It's possible the filmmakers aren't at fault, here, because when you make a movie about irritating people, don't be surprised that the viewers will find themselves irritated. But if you take on a film that'll make people's brains hemorrhage, you probably deserve to be booed.

Honestly, though, after seeing this piece of crap, I'm surprised Stephen Gaghan can still get work in Hollywood. Likewise for Hathaway, who does a respectable job with a vastly mundane script. Not so kudos to Bijou Philips, for whom playing trash isn't exactly a huge stretch or test of acting ability, nor to Freddy Rodriguez, who, to make his speech more threatening, actually slows himself down so much that he starts. Speaking. In. Fragments. Of the trio, though, he may be the most surprising transformation, especially since he's so squeaky on "Six Feet Under." It was unexpected, but it may have been a casting mistake. Instead of appearing threatening, he looks more like he has Short Man's Syndrome, since Hathaway has a head of height on him, and may appear more menacing therefore. I know I shouldn't be so astounded, but it stupefies me still, how far Hollywood will go to make the worst casting decisions in the name of getting someone proximately famous for the DVD cover. Oy...

I think the most irksome thing about "Havoc" is that, in the end, it's a vacuous morality tale. They had a chance to make something of the examination of bored, rich teenagers who want to be poor on purpose, but they instead glazed over it. No one involved has long-lasting suffering. It's like the whole thing was just a bad dream, which is, I suppose, a fitting description of a night spent watching "Havoc," a most aptly-titled film. The most disappointing aspect of the whole deal is that the personal responsibility lesson isn't given enough gravity. Bored, unlikable, upper-class adolescents get in a wee bit of trouble with a Latin gang of their own accord? My cup overfloweth. Honest to God, if I have to hear another person defend an individual's actions on the basis of the "It's only your fault until you get hurt; then, you can blame someone else" line, I'm going to implode. And guess what "Havoc" does?

Bottom line: if you're looking for half-naked girls, you've hit the jackpot. Also, if you're a teenager and you're looking for some kind of searing expose of the "Gee, I think I'll go join a gang today" lifestyle, you, too, are in luck. Otherwise, don't be surprised if you find yourself vomiting uncontrollably and crying for your mother during the ninety minutes of the train wreck called "Havoc."

The film "Closer" (2004) was never meant to be liked, just revealing. I felt the same vibe resonate throughout the eighty-six minutes of Havoc. It's not at all meant to be a film you'll necessarily respect, favor, prefer, or like--the film is simply meant to show you the stupidity of the rap/gang culture. The emptiness, the lack of emotion and integrity that is showcased throughout the generation. A previous review stated that all the actors were terrible in this film, that there was no plot, and virtually nothing in the movie in the first place. I agree to an extent; there is no plot in the lifestyle, no purpose. However, I believe the actors actually gave surprising performances, Joseph Gordon-Lewitt the most convincing; I didn't even recognize him for a moment. The filming was well done with a few gag-me exceptions; most angles were appropriate for the scenes (though the sexual situations *definitely* could have used a little more imagination).

Overall, there could have been more to the film than what we're left with. This could be attributed to the death of the original screenwriter in 2003, or it could be the director's execution. However, I still stand by my opinion that it's worth watching, but that you probably won't desire to see it again.

Well, I definitely would have had a field day to this 2 or 3 times if I had known about it in 2005 when it came out. But, not to Joseph Gordon Levitt dropping all those N-bombs...

Havoc is definitely not a GOOD movie, but it is a bit of an anomaly and its definitely wholly entertaining. It exists in a realm somewhere between Larry Clark (I'm thinking BULLY) and something like Alpha Dog, though it's not as good as either of those.

I'm not sure how Anne Hathaway got placed as the lead in this right in between The Princess Diaries 2 and The Devil Wears Prada. Her sex appeal is definitely off the charts in this movie, and she "bares more" here than in any other movie I'm aware of, but it also feels like such an odd role for her outside of that. While she is typically a very strong actress, in this film where she is supposed to portray a "rich Pacific Palisades girl obsessed with "gangsta" culture", at no point does it feel believable. She will randomly dip into talking with slang and accents for moments at a time but then most of the time speaks like her normal self, yet the characters verbally reference her "talking hood" even when she's not at all.

On that note, nobody puts in a particularly good performance in this, but I'm sure that has a lot to do with the writing and directing as well. Bijou Phillips is great playing the same type of cute and vulnerable character she always tends to, and Freddy Rodriguez and Raymond Cruz (Tuco from Breaking Bad) do the best job out of the whole cast with the material.

It's a ride that's fully cringe all the way through, and a lot of little things don't make that much sense. Why is that one kid filming everything? What is he making a movie about? What for? Or at least, why are these kids that think they're so hard just letting him?

The actual movie itself really doesn't have an ending at all - the closest thing we get to a finale is our protagonist basically acting as a rape apologist, and then suddenly it's just over? I dunno if that qualifies as a finale.

I feel like this was the tail end of when movies like this got funded with actual stars on the cast. Half of the cast are A-listers now...seeing Channing Tatum and Joseph Gordon-Levitt in these roles is...hilarious.

Freak show of a movie that would never be made now.