Showtime

Showtime (2002)

In 2002, Murphy tried to move away from the kid friendly movies to disastrous box office effect. He started off the year by teaming with Robert De Niro (who was reinventing himself as a comic actor) in this Buddy Cop Picture.

Plot In A Paragraph: Two very different cops are forced to team up on a new reality based television cop show, while tracking down the manufacturer and distributor of an illegally made semi-automatic firearm.

It starts off well (especially the first 30 minuted or so) and I was enjoying myself. Sadly, it ends up becoming the type of movies it is making fun of. So it's early promise is not fully lived up to, but I still liked it.

There is decent chemistry between the two leads. Every good scene in this movie features De Niro and Murphy. Usually without specially effects or action. William Shatner shows up to give Murphy and De Niro acting tips which is a lot of fun.

All in all, it's an enjoyable action comedy for me.

Showtime ended 2002 as the 70th highest grossing movie of the year, with a domestic haul of $38 million dollars. Against an $85 million budget.

Absolutely entertaining. That is all I can say about this movie. This is one of the first movies in years that I can say I did not want to shut off halfway through. Murphy is great, it's good to see him in this kind of role again, and De Niro is fantastic as always.

Showtime is about a cop, Mitch Preston (DeNiro), who after a huge screwup, is forced by his department to do a reality cop show. Preston is teamed up with Trey Sellars (Murphy), a cop who wants to be an actor, and the fun begins! Rene Russo is also in this film, and she is beautiful as always.

There are some extremely funny moments, as well as some great stunt scenes. Let's hope that Eddie Murphy keeps this kind of role up, as I miss his Beverly Hills Cop days.

Definately the best cop buddy movie since probably Lethal Weapon. If you are a fan of the Lethal Weapon series, you will definately love this one.

Of course, I could be wrong but I seriously doubt that the film in question, Showtime is not to too many folks the greatest movie ever made. However, Showtime is a pretty decent buddy action/comedy that is fairly entertaining. Eddie Murphy and Robert De Niro are a mismatched pair of cops that are working together and are being filmed on a reality cop show called Showtime. Both of these actors are great at what they do with De Niro being an excellent dramatic actor Eddie is a comic genius and while Robert De Niro is one of the best actors of his time Eddie Murphy is equally talented in the comedic realm. Also, both of these guys worked with director Martin Breast and made two of the best action comedies, Beverly Hills Cop and Midnight Run. Showtime can't really hold a candle against either of these classics, but still is pretty fast paced, lighthearted and action packed entertainment. Both Murphy and De Niro are great here, but the film itself is nothing spectacular. You could do much worst for an evenings entertainment and this is in my opinion, Eddie Murphy's best modern comedy that suites my tastes much better than the crappy family movies he has focused on since his classic period in the 80's and early 90's.

Honestly, I've never understood the hate for this movie. Is it the best buddy cop or action comedy movie? Obviously not. Have both Eddie Murphy and Robert DeNiro made better movies? Of course. Does that mean this movie sucks? Not in my opinion.

Most of the people who watched this probably came for three reasons:

1. They liked either one, or both, of the two main stars.

2. They like buddy/buddy cop action comedy films.

3. They came because of both of the first two reasons.

Now, as I said, obviously it's not the best movie, but it was originally intended as a satire, or at least as a little jab, at the 'buddy cop' genre, so naturally it's not going to take itself incredibly seriously. Some have made the case that the film ends up becoming the kind of movie it's supposed to be making fun of, and while that's true, it still ends up being enjoyable.

Critiques:

If you like the loud, potty-mouthed, confident, hilarious, charismatic Eddie Murphy from the 48 HRS or Beverly Hills Cop movies, you will get a little of that, but not as much as you're probably hoping for. Now, obviously, Eddie will have some funny scenes just because he's Eddie Murphy, but he is still limited by the script, and it doesn't seem like he ever is able to really cut loose or be himself, and some of his lines can feel forced at times.

Now, while I didn't find the main plot to be that bad, it is still not the best, and it's not super-engaging. The plot is that two very different police officers (Eddie Murphy, Robert DeNiro) are approached by a TV studio who are looking to make a hit buddy cop show, and the two are coerced into going along with it as the stars. This does prove for some interesting moments, but it's not enough to carry a movie on.

The other main plot, which one could argue, devolves the movie into becoming just like any other buddy cop movie, is the suave, sophisticated, nefarious, foreign arms dealer who rolls into town selling high-powered weaponry. It's not incredibly interesting, but it serves its purpose, and it does take a back seat to the TV show plot, at least until the third act.

As for comedy, this flick did have some funny moments, but it just didn't seem to really try, and other times, it didn't try at all. Overall, it is funny, but not as funny as a lot of the films that it's trying to be.

Postive Things:

The action, at least what's there, ends up being pretty well-done, at least the large-scale car chase about halfway through, the bar fight, and the final climax. I'm glad that the movie didn't focus solely on action, as the action wasn't the point of the movie, but the action that is there, while fine, did't feel entirely realistic, or just not super engaging, but I did like it.

I did enjoy the disagreeable chemistry between the leads, and I definitely think that Eddie Murphy saved this movie, even if he wasn't at the top of his game.

Director Tom Dey hasn't done much, but he does have "Shanghai Noon" as one of his credits, which is honestly a much more enjoyable film. I'd definitely recommend that one over this film.

Overall, I did like it, but it didn't need a sequel, and I'm glad one never came. 6/10.

About the best thing that can be said for `Showtime' – a throwaway cop buddy comedy starring Robert De Niro and Eddie Murphy – is that it demonstrates that an inferior script can be at least partially overcome by first-rate performances.

You can't go too wrong when you have acting talent of this caliber working for you. De Niro and Murphy portray two LAPD officers who are recruited to be the central `characters' for a new `Cops'-type reality TV show, wherein a camera crew will follow the two on their appointed rounds as they chase suspects, round up criminals and, all in all, make the streets of LA safe for the common, decent citizens who reside therein. De Niro's Mitch Preston is a reluctant participant in the series, while Murphy's Trey Sellars is a wannabe actor with stars in his eyes who sees this as his golden opportunity to make it big in show business.

The initial problem with `Showtime' is that it feels more like a `high concept' exercise than an actual movie. Despite the fact that there are a number of funny moments in the film, too many of the scenes fall flat both as comedy and as action drama. The saving grace is that De Niro's understated cynicism provides an effective counterpoint to Murphy's over-the-top enthusiasm, resulting in just enough comic tension to wring laughs out of even the weakest of material. It is a joy to watch these two pros at work and they are nicely complemented by Rene Russo as the driven TV producer whose brainchild serves as the excuse for the story. William Shatner, playing himself, also generates some laughs, often at his own good-natured expense.

Yet the film itself is a failure. One of the prime dictums of the screenplay is to try to show the discrepancy between police work as it is portrayed on the screen and police work as it really is. In fact, the film opens with veteran De Niro instructing a class of elementary school children about the mundane realities of life on the job. Yet, the film betrays its own theme by itself indulging in all the inane shoot-em-up and car chase scenes it is supposed to be satirizing (the scenes are not exploited for comic effect, which might have lent some much needed satirical bite to the proceedings). Even worse, the `serious' side of the story, involving drug deals and gun running, fails to generate any interest or suspense.

Oh well. De Niro and Murphy are such likable comic actors that the movie, for all its many weaknesses, manages to whiz by without inflicting too much boredom and pain. `Showtime' is a completely forgettable and innocuous little time waster, but fans of these particular actors will at least appreciate their efforts.