Confessioni di una mente pericolosa
Un adattamento della biografia di culto del produttore televisivo Chuck Barris (Sam Rockwell), in cui l’uomo racconta di essere stato un sicario della C.I.A.Un adattamento della biografia di culto del produttore televisivo Chuck Barris (Sam Rockwell), in cui l’uomo racconta di essere stato un sicario della C.I.A.Un adattamento della biografia di culto del produttore televisivo Chuck Barris (Sam Rockwell), in cui l’uomo racconta di essere stato un sicario della C.I.A.
- Regia
- Sceneggiatura
- Star
- Premi
- 7 vittorie e 12 candidature totali
- Chuck Age 8 and 11
- (as Michael Céra)
- Freddie Cannon
- (as David Hirsh)
Recensioni in evidenza
In many ways, Barris was one of the men responsible for starting the trend towards `reality television' that so dominates network programming today. His most famous hits (especially `The Gong Show') were all based on the premise that millions of Americans would be willing to humiliate themselves in public for a few moments of fleeting fame and that millions more would tune in to bear witness to the spectacle. Barris, craving fame himself, was simply savvy enough to plug into that national mood - and managed to make himself a fortune and turn himself into a household name in the process. What most of us didn't know about Barris at the time was that, while all this was going on, he was ostensibly leading a double life as a secret agent, tracking down and killing any number of `bad guys,' all in the name of `national security.'
Given the inherently incredible, jaw-dropping nature of the material, George Clooney, in his directorial debut, brings an appropriately surrealistic tone to the work. He employs a number of visual devices that help to fragment the world in which the story takes place. Certain scenes break through the constraints of time and space, as when Barris is talking on the phone in his apartment to an ABC executive, who is sitting in his office, and the two locations become one on the screen. The sense of dislocation this technique creates perfectly reflects the mental split occurring in Barris' own disturbed psyche. This style is further enhanced by the use of slightly off-kilter camera angles, color filtering and sepia tones in some of the shots. Scenarist Charlie Kaufman, as always, brings his own quirky vision to bear on the material. He cleverly balances the two `sides' of Barris' life, transitioning smoothly between those scenes revolving around his career as TV show producer and those revolving around his career as CIA operative. Moreover, Kaufman does a nice job getting inside the head of this man who is trying to fight the demons of his own past, make a name for himself in the high stakes world of network programming, cope with his own inadequacies as a person, and come to terms with the vile things he is doing in his secret life all at the same time.
As Barris, Sam Rockwell gives a terrific, high-energy performance, capturing the sadness and paranoia of a man who seems to know deep down inside that his fame is probably undeserved, built as it is on mediocre ideas and a willingness to exploit the baser instincts of human nature. Drew Barrymore brings her usual charm to the role of Penny, Barris' one true love and the only person genuinely drawn to Barris as a person, even though he is unable to commit himself to her fully, preferring instead to keep the relationship `casual' and uncommitted. Barris finds it impossible to make a real, meaningful connection to another human being, so twisted has he become in his value system and bizarre lifestyle. Rounding out the cast are Clooney himself, as the mysterious CIA agent who draws Barris into this strange netherworld of intrigue and danger, Rutger Hauer, as a fellow hit man who pours out his feelings about his chosen occupation to Barris, Julia Roberts, as the icy cool CIA operative who pops up at various moments and in various places to keep an eye on the young recruit, and even Brad Pitt and Matt Damon, who show up for a truly hilarious cameo appearance together, one that had the audience at the screening I attended howling with delight.
The $64,000 question becomes, of course, is this story even remotely true, or is it merely another case of this master showman's playing the public for all its worth? I haven't the slightest idea. The filmmakers certainly take it all very seriously, as evidenced by the fact that they have various friends and business acquaintances of Barris (Dick Clark, Jay P. Morgan) providing interviews for the film, interviews which hint at the dark possibility that the basis of the story might indeed be factual, given the kind of person these people claim Barris is. This gives the film a kind of pseudo-documentary realism that heightens the verisimilitude of what we are seeing on screen. Whether the film is really a true story or merely a grand lark perpetrated on an increasingly credulous audience, the fact is that `Confessions of a Dangerous Mind' turns out to be a thoroughly entertaining, utterly loony piece of original filmmaking.
`Confessions of a Dangerous Mind' marks an auspicious debut for Clooney as a director, who, in his work behind the camera, demonstrates a thorough command of vision and style. One looks forward to his next endeavor.
Sam Rockwell well is great as Chuck Barris a extremely damaged man. I went into this film blind and was very pleasantly surprised, this is a funny but also kind of depressing biography of a man who like most of us, just didn't know who he was.
Definitely check this one out.
This time we don't get to see Clooney very often in the movie itself. We only get to see him a couple of times as the CIA agent who has hired the game show impresario and producer Chuck Barris (Sam Rockwell). During the day Chuck invents game shows like 'The Dating Game', 'The Newlywed Game' and 'The Gong Show'... Shows that are all very successful, because they are easy to understand and fun to watch. But next to his regular day job he is also a CIA assassin. At least, that's what HE claims to be...
I must say that Clooney has done a very nice job in his debut as a director. He has added a nice surreal tone to this movie which makes it even harder to understand whether all this really happened or not. And even though this is a bio-pic, it is never hard to keep watching it or to stay focused. Thanks to the light and satirical feeling in it, this movie stays fun to watch from the beginning until the end. Of course without the interesting story and the good acting by all of his main actors Clooney wouldn't have been able to make this movie. Withouth them this movie wouldn't be the same and might even have been awful to watch. Especially Drew Barrymore was a lot better than I had expected. She never really convinced me in her other movies that I saw, but this time she's really good as Barris Sweetheart. And Clooney himself was interesting to watch as well. Even though he could be found more behind than in front of the camera, he still proves to be a talented actor.
Overall this is an interesting and fun movie. Certainly because it is Clooney's debut as a director. The man sure has a lot of talents and I'm already looking forward to his next movie as a director / actor. I give this one a 7.5/10.
The film (and book) explore the double life of Chuck Barris who was once described as lowering the bar on television for ever. The double life however, is the life of a CIA contract assassin.
The premise is hard to buy into. But then again, so was the man. True or not, the film and story raise Barris up to the level of Andy Kauffman. In a Tyler Durdensque manner this Beautiful Mind takes you thru Barris' theoretical hell or coming to terms with his own personality foibles.
Rockwell is spot on in his portrayal both on and off the small screen as Barris. The reproduction of Gong Show Antics are spooky to say the least. The film is inter-cut with appearances from actual colleagues from Barris' past (such as J.P. Morgan, Gene Gene the Dancing Machine, and others) in an almost Harry-Met-Sally style of nostalgic interview.
Clooney's use of live scene cuts to transition fluidly from thought to thought or scene to scene are reminiscent of The Graduate's Poolside swan-dive directly into Mrs. Robinson's bed. This is a film that has a touch of "Fight Club", "Forrest Gump", and "La Femme Nikita"... all tied together by the man that brought up Rip Taylor's $1.98 Beauty Show.
The film presents more questions than it answers. Matter of fact the only question the film really answers is whether or not someone really answered the weirdest place they ever had whoopie.
I saw this on Starz thanks to the marvel that is Tivo. The DVD is now definitely on my wish list.
Barris is played with great intensity by Sam Rockwell. Clooney took a risk of planting a not-well-known name as the lead. With such star power behind him like Clooney, Barrymore, and Julia Roberts, he stands out. Rockwell has starred in such movies before like Heist and The Green Mile, all three times with great acting. He brings out the inner demons of Barris. Rockwell was exceptional, and exceptionally believable. Even though he was billed fourth, he has his name out now and we can expect him in larger things.
Many scenes were standout, with their camera angles and unique way of playing it. At times it seemed like a play, with a wall disappearing, for instance. However, Confessions of a Dangerous Mind wasn't as funny as I was hoping. Sure, some scenes were quite funny (like the scenes in the beginning where it was a montage of the f-word). It had an authentic feel to the 60's (including the soundtrack), like Catch Me If You Can did. At times, it had a documentary style to it, which would have been more effective if they had more substance behind it, such as more of the interviews or none at all. Many of the camera shots were close-ups, which looked quite cool. I am a game show aficionado, so I thought that most of the time would be spent on Barris going onto the CIA, but it was evenly divided between the two, so I was happy.
At times, the mood was light-hearted, almost satirical, but at other points it was serious drama that poked at your emotions. As I said before, Rockwell is definitely lead material. Clooney did a good job portraying the CIA recruiter, and Barrymore is the other standout as Barris' girlfriend. She and Rockwell, besides good chemistry, both displayed true emotions. Roberts, as another CIA agent, put in her usual mediocre performance, though she was better than normal. However, many characters have no substance behind them, namely Roberts, who was billed third and had about three scenes (which, I guess, is better than Jennifer Aniston in Office Space).
Possible the only downpoint of the movie was that at times, it got too trippy for its own good. Even Barris didn't know what was real and what wasn't. It got a little too muddled in plot, such as who is who, at times. When Barris sees everyone who he killed, that was just weird. Anyway, I would highly recommend Confessions of a Dangerous Mind to about anyone.
My rating: 8/10
Rated R for language, sexual content and violence.
Lo sapevi?
- QuizJulia Roberts and Drew Barrymore worked for a scale salary of $250,000 as a favor to their friend, director George Clooney. Brad Pitt and Matt Damon did cameos for free.
- BlooperThe same extras are used for different scenes. When Chuck is in the cinema you can see the same man as later in the audience with one of Chuck's quiz shows. This is likely deliberate, given the odd humor of the movie.
- Citazioni
[last lines]
Chuck Barris: I came up with a new game-show idea recently. It's called The Old Game. You got three old guys with loaded guns onstage. They look back at their lives, see who they were, what they accomplished, how close they came to realizing their dreams. The winner is the one who doesn't blow his brains out. He gets a refrigerator.
- Colonne sonoreSincerely
Written by Alan Freed / Harvey Fuqua
Performed by The Moonglows
Courtesy of MCA Records
Under license from Universal Music Enterprises
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- Lingue
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- Confesiones de una mente peligrosa
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 30.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 16.007.718 USD
- Fine settimana di apertura Stati Uniti e Canada
- 87.199 USD
- 5 gen 2003
- Lordo in tutto il mondo
- 33.013.805 USD
- Tempo di esecuzione
- 1h 53min(113 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1