I sublimi segreti delle Ya-Ya Sisters

I sat down on a Saturday night at 9:30 to watch this movie. I watched it through twice before I went to bed that night, twice again on Sunday, and now it's Monday night and I've just watched it all the way through again. And I NEVER do that!

I came to this movie with little or no expectations. I had not read the book (but I will!), although I knew it had been a bestseller for awhile, and was on Oprah's list. I hadn't even paid any attention to who was in it, so was thrilled to see one of my very favorite actresses, Ellen Burstyn.

I can't really tell you what made this movie speak to me the way it did. I had a very happy childhood, and so couldn't relate on that level at all. The cast was phenomenal, particularly Sandy Bullock as Siddalee.

All I can say is what someone before me already said - this is one you should judge for yourself, not by what others say.

My wife loves this film. This is a woman whose favorite films include any woman whose last name is Hepburn. Yes, she is a romanticist from the past — understandable since she has a Ph.D. in medieval history.

Because she's played the film enough times, I've had the opportunity to watch it both in its entirety and in bits and pieces. And there's really a lot to it that most viewers are missing.

Why?

I think it's because it grows on you. The parts are all incredibly well played — certainly expected of mature actors like Maggie Smith, Fionnula Flanagan and Ellen Burstyn. But here even Sandra Bullock is enticing not just in her looks but in her expression of her character.

Some films you like right out of the gate. We all know which ones they are. Others have to grow on you. And unfortunately too many films are never given a second chance. YA-YA SISTERHOOD is one.

Watching it a second or third time is like sitting around a campfire and telling the same story over for the umpteenth time. We've all heard it before, but we still want to hear it again.

For those who have dissed this film, give it another chance. Perhaps when you're older. Perhaps when you're in a romantic mood. Perhaps when you're tired of stupid comedies, disgusting horror films and over-the-top action thrillers. Then I'm sure you'll see it in a different light and think, "Well maybe YA-YA SISTERHOOD is indeed a little hidden gem."

Please! Not another girl-gang movie about nothing. Poorly acted, poorly cast and poorly written. The main characters in this movie are selfish, self-centered and hateful. The movie is has no humor what-so-ever and the only men are, as usual with this type of movie, lacking a backbone. This movie can not be compared to Steel Magnolias. The story had so many holes - it never addressed exactly what the Ya-Ya Sisterhood was; never told us what was in 'the book'; never really gave a good explanation why Vivi was so rotten, even after the 'recovery'; left Sidda's siblings in the flashbacks. The casting was so bad - none of the 'actresses' could manage the southern accents; the age difference between Vivi and Sidda was extremely noticeable; and why spend the money on the men in the movie when they could have just hired manequins to play the parts. They would have been more lively and animated. Isn't the man-bashing phase in our society over yet? Don't bother with this trash.

This film is really a celebration of female relationships between; mothers and daughters, between girl friends and between wife and husband. There are numerous flash backs, but the film flows at a good pace that it is not a distraction at all.

The storyline is very light hearted to begin with, but gets darker. Ashley Judd does a great performance as an Alcohol addicted mother and Ellen Burstyn is also good as the older character, played by Ashley Judd. The humour is funny enough and does not go overboard. See this film with your girl friends, and make sure you bring a box of Kleenex with you. A two thumbs up.

What a shame!!! This is the worst excuse for an adaptation of a novel I have ever seen. Nothing is explained about Siddalee, Shep, Vivi, the Ya-Yas, the younger siblings, Buggy, etc. No one will understand fully the anguish that the children went through as children or the anguish that Vivi went through in her own childhood. Shortcuts were taken left and right in this film, much to the detriment of the storyline. For instance, Shep is not a living saint, Vivi did not simply beat her children because of dexamyl, Teensy's mother is barely mentioned, Vivi's stay at the boarding school was left out, and where is Aunt Jezie, grownup Lulu, Little Shep, and Baylor? I realize that it was a two hour film, but an adaptation should never have been attempted if it wasn't going to be done faithfully. Everything in this film was explained away too easily. Sidda needed much more than a sob story about her mother's loss and use of dexamyl to explain her behavior. Too easy, too simple, too cheesy. No one could possibly come away with a clear understanding and resolution of the plot.

My recommendation: SKIP IT and read the fabulous books this was supposedly based on: Little Altars Everywhere and The Divine Secrets of the Ya-Ya sisterhood.