VALUTAZIONE IMDb
3,2/10
2315
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaTormented by memories of having caused a deadly car accident years ago, Matt struggles to rebuild his life with his girlfriend Dawn. But his tentative happiness is shattered when he is attac... Leggi tuttoTormented by memories of having caused a deadly car accident years ago, Matt struggles to rebuild his life with his girlfriend Dawn. But his tentative happiness is shattered when he is attacked by an ax-wielding maniac in a remote motel.Tormented by memories of having caused a deadly car accident years ago, Matt struggles to rebuild his life with his girlfriend Dawn. But his tentative happiness is shattered when he is attacked by an ax-wielding maniac in a remote motel.
- Regia
- Sceneggiatura
- Star
Nathaniel DeVeaux
- Doctor
- (as Nathaniel Deveaux)
Recensioni in evidenza
Movie #3 of my Boll Marathon, I actually really enjoyed this one, I was a bit bored at first, and the decisions of making some scenes be like 5 frames per second lowers this to a 2/5 rather than a 3/5 because it was genuinely sickening to have that framerate change at times. Once I got past the 30 minute mark though I actually started to be interested in whatever weird plot was going on. While watching my brain first compared it to some horror games I've played recently, one taking place in a motel that gets broken into, and another in a cannibal's house, but then eventually my brain compared the weird movie making decisions with the low frame rate to Blair Witch 2: Book of Shadows and its actually REALLY funny how much these two movies have in common now that I finished it. I would absolutely be willing to watch this again with some friends (probably wouldn't watch it again by myself though.)
This has an awful story line. Awful acting. It is not scary. The ending has a twist the ruins the hole thing. It is not good has all. It is a big pile of poo poo with pee pee on it.
A while back I read an interview with Uwe Boll saying how his early non-video-game-adaptation movies are better and people should watch them as well before judging him. I've done both, and I have to say Uwe Boll makes no bad calls any other straight-to-video filmmaker wouldn't either, he's just much more high-profile thanks to his video-game franchise licenses. He isn't a bad director, but he's not one of the best either. Blackwoods is a case in point. It's an entertaining, solid movie, but it has problems, namely confusing writing and an end that comes suddenly and explains everything in five minutes flat.
Blackwoods constantly refers via flashback to a horrible car crash that the main character has before the start of the movie, where a woman is accidentally killed. It constantly drops hints that 'sumthin' ain't right' with the main guy Matt, but doesn't really have any exposition till the closing minutes. While this keeps the pace brisk, it does mean that you feel a little left out of proceedings.
Also, the cast lay their 'you ain't from around here is ya boy' routine on a little thick. If Clint Howard had acted any stranger I would have started to expect Jeremy Beadle to hop out from behind a TV set during the motel segment. Given that Boll actually does a good job of developing an uneasy atmosphere for the movie, it seems unfortunate that he also got his actors to really turn up the 'weird dudes' knob. It kind of cheapens the effective direction a little.
Still, despite it being quite confusing at times, and having some fairly odd, unnecessarily nuanced acting (not bad, just really strange), Blackwoods is an entertaining film. The storyline is intriguing, and the way it's fed to you is quite gripping. Unlike Boll's House of the Dead, his other film I've seen, which is non-stop stupidity (though I hasten to add, that's good stupid not bad stupid), Blackwoods is quite intelligent and well put together. It's worth a shot, don't expect a miracle, but give it a try, you could enjoy it a lot.
Blackwoods constantly refers via flashback to a horrible car crash that the main character has before the start of the movie, where a woman is accidentally killed. It constantly drops hints that 'sumthin' ain't right' with the main guy Matt, but doesn't really have any exposition till the closing minutes. While this keeps the pace brisk, it does mean that you feel a little left out of proceedings.
Also, the cast lay their 'you ain't from around here is ya boy' routine on a little thick. If Clint Howard had acted any stranger I would have started to expect Jeremy Beadle to hop out from behind a TV set during the motel segment. Given that Boll actually does a good job of developing an uneasy atmosphere for the movie, it seems unfortunate that he also got his actors to really turn up the 'weird dudes' knob. It kind of cheapens the effective direction a little.
Still, despite it being quite confusing at times, and having some fairly odd, unnecessarily nuanced acting (not bad, just really strange), Blackwoods is an entertaining film. The storyline is intriguing, and the way it's fed to you is quite gripping. Unlike Boll's House of the Dead, his other film I've seen, which is non-stop stupidity (though I hasten to add, that's good stupid not bad stupid), Blackwoods is quite intelligent and well put together. It's worth a shot, don't expect a miracle, but give it a try, you could enjoy it a lot.
Neat psychological thriller about a man who has a guilty past that just won't go away.
Matt, Patrick Muldoon, goes on a trip to the country with his girlfriend, Dawn, Keeger Tracy, to meet her parents and realizes that the place where they live is where he killed a girl in a car accident some time ago. Matt starts to relive that event over and over until it drives him out of his mind.
Good use of scenery and even better use of plot and actors by director Vwe Boll of how the minds subconscious is able to bring back events that we would like to forget. Released for video but as good as most films that have theatrical runs, with good supporting efforts by Michael Pare, Samantha Farris and of course Clint Howard as the off the wall motel clerk. The movie ends a bit confusingly but if you use your freeze or slo-mo button, of your DVD or video player, you'll see what really happened to Matt.
Terrific use of and manipulating the scenes by directer Boll in which Matt is in flashback and how those scenes mesh together in the end is what makes this made for video movie as good, or even better then most psychological thrillers that you would pay as much as ten dollars to see in the movie houses.
Matt, Patrick Muldoon, goes on a trip to the country with his girlfriend, Dawn, Keeger Tracy, to meet her parents and realizes that the place where they live is where he killed a girl in a car accident some time ago. Matt starts to relive that event over and over until it drives him out of his mind.
Good use of scenery and even better use of plot and actors by director Vwe Boll of how the minds subconscious is able to bring back events that we would like to forget. Released for video but as good as most films that have theatrical runs, with good supporting efforts by Michael Pare, Samantha Farris and of course Clint Howard as the off the wall motel clerk. The movie ends a bit confusingly but if you use your freeze or slo-mo button, of your DVD or video player, you'll see what really happened to Matt.
Terrific use of and manipulating the scenes by directer Boll in which Matt is in flashback and how those scenes mesh together in the end is what makes this made for video movie as good, or even better then most psychological thrillers that you would pay as much as ten dollars to see in the movie houses.
I can take all kinds of low budget bad movies, because going in expectations are low. If the movie delivers nothing, I am not disappointed because nothing was expected. On the other hand I despise low budget bad movies that manipulate the audience in unfair ways. They make you believe one thing and then cruelly switch what was depicted as reality to something that leaves you feeling totally cheated. "Blackwoods" is such a movie. The DVD case perpetuates the trick by giving no hint of the nonsense to come. In addition to the trickery, the endless flashbacks in "Blair Witch" type motion are annoying. I despise people that lie, so a movie that is less than honest is totally unacceptable. - MERK
Lo sapevi?
- BlooperWhen Matt is spying on Dawn and her family, the initial camera shot from outside the home displays Matt on the right side of the window. However, once the camera changes to a position inside the home, he is shown on the opposite (left) side of the window. The camera then shifts to show the family, and when Matt is almost caught for making a noise he is back on the original (right) side of the window again.
- ConnessioniFeatures Grand Theft Auto (1997)
- Colonne sonoreSave My Soul
Written by Peter Ries / Charlemaine
Performed by Charlemaine
With Kind Permission of FMM Music Publishing
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- Budget
- 3.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 1500 USD
- Fine settimana di apertura Stati Uniti e Canada
- 1500 USD
- 12 mag 2002
- Lordo in tutto il mondo
- 1500 USD
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