Indagini sporche - Dark Blue

DARK BLUE (2003) ***1/2 Kurt Russell, Scott Speedman, Ving Rhames, Michael Michele, Lola Davidovich, Brendan Gleeson, Jonathan Banks. Russell gives the performance of his career as morally corrupt LA cop Eldin Perry, assigned to a special forces unit, who uses his power to put the screws to the animals he patrols by any means necessary , instructing his rookie partner Speedman , until things come to a bloody head in the shadow of the Rodney King trial. Rhames as the deputy chief of police determined to bring Perry down provides the missing social backbone to this insightfully gritty look at bad cops gone wild. Filmmaker Ron Shelton affectively uses the historic time setting perfectly in capturing the tempest in a teacup that acts as a perfect metaphor for the screenplay written by David Ayer based on James Ellroy's story.

1st watched 8/21/2003 - 7 out of 10(Dir-Ron Shelton): Well done good cop/bad cop movie that works because the good & the bad are basically caught in the same trap and some of the characters change from one to the other during the film. Kurt Russell's character is one of them that changes. He is bad with a capital `B' in the beginning. He's foul-mouthed, racist and doesn't care much for justice but wants to cover the good guys' behind whenever possible. He is totally believable as this redneck character. His partner is being taught to lie in what they call a `shooting trial' where they question the cop on a convict-shooting to make sure it was the `only' option. The setting for the film is a few days before the `non-guilty' Rodney King verdict in L.A., but this is only a backdrop to the movie's story. There is typical corruption in the police ranks but in this one, the star is involved in the corruption. Without giving away too much of the story, basically the cops are involved in another shooting and the partner decides to tell the truth which leads to other events that bring about the much-hoped-for ending. It's neat the way the filmmaker uses the Rodney King fiasco to blend in with the action of the story which kind of adds a separate element that everyone is quietly following as they do their jobs. The acting, the direction and the story blend together for a very satisfying and watchable movie despite the typical bad cop/good cop genre that the story is based on. Hooray for all involved on this one!!

As the trial of the officers accused of beating Rodney King occurs in the background, LA sits on a knife's edge of tension. Meanwhile hard-line cop Eldon Perry celebrates his partner being cleared of operating outside of procedure and the pair go back to work. When they are put on a robbery homicide case all the evidence points to a couple of informants used by Captain Jack Van Meter, however he assures them it wasn't them and tells them to find someone else to pin it on. However Perry's partner Bobby Keough has a change of heart and the cracks start to show as LA bursts into flames.

This film was slightly over-hyped when it came out. I agree that it is a solid cop thriller that rises above recent offerings from the genre but to give it as much praise as it garnered at the time is to give it more than it deserves. The basic plot is on two levels. On the first level the film is about police corruption and sees a corrupt house of cards teetering on the brink of collapse. This bit works well and the cop thriller element works well even if it treads familiar ground. The second level is the background of the Rodney King trial and the LA riots. This aspect is very much wallpaper and I didn't really feel it was necessary for the main narrative to work. At best it complimented the ongoing tensions between community and cops, at worst it distracts from the main thrust.

Russell does give one of his strongest performances in recent years and is not afraid to be an unsympathetic lead character. However the rest of the cast are either not as good or not as well used. Speedman has to carry most of the moral weight of the film and it is clearly too heavy for him and can't do it convincingly. Rhames is simply not used very well and is almost supplementary to requirements. Gleeson is miscast - he is an able actor but the film required him to be a generation older than Perry, in reality they were the same age more or less. Michele is sexy and is reasonably well used for a support character and Kurupt is good even if he is playing the character that he plays daily in his rapper personae.

Overall this was a superior cop thriller that was enjoyable as same. It did a reasonable job looking at the real life issues of corruption in the LAPD but not as well as perhaps other reviews would have led you to believe - it is more a wallpaper or just a theme that is used to prop up the narrative rather than a real good historic look at the time.

Dark Blue was one of those movies I saw the trailer for back when it was first coming out in theaters that I had always wanted to see. For one reason or another I put it off and I eventually forgot about it. Over time some fellow film fans said this was worth watching and deserves a look. Kurt Russell's character is mean and lovable. He's a dirty cop, but we're with him every step of the way. There is a little bit of Training Day in this but one could argue Dark Blue is dirtier and angrier. This is not a typical character for Kurt Russell, and it's one of his best films from the past 10 years. I was surprised I hadn't seen this back when it came out. If you love Kurt, action films, and cop stories than Dark Blue is for you. Overall a good movie.

Here's a decent corrupt cop thriller that has two exceptional things going for it. The first is an at-the-top-of-his-game Kurt Russell giving the kind of subtle, layered performance you only get from a pro; it would be so easy for his dark-hearted cop to be a caricature, but thanks to Russell he's far from it. Russell is one of those actors who make a lot of lightweight fare (BIG TROUBLE IN LITTLE CHINA, etc.) and whose genuine talents are sometimes forgotten about, which is a shame. Check out the monologue he gets to himself here - excellent.

The second thing going for this is the backdrop of the L.A. race riots in 1992. A simmering undercurrent of violence runs throughout the movie, from the casual violence of the opening robbery to the bravura climax. The atmosphere is frightening, a perfect match for the ruthlessness of the cops who think they're above the law, and perfectly realised.

Add in a taut script, a seasoned round of pros (Brendan Gleeson, Ving Rhames) and a fairly good performance from newcomer Scott Speedman and you have a solid, highly watchable drama.