Gods and Generals

This a decent movie and a wonderful tribute to a fine, fine man in General "Stonewall" Jackson, but I didn't rate it higher only because it's not a film I would watch many times. The lulls are just too long for a film that goes over 3 1/2 hours. For those who enjoyed the even-longer, but better "Gettysburg" this is must-viewing. I think a third movie would be in order to complete the Civil Story story.

What's very impressive about this movie was (1) not overdone violence; (2) beautiful cinematography; (3) an unusual and refreshing reverence for God, the Bible and Christian thought and (4) a better portrayal by Robert Duvall of Robert E. Lee than Martin Sheen's version in "Gettsyburg." On the point 3, all it was - to those atheists/agnostics who were offended by Jackson's reverence - was showing an accurate portrayal of how people thought and believed back then in the south. That's simply the way it was and the way people viewed everyday life, though Biblical standards and language. So kudos, to the filmmakers here for at least giving us an accurate description of the times, even though they probably don't share those beliefs. Of course, the critics - almost all of them secular - hated the film.

One thing I did miss from "Gettysburg" was a bigger role from Jeff Daniels, who was so good as "Col.Chamberlain." His role here in that capacity is limited.

In summary, an accurate film with ideals and worthy of anyone's collection, particularly if they are Civil War buffs, but a movie that needed more punch to it to be more "watchable."

If you knew absolutely nothing about the American Civil War you might come away from Gods and Generals believing something like this: A sociopath named Lincoln decides one day in 1861 to raise an army to invade the south because he just feels like doing that. The people of these south, having absolutely nothing to deserve any of this, start their own country to defend themselves and a polite, bearded, General named Lee leads them and this other polite, bearded, General named Jackson is his second in command. Because God is on their side, the kind, virtuous, heroic, men of the southern army prevail in several combat engagements against the godless, sex-crazed, murderous barbarians of the north. Jackson and Lee deftly direct the outnumbered army of Jesus against the unwashed Yankee heathen and wins the war except that he got shot by one of his own men by accident and dies otherwise the south really won.

Yep, that's just what you might believe. If you took history from this film.

Gods and Generals is a confused, heavily pro-Confederate, train wreck. It attempts to span two years of the war though the perspective of General Thomas "Stonewall" Jackson, arguably one of the most brilliant field commanders West Point has ever produced. Like it's antecedent Gettysburg it is of epic length except that Gettysburg actually made sense. This film is all over the place. Focuses on non-pivotal battles and is bloated with nonsensical dialog and close ups of men talking to themselves in archaic,sanctimonious, soliloquies. There are no issues, there are no cassus belli,no internal conflicts, there is only a clumsy even bizarre celebration of the confederacy; depicted as an embattled yet righteous society defending their way of life against their tyrannical northern overlords. There is one mention of Fort Sumter, a passing nod or two to slavery, and the rest is the Lee/Jackson traveling show. Overall a sloppy production which screams lousy direction and lack of focus. I felt the book told the story of Jackson in much more coherent style than this mess.

To it's credit, it does have very graphic and disturbing battle scenes where both sides are, at times, honored and portrayed with equanimity.

However, G&G, like Gettysburg (a MUCH better directed film), had potential to evenly instruct and entertain. That's where the similarities between the two films ends Gods and generals is a ponderous, rambling, confusing, tribute to the CSA. Aside from it's endless length it jumps around way too much, lacks proper character development and historical veracity, which is far too extensive to get into for the purposes of a review. I will say that Stephen Lang was magnificent as Jackson, but I wasn't terribly impressed with Robert Duvall as Lee. It is no wonder it bombed at the box office. It's just not very watchable, at least not in one sitting. It might be of interest to those, like myself, who are interested in civil war films. This one is a grave disappointment.

I've seen Gods and Generals twice, and I've enjoyed it both times. The critics I've read seem to object to the piety, the length, and lack of political correctness. It seems to have escaped them that the Civil War was fought in Victorian times, and that the Victorians were extremely pious and sentimental, not to mention hypocritical. However, this did not stop them from efficiently making war on their enemies. The movie caught this perfectly, with Jackson's assumption that God's will is his will -- the scene before the battle on Sunday, the contrast between his sentimental love of children and his 'Kill them all' about his enemies, the constant references to Bible verses ripped out of context. Regarding the length of the movie, all I can say is that I wasn't bored at all, or restless, just fascinated with what was happening on screen. I'm sure for MTV critics any movie over 90 minutes is epic.

Regarding the lack of political correctness, which in my opinion is our modern version of hypocrisy (we can do anything we want as long as we call it by another name) I would like to point out that this is an attempt at a historical movie and that the Civil War was NOT fought to free the slaves, nor were many people in the North comfortable with the concept of a franchised Negro. And some slaves in the South were relatively well treated by their owners, not that they probably didn't want freedom, but they didn't particularly wish their masters ill. The system was set up so that everyone involved, slaves and masters, had something to lose by destroying the status quo, and that's a very difficult thing for people to do. It's easy for us now to say 'they should have freed the slaves' but if you knew that to free your slaves would beggar your children, would you be able to do it?

As with Gettysburg, the battle scenes were impressive and awe-inspiring. And they made the strategy and tactics clear to the viewer which is a monumental achievement, not to mention showing the pure courage on both sides, going to probably death or dismemberment without flinching. I would have liked more about the Northern command struggles to balance the picture but I can see how tempting it was to show the Southern victories to balance the horrible defeat at Gettysburg -- and this picture is meant to be one of a trilogy. I can only hope that word of mouth defeats the critics and gets this movie the audience it deserves.

`Gods and Generals' plays less like a movie and more like a three-hour-and-49-minute long lesson in Civil War history. Grueling and plodding, the film is almost the antithesis of `Gone With the Wind,' in that while both films are epic tales told from the viewpoint of the defeated South, `Gods and Generals' (unlike the earlier film) has been essentially drained of all emotion, drama and characterization. `Gods and Generals' may be a more `realistic' war film than `Gone With the Wind' (what wouldn't be?), but it's not nearly as entertaining.

`Gods and Generals,' which begins right after the firing on Fort Sumter and ends shortly before the Battle of Gettysburg, is the first part of a planned trilogy. Despite a handful of `name' players in the cast (Robert Duvall, Jeff Daniels, Mira Sorvino and even Ted Turner in a ludicrous cameo appearance), writer/director Ronald F. Maxwell is unable to bring a single character in his film to convincing life (with the possible exception of `Stonewall' Jackson, who gets to carry the burden of what little drama the film has almost single-handedly). In lieu of dialogue, the actors spend most of their time looking wistfully up to heaven or scanning the mist-shrouded horizon while delivering endless homilies about the rightness of the cause and the place of God in human affairs. To keep it all palatable for more enlightened and egalitarian-minded modern audiences, the filmmakers are quick to have the Southern characters declare that, even though the South is forced to fight against the North to protect its God-given right to sovereignty, they, as individuals, are all personally opposed to slavery as an institution and firmly believe that their resident blacks will be freed someday as a matter of course. Hell, the Northerners in this film seem more prejudiced against black people than the Southerners, who just can't say enough good things about their sycophantic slaves.

The battle scenes, though well staged and appropriately graphic in nature, are strangely unmoving, primarily because we have no emotional stake in any of the characters we see doing the fighting. Without anyone for us to focus on and care about, the audience becomes little more than curious bystanders, passive and unengaged observers of this brutal display of ritualized slaughter. Although the visuals are splendid throughout, the musical score, except in a few places, is like a thick, heavy syrup poured over the entire film.

By providing subtitled identification of the principal people, places, dates and battles, `Gods and Generals' does provide a service as a history lesson of sorts. As a drama, however, the film is woefully lacking in every way imaginable. `Gods and Generals' may thrill the heart of the diehard Civil War buff. The rest of us will have to stick to our dreams of Scarlett and Rhett, and of a romanticized vision of the South that only a Golden Age Hollywood mogul would have dared come up with.

This entire effort is a major disappointment when compared to Gettysburg, what is remarkable its Maxwell who directed both, and the same writer too. Looking at this objectively, it just lacks focus; unlike Gettysburg (a single event in history) which Maxwell et.al. Could focus their energy on, Gods and Generals takes place over 3+ years. What ensues is 4 hours of rambling, disjointed made for TV mellow drama shlock with a Hollywood budget. So its just utterly confusing as a viewer.

I can go on and on, but for me, it falls apart with the sophomoric writing. I counted at least a dozen instances where they shoehorned in actual quotes from these historical figures into places where they made no sense. They even have characters steal each other's quotes which made me LOL hard a few times. Its distracting!

In fact, this entire script is just one scene after another which are structured around famous quotes. The worst example is JEB Stuart, quite literally out of no where, ending a scene with Stonewall Jackson saying "Oh by the way (even though this is very off topic and you did not ask), I will always tell my men to gallop toward the enemy, and trot away". Its stuff like that which makes this movie unbearable, especially when compared to Gettysburg, which had "some" of that but was balanced out by actual character arcs, impressive direction of masses of reenactors, and an A list cast which acted that entire film masterfully, e.g. Sheen, Berringer, Lang, and especially Richard Jordan r.i.p. Gettysburg was able to masterfully (probably in editing phase) take situations before and during the battle to shape a properly structured, easy to follow story despite there being 50+ main characters.

Gods and Generals is just a mess, the complete opposite. I totally understand the propensity for civil war buffs (like myself) to give this a high score (look how many 10 stars skew the results), but, I say quite literally the opposite, because we're civil war buffs we deserve a better film that isn't a mess.

10/10 stars? Is this as good as Glory? Gone with the Wind? Or even Cold Mountain?