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IMDbPro

FLCL

  • Mini serie TV
  • 2000–2001
  • TV-14
  • 30min
VALUTAZIONE IMDb
8,1/10
20.934
LA TUA VALUTAZIONE
POPOLARITÀ
3191
127
FLCL (2000)
Trailer for FLCL: The Complete Series
Riproduci trailer1: 09
1 video
43 foto
Adult AnimationAnimePsychological DramaSlice of LifeActionAnimationComedyDramaSci-Fi

Quando il dodicenne Naota incontra una strana donna su una Vespa che brandisce una grande chitarra, iniziano ad accadere cose misteriose.Quando il dodicenne Naota incontra una strana donna su una Vespa che brandisce una grande chitarra, iniziano ad accadere cose misteriose.Quando il dodicenne Naota incontra una strana donna su una Vespa che brandisce una grande chitarra, iniziano ad accadere cose misteriose.

  • Creazione
    • Kazuya Tsurumaki
  • Star
    • Jun Mizuki
    • Mayumi Shintani
    • Izumi Kasagi
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    8,1/10
    20.934
    LA TUA VALUTAZIONE
    POPOLARITÀ
    3191
    127
    • Creazione
      • Kazuya Tsurumaki
    • Star
      • Jun Mizuki
      • Mayumi Shintani
      • Izumi Kasagi
    • 116Recensioni degli utenti
    • 20Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 1 candidatura in totale

    Episodi6

    Sfoglia gli episodi
    InizioI più votati1 stagione

    Video1

    FLCL: The Complete Series
    Trailer 1:09
    FLCL: The Complete Series

    Foto43

    Visualizza poster
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    + 36
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    Interpreti principali60

    Modifica
    Jun Mizuki
    • Naota Nandaba
    • 2000–2001
    Mayumi Shintani
    • Haruko Haruhara
    • 2000–2001
    Izumi Kasagi
    • Mamimi Samejima
    • 2000–2001
    Suzuki Matsuo
    • Kamon Nandaba
    • 2000–2001
    Hiroshi Ito
    • Shigekuni Nandaba
    • 2000–2001
    Mika Itô
    • Eri Ninamori
    • 2000–2001
    Kazuhito Suzuki
    • Masashi Masamune
    • 2000–2001
    Sho Miyajima
    • Gaku Manabe
    • 2000
    Kôji Ohkura
    • Amarao
    • 2000–2001
    Chiemi Chiba
    • Kiturubami
    • 2000–2001
    Steve Blum
    Steve Blum
    • Masashi…
    • 2000
    Kari Wahlgren
    Kari Wahlgren
    • Haruko Haruhara
    • 2000
    Stephanie Sheh
    Stephanie Sheh
    • Additional Voices…
    • 2000
    Barbara Goodson
    Barbara Goodson
    • Naota Nandaba
    • 2000
    Melissa Fahn
    Melissa Fahn
    • Eri Ninamori
    • 2000
    Steve Kramer
    Steve Kramer
    • Shigekuni…
    • 2000
    R. Martin Klein
    R. Martin Klein
    • Gaku…
    • 2000
    Joe Martin
    • Kamon Nandaba
    • 2000
    • Creazione
      • Kazuya Tsurumaki
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti116

    8,120.9K
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    Recensioni in evidenza

    10lvlln

    The greatest anime of all time.

    At first glance, FLCL seems like a foolish attempt at putting too much randomness into an anime. Indeed, it's impossible to summarize the show without making it sound completely stupid: "It's about an alien woman who hits a boy with a guitar, and robots start popping out of his head." Yeah, that's gonna make people want to see it (not). But then again, it's also one of the most artistically perfect pieces of work ever.

    The best short summary I can come up with it is that it's a coming-of-age story about a wacky woman who takes advantage of a 12 year old boy. But that doesn't explain half of it. It perfectly molds hidden themes into a beautiful story. The style of this anime is incredibly unique. It completely departs from the classic realistic anime style, and seems to emulate more American cartoons by not letting the characters show very exaggerated characteristics at times.

    While it indeed is filled with craziness, there is an obvious and very strong structure to the plot. Every scene is intimately connected to every other scene, and it works perfectly. There are inherent themes about love, friendship, jealousy, and the discovery of all those as one grows up. I've read someone write that watching FLCL is like falling in love for the first time again, and it's a great description. After all, as a coming-of-age story, those are the feelings that the main character Naota is going through himself.

    The music is simply the best in anime, period. Every major sequence has rock music by The Pillows in the background, and every time, it seems to fit perfectly with the scene. While the music is excellent by itself, it strengthens the emotions that FLCL is trying to deliver in those scenes.

    At just 6 episodes, it's short. But because of its shortness, the plot structure is incredibly tight, allowing it to have such great connections within. FLCL is simply an excellent work of art. Don't look at it as the best anime ever created. Look at it as a beautiful piece of art that chose anime as the medium to deliver itself in.
    10christopher_aaby

    Animation unlike any you have seen before

    I don't give out high grades to just anything, and I've watched an enormous amount of animation, both US, European and Asian. That being said, FLCL is the most interesting, eye-catching and exciting animation I've ever seen.

    It's always difficult to capture a masterpiece in words. Instead of even attempting this, I'll just say what's already been said: The anime is incredibly hard to follow - some would say that it's full of infinitely deep philosophical implications, others would say it's just nuts. I for one have watched it many, many times, and can safely say that it IS coherent... but also very complex. It's like a lighthearted David Lynch anime.

    The animation in itself is stunningly beautiful, both the visual- and sound-side. The vast amount of locations, characters, difficult angles and huge total-shots is more awesome than many top-level animated movies. As for the soundtrack, there has been released almost two hours of fabulous, original music for this series, despite that it is only 6x25=150 minutes long! That almost makes it a 6-episode music video, and still they pull it off.

    There aren't any cons to this anime. It may be a bit much for the uninitiated or casual watcher, but just watching it, without really following it is a magnificent journey in it self. The voice acting, the character design, the setting, everything just comes together to form an anime unlike any you have seen before.
    10InzyWimzy

    Attitude with a bass

    My all time favorite anime series. It's difficult to explain and must be seen to enjoy its creativity and cleverness. This is one of best ways to show the strides GAINAX is making as well as other greats like Evangelion, Gunbuster, and others.

    Almost everyone in this series undergoes change especially Naota. I finally watched episode 5 and 6 and I never picked up on the role of Naota's brother. How about lefties, sour and sweet, or mild or spicy?? "Brittle Bullet" may be my new favorite...how can you not be amazed by its final scene and the rich color schemes. Haruko is epitome of female anime coolness and she looks so creepy with that smile and no eyes! Mamimi's manic self always brings a laugh and who wouldn't want their own Canti? Great secondary characters who just add more to the richness of the story. And a heavy emphasis on EYEBROWS. The show is linear but tangents are strewn throughout which makes this a great series and repeated viewings. I probably still won't get it, but I think it's meant to kick back, relax, and enjoy the show. Also, FLCL would not be the same without the Pillows soundtrack which fits perfect with the show. The end credit sequence makes you want to get a vespa.

    For those who enjoy originality, terrific tunes, and just so bizarre it's tasty anime to munch up.
    8jonevans-94118

    Innovative and you can still see it today

    Fooly Cooly really hasn't aged in the last 20 or so years.

    Its still just as surreal as the last time I saw it. On a recent watch, I was even able to see how it affected much of the anime to come in later years.

    If you like existential series, you'll enjoy this as well.
    Bressanellic-1

    Once is not enough

    When I was watching FLCL for the first time, I had no idea what was going on. I'd never seen anything like it. So, the movie started switching gears from sweet and tragic to insane and funny, it really took me by surprise. Basically, I was holding on 'till the end because I wanted to know what it was all about. But even without that, it rocked. You may not be entirely sure at some moments why or how, but it rocks. The story starts off in a town that reminds one of one's own home town. The kid's are depressed, bored, and pretty much just drag themselves out of bed in the mourning. The adults are hyper, child-like and very annoying to the children of the town. But then she shows up. Like some kind of pop-metal not quite evil not quite good bubble gum haired goddess shows up and turns reality into chicken soup. This woman and the main character are somehow tied together through a story that involves sex, baseball, aliens, robots, secret government organizations and an underlying message about growing up and finding who you are.

    The first time you watch it, you will not get it. I didn't, and most other people don't. When it's over, you only think about the crazy parts that made no sense, and you don't remember the deeper and sometimes creepy moments that kind of puts everything together. And even if you were able to get it the first time (*cough* not gonna happen.) this movie moves you more every time you watch it. It's the kind of thing you want to see again. It's extroadinarilly good. If you have an open mind, a little time, and feel like your out of place with the world (I'm betting you do. Everybody else does) then you will love this movie. Whether or not you understand it

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Though credited with a question mark, the voice of Miyu Miyu is provided by Evangelion director Hideaki Anno.
    • Blooper
      When there's a bird's eye view of the floor, 'medical mechanica' was misspelled 'medical meccanica.'
    • Citazioni

      Naota: When you're in a town like this all covered with smoke, you forget that there's a world outside. Nothing amazing happens here. And you get used to that, used to a world where everything is ordinary. Every day we spend here is like a whole lifetime of dying slowly. But now Haruko is here. That's how I know there really is a world outside.

    • Curiosità sui crediti
      Miyu Miyu - ?
    • Versioni alternative
      When screened on Cartoon Network's Adult Swim in the US, the ending credits are displayed in untranslated Japanese. The North American DVD however, released by Synch-Point, only has the ending credits translated in English.
    • Connessioni
      Edited into FLCL Reanimated (2025)
    • Colonne sonore
      Ride on shooting star
      Performed by the pillows

      Lyrics and Music by Sawao Yamanaka

      Arrangement by the pillows

    I più visti

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    Domande frequenti18

    • How many seasons does FLCL have?Powered by Alexa

    Dettagli

    Modifica
    • Data di uscita
      • 26 aprile 2000 (Giappone)
    • Paesi di origine
      • Giappone
      • Canada
      • Regno Unito
      • Francia
    • Sito ufficiale
      • gainax.co. (Japan)
    • Lingue
      • Giapponese
      • Inglese
    • Celebre anche come
      • Fooly Cooly
    • Aziende produttrici
      • Gainax
      • Production I.G.
      • Star Child Recording
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      30 minuti
    • Colore
      • Color
    • Mix di suoni
      • Dolby SR
    • Proporzioni
      • 1.33 : 1

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