VALUTAZIONE IMDb
6,7/10
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LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaZorndyke, a respected scientist, has created a new living being that thrives on oceans and seeks to destroy humans, and it's up to Blue Submarine No. 6 and the Blue fleet to stop him.Zorndyke, a respected scientist, has created a new living being that thrives on oceans and seeks to destroy humans, and it's up to Blue Submarine No. 6 and the Blue fleet to stop him.Zorndyke, a respected scientist, has created a new living being that thrives on oceans and seeks to destroy humans, and it's up to Blue Submarine No. 6 and the Blue fleet to stop him.
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Recensioni in evidenza
The story of 'Blue Submarine 6' is in fact the idea from H.G.Wells novel 'The Island of Dr. Moreau' taken to a much larger scale, global that is. Both style and quality are very good and the computer animated scenes fit perfectly into the film, even though the series is quit short the characters are logical and not 'flat', one will find problems looking for 'black and white' thinking in this film. But most astonishing is the effect this film leaves compared to 'The Island of Dr. Moreau' and the earlier 'real actor' movies from 1933, 1977, 1996 - whereas one could easily drop of the ideas H.G.Wells might had with this novel if viewed on just a 'small ocean island' that no one knows it is hard to deny those same ideas when transfered on a global scale. So I would recommend this series as it offers both - good entertainment and some deep thoughts.
murx
murx
My father got this for me from the library when I was beginning to gain an interest in anime. At first, my attitude was "cool, it sounds interesting." Then I started watching it, and most of the excitement wore thin. There's not a lot of bad here, but there isn't a lot of good, either. The whole the Earth-is-Flooded business has been done before, and what we got was "Fishtar". Still, this was anime, so it ought to be good, right? Not necessarily. The characterization was almost non-existent. Hayami is a stoic greeny drug addict, but we barely have any clue why. Huang is a cute sonar expert and I think she would make a great little sister, but we barely know anything about her. The captain's characterization is limited to him looking longingly at a picture of his family. If you want to find out anything about the characters, get it on DVD and read the character bios, but skip the behind the scenes thing on the Playstation game thing (I hope I'm not the only one who's wanted to strangle that squeaky bobble-head girl.) The story is a bit of a mess. Basically the villain thinks, "Humans are destroying the world, so if I destroy the world, maybe they'll learn." yeeahh... Hayami's hopeless buddy-buddy ideas are irritating (I could almost hear the chorus to Kansas's "The Preacher" during his confrontation with Verg, who's reverb/octave dub is hellishly annoying. I couldn't tell if he was male or female.) Then, of course, there are the Muteo. You know it isn't an anime until there are half-naked cat-women, right? But these half-naked cat-women are special. They can swim and hum the theme from Dream Theater's "Metropolis Pt. 1: The Miracle and the Sleeper"! I felt like going "Ditdit doo doodoo ditdit doo doodoo ditdit doo doodoo doo ditdoo ditdoo!" In conclusion, if all you want is half-naked anthropomorphic women and homages to the greatest rock song since Supper's Ready from your anime, you're in the right place. If you want something more though, turn to Miyazaki and Cowboy Bebop.
Attention, there may be spoilers. Blue Submarine Number 6
Animation [8]/10
The style and the realisation are audacious. Before this 1998 GONZO story there were very few studios who actually got into the 3D GCI at this level. They tried, at least I can give them that. Blue Submarine n.6 is what I call an experiment. In fact, many things inside it resemble what will be the GONZO masterpiece Last Exile, both the characters (especially the female one) and the animation. The 3D is not a good technical achievement, but surely is a good start. The CGI does not fuse homogeneously with the drawings, and the designer noticed it. But then the director said it was OK, as people would get used to it.
In fact, after a while you DO get used to it, if you are not too picky, but the very fact that there are only 6 OVA makes the attempt utterly futile, because the animation becomes familiar when the anime is about to finish...
I do have to thank them in any case, because it is thanks to this anime that we have been blessed with Last Exile.
Sound [7] /10
The jazz songs during the naval combats are quite a catch, I would say they resemble something of Cowboy Bebop, even though they're not as appropriate as the Sunrise Inc. production's. The overall sound is not remarkable, though, it lacks of a theme that can be remembered through the episodes.
A part from the fighting scenes there is no evident music that adapts to the story, hence in the end it becomes monotone. And also let us not forget that there is no melodic/sentimental song that matches the final scenes of the series, something like Arcadia by Yoko Kanno. Well, this is not Escaflowne (sound [10] /10).
Story [7] /10
Blue Submarine Number 6 This story is something already seen a million times, the Earth has been gradually destroyed by the human exploitation of the natural resources, therefore the planet is now "rebelling" against the human species. Though there are some differences, the plot is very similar to others (Escaflowne, Last Exile, Nausicaa of the valley of the wind, just to name a few), here the one who takes the responsibility to destroy humans for their sins is a scientist that was working along with those who exploited the planet in the first place. In this case it makes much more sense, and the whole reason for the war seems to be somehow justified.
There are also some bad points about the story. The most interesting parts are the inner psychology of Zorndyke and the relationship between Tetsu Hayami and the pseudo mermaid.. What did they do? They relegated these two topics into micro-moments, that apparently are a marginal part of the story. The director wanted to concentrate on the battle and the animation, because while looking at the special I discovered that he was almost obsessed with making something new. The mix is not bad as a result, but if he had made a 13 episodes series with more in-depth storyline it would have had a much bigger effect, that is the reason I personally think the series was not a success.
Character [8] /10
As I described above, the only characters that needed attention were Zorndyke, the red-eyes mermaid and Hayani, with the exception of the giant experimental wale who saves them. I was really moved by the first scenes when the two (Hayani and the mermaid) met, where he saves her by bringing her back to the water. The use of lights and music was excellent, and I thought that it could have been the beginning of an evolution in terms of profundity of the characters. Unfortunately a was wrong, as the moments of poetical description of the protagonist's psychology and sentiments are very sporadic.
The mermaid looks strangely familiar... someone said Chobits? I'm sorry I did not hear you.
Value [7] /10
I find some problems in valuing the re-view ability of this anime. At first I would say that it's a straight 3 and let me explain the reason. As I mentioned before, there ARE interesting aspects, but they are not portrayed exhaustively in the series. Therefore you get that bad feeling that you're missing something, and you need to compensate the emptiness derived from the missing story with something else meaningful. That, on the other hand, could be considered a good point, as it will give you the will to, for example, write a review, or a story. Balancing it becomes a 7.
Enjoyment [8] /10
I have to admit that I somehow enjoyed the series even though its bad points that I previously mentioned. To be completely honest, I have this feeling of emptiness that needs to be filled with something that the anime did not achieve in giving me. There were too many good points to analyse, but I would say that it was worth watching in the end.
Federico Pistono Sept 25, 2005. http://www.federicopistono.org
Animation [8]/10
The style and the realisation are audacious. Before this 1998 GONZO story there were very few studios who actually got into the 3D GCI at this level. They tried, at least I can give them that. Blue Submarine n.6 is what I call an experiment. In fact, many things inside it resemble what will be the GONZO masterpiece Last Exile, both the characters (especially the female one) and the animation. The 3D is not a good technical achievement, but surely is a good start. The CGI does not fuse homogeneously with the drawings, and the designer noticed it. But then the director said it was OK, as people would get used to it.
In fact, after a while you DO get used to it, if you are not too picky, but the very fact that there are only 6 OVA makes the attempt utterly futile, because the animation becomes familiar when the anime is about to finish...
I do have to thank them in any case, because it is thanks to this anime that we have been blessed with Last Exile.
Sound [7] /10
The jazz songs during the naval combats are quite a catch, I would say they resemble something of Cowboy Bebop, even though they're not as appropriate as the Sunrise Inc. production's. The overall sound is not remarkable, though, it lacks of a theme that can be remembered through the episodes.
A part from the fighting scenes there is no evident music that adapts to the story, hence in the end it becomes monotone. And also let us not forget that there is no melodic/sentimental song that matches the final scenes of the series, something like Arcadia by Yoko Kanno. Well, this is not Escaflowne (sound [10] /10).
Story [7] /10
Blue Submarine Number 6 This story is something already seen a million times, the Earth has been gradually destroyed by the human exploitation of the natural resources, therefore the planet is now "rebelling" against the human species. Though there are some differences, the plot is very similar to others (Escaflowne, Last Exile, Nausicaa of the valley of the wind, just to name a few), here the one who takes the responsibility to destroy humans for their sins is a scientist that was working along with those who exploited the planet in the first place. In this case it makes much more sense, and the whole reason for the war seems to be somehow justified.
There are also some bad points about the story. The most interesting parts are the inner psychology of Zorndyke and the relationship between Tetsu Hayami and the pseudo mermaid.. What did they do? They relegated these two topics into micro-moments, that apparently are a marginal part of the story. The director wanted to concentrate on the battle and the animation, because while looking at the special I discovered that he was almost obsessed with making something new. The mix is not bad as a result, but if he had made a 13 episodes series with more in-depth storyline it would have had a much bigger effect, that is the reason I personally think the series was not a success.
Character [8] /10
As I described above, the only characters that needed attention were Zorndyke, the red-eyes mermaid and Hayani, with the exception of the giant experimental wale who saves them. I was really moved by the first scenes when the two (Hayani and the mermaid) met, where he saves her by bringing her back to the water. The use of lights and music was excellent, and I thought that it could have been the beginning of an evolution in terms of profundity of the characters. Unfortunately a was wrong, as the moments of poetical description of the protagonist's psychology and sentiments are very sporadic.
The mermaid looks strangely familiar... someone said Chobits? I'm sorry I did not hear you.
Value [7] /10
I find some problems in valuing the re-view ability of this anime. At first I would say that it's a straight 3 and let me explain the reason. As I mentioned before, there ARE interesting aspects, but they are not portrayed exhaustively in the series. Therefore you get that bad feeling that you're missing something, and you need to compensate the emptiness derived from the missing story with something else meaningful. That, on the other hand, could be considered a good point, as it will give you the will to, for example, write a review, or a story. Balancing it becomes a 7.
Enjoyment [8] /10
I have to admit that I somehow enjoyed the series even though its bad points that I previously mentioned. To be completely honest, I have this feeling of emptiness that needs to be filled with something that the anime did not achieve in giving me. There were too many good points to analyse, but I would say that it was worth watching in the end.
Federico Pistono Sept 25, 2005. http://www.federicopistono.org
There was a fair amount of buzz around this when it first was released. It is a visually entertaining movie. Just couldn't get into this one. Some parts were interesting and I didn't have any issues with losing interest. But, as a whole it's just a mishmash of stories I've either read or seen before so there want anything particularly noteworthy. I found the conversations between the humans and mutants to be more interesting than the action. Unfortunately, these interactions were few. 5 out of 10 for me as I didn't really like it of dislike it.
Usually known as BLUE SUBMARINE 6, this Japanese animation has both action and brains! It's set in the near future when the world is being held to ransom by a rogue scientist, Zorndyke. He is melting the icecaps and has genetically created an underwater race to conquer Earth. Humanity's last hope is the Blue Submarine fleet and their brave crews taking on Zorndyke's living whale/submarines. The story progresses obliquely with many flashbacks filling the viewer in on the motives of both the crew and their quarry, Zorndyke. All the characters are rendered in the traditional 2-dimensional anime style but all the hardware (the submarines, the surface crab/tanks) are all 3-D animation, bringing a gritty realism to the action scenes. The subs, the explosions, the sea are all beautifully realised. The craft and creature designs are imaginative but still based on reality. I'd recommend this to someone who wants to see something unique and unusual, exciting and demanding.
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- ConnessioniFeatured in Toonami: Advanced Robotics (2001)
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