We Were Soldiers - Fino all'ultimo uomo

We Were Soldiers is not for the squeamish. It ranks up there with Saving Private Ryan for realistically showing the brutality of war. I was moved almost beyond description by the ordeal these 390-odd US Army Air Cav soldiers endured at the hands of thousands of Viet Cong troops. It is as close to Hell as one could get on earth--a charnel house of horrors, where death is sudden and swift. Mel Gibson and Sam Elliot lead a group of green recruits into the Valley Of Death on an impossible mission in the early days of our involvement in Vietnam.

Based on actual events in 1965, this was the first major involvement of US troops and North Vietnamese regulars. The writing, directing, and acting are first rate, and the battle scenes are too real for comfort. What really makes the mind reel is that after the slaughter depicted in this film, Mel's character Lt. Col. Hal Moore goes back to the valley of death for more than 200 days. The American dead are listed on 3 East of the Vietnam Memorial Wall. I stood at attention and cried when the names of the fallen were listed at the end of the film. You will, too.

Short review: I typically do not care for Vietnam War movies. Some, like Kubrick's "Full Metal Jacket" are good. "Platoon" is alright, "Casualties of War" is okay... "Hamburger Hill" is blah, "Good morning Vietnam" too happy. The running theme is either firefights (which is good eye candy but poor storytelling) or the futility of war.

"We Were Soldiers" has a different take. First, Mel Gibson plays a colonel with a degree, allowing him to not only think like a soldier but an academic. He understands military history and why strategies have or have not worked, and why Vietnam is as pointless as Korea was.

But what really stood out was the focus on the wives. The story is almost always about the boys becoming men in the battlefield. We rarely, if ever, see their parents or spouses. Here is an exception... the wives are their own squadron, bonding together and keeping strong. And that's the reality of war: people don't just die -- someone else has to feel that loss.

I live with a Vietnam Vet who served in the late 1960s with 1st Cav. Medivac. During service he earned two Purple Hearts, the Distinguished Flying Cross, and the Air Medal. Since WE WERE SOLDIERS concerns the 1st Cav., Randy wanted to see it. I reluctantly agreed; I am not partial to war films and I dislike Mel Gibson, and Randy is very hard on Vietnam War films. He dismisses PLATOON as a Hollywood 8x10 glossy; says APOCALYPSE NOW is an interesting movie that captures the paranoia, but all the technical details are wrong; and describes DEER HUNTER as excellent in its depiction of the strangeness of coming home but so full of plot holes that he can hardly endure it. And about one and all he says: "It wasn't like that."

He was silent through the film, and when we left the theatre I asked what he thought. He said, "They finally got it. That's what it was like. All the details are right. The actors were just like the men I knew. They looked like that and they talked like that. And the army wives too, they really were like that, at least every one I ever knew." The he was silent for a long time. At last he said, "You remember the scene where the guy tries to pick up a burn victim by the legs and all the skin slides off? Something like that happened to me once. It was at a helicopter crash. I went to pick him up and all the skin just slid right off. It looked just like that, too. I've never told any one about it." In most respects WE WERE SOLDIERS is a war movie plain and simple. There are several moments when the film relates the war to the politics and social movements that swirled about it, and the near destruction of the 1st. Cav.'s 7th Battalion at Ia Drang clearly arises from the top brass' foolish decision to send the 7th into an obvious ambush--but the film is not so much interested in what was going on at home or at the army's top as it is in what was actually occurring on the ground. And in this it is extremely meticulous, detailed, and often horrifically successful. Neither Randy nor I--nor any one in the theatre I could see--was bored by or dismissive of the film. It grabs you and it grabs you hard, and I can easily say that it is one of the finest war movies I have ever seen, far superior to the likes of SAVING PRIVATE RYAN, which seems quite tame in comparison.

Perhaps the single most impressive thing about the film is that it never casts its characters in a heroic light; they are simply soldiers who have been sent to do a job, and they do it knowing the risks, and they do it well in spite of the odds. Mel Gibson, although I generally despise him as both an actor and a human being, is very, very good as commanding officer Hal Moore, and he is equaled by Sam Elliot, Greg Kinnear, Chris Klein, and every other actor on the battlefield. The supporting female cast, seen early in the film and in shorter scenes showing the home front as the battle rages, is also particularly fine, with Julie Moore able to convey in glance what most actresses could not communicate in five pages of dialogue. The script, direction, cinematography, and special effects are sharp, fast, and possess a "you are there" quality that is very powerful.

I myself had a criticism; there were points in the film when I found the use of a very modernistic, new-agey piece of music to be intrusive and out of place. And we both felt that a scene near the end of the movie, when a Vietnamese commander comments on the battle, to be improbable and faintly absurd. But these are nit-picky quibbles. WE WERE SOLDIERS is a damn fine movie. I'll give Randy, who served two tours of duty in Vietnam, the last word: "It may not be 'the' Vietnam movie. I don't think there could ever be 'the' Vietnam movie. But they pretty much get everything right. That's how it looked and sounded, and that's what I saw, and this is the best movie about Vietnam I've ever seen." Gary F. Taylor, aka GFT, Amazon Reviewer

I should never be surprised that people, who wouldn't recognize Principle, much less Honor, Duty, or Country if it introduced itself, see virtue as vice. As one who served in that war, I found the movie to be factual to the point of pain. Those who call this movie racist, lack vocabulary. or an understanding of racism. I don't know which is sadder. This movie tells a part of a soldier's story very well. Soldiers march to a different drummer, how tragic that so many, today, still refuse to honor those who protected them.

The millions in Indo-China murdered at the hands of the Communist cry that our "racism" was so poorly lead at the highest civilian levels that we abandon them. Their blood is not on my hands or on the hands of my fellow soldiers. It is on the hands of those who are so blind they refuse to see. A valid case could be made that that there are errors in the story, certainly it doesn't tell the rest of the story, or of the next part of this battle where US casualties were 40%. What it does tell it tells very well. Those men were volunteers, and their nobility shows in this movie. I recommend it, especially for any who would want to understand those who served at that time.

There are many war movies, but finally there is a decent one about the Vietnam war in stead of World War II.

We were soldiers is a movie about the first American attack on the Vietnamese. A col. rides into battle with his man and they have to encouter several attacks from the enemy. It also tells the story from the wife of the col., who receives the telegrams of the dead soldiers.

There are moments of action which are needed in a war movie. The action-moments are good and the special effects look real. There are also moments of drama, so the movie does not have full action only, which is good to stay concentrated. But the drama does not hurt the movie, because there's not to many of it.

Overall it's a movie which keeps your focus to the last minute. It's not the best war movie ever, but you should certainly see it. Not only because of the very good acting of Mel Gibson.