So weit die Füße tragen

This film is a good example of how new German cinema could be like. Though shot with a minimum of budget, the authentic atmosphere and the great landscapes, altogether with Bernhard Bettermann's very convincing acting made me enjoy this powerful adventure. The great score by Edward Artemyev, comparable to those great works of Maurice Jarre, added to the suspenseful and emotionally touching attitude. The often laconic dialogue and the very "American" (too emotional for many Germans - Americans will like it!) ending did not damage the pleasing overall impression I had watching it. In addition, "So weit die Füsse tragen" (As far as my feet will carry me) comes up with a topic that is - at least in Germany - seldomly discussed: German POW in Russian gulags after WW2. This is not a war movie! It's a single man's breathtaking adventure, returning to his family at all costs. Clemens Forell's three year walk through Siberia is a true story, which makes the film even more touching.

A strong 8 out of 10, because of the effort the filmmakers put into it.

A revolution took place and the german media never mentioned it: Except from some ignorant right wingers the general media was not willing to comment on this first major production on the topic of german prisoners of war. The original version from the fifties and the book are interesting - this movie is watchable for a big public. I appreciate the courage of the moviemakers to touch this forbidden legacy of germany. Great, heartbreaking cinema, that leaves you in tears at the end - as far as I am concerned.

I had the great pleasure of seeing this film at the 2001 Houston Int'l film fest and spoke briefly with the director. This is an exceptional film both in terms of subject and technical production. For far too long the German heroes of world war two, ordinary family man who's lives were destroyed by Hitler's war machine as thoroughly as those the German's invaded, have been considered guilty by association. As Far As My Feet Will Carry Me, a film version of an equally excellent book, tells the true story of one man and his struggle both during the war and in a Russian concentration camp, and his ensuing decades long struggle to rejoin his family. While the film does stray from reality, it does so to great dramatic effect (the scene on the bridge). I have been pining for four years now to get my hands on a copy of this film for my home collection. If you ever get a chance to watch this film it is one of the best war films you will ever see.

Atlast the wait is over, we see a German POW portrayed in good sense,up against all obstacles,hurdles a human could ever tolerate.Its about Clemens Forell(POW)making his way all through the feet to him hometown. I donna want to spoil the plot by detailing the events.

The film scores in its background & theme music,adds Chilling effect to the frozen sheet.The exotic locations is visual treat for eyes. Irina Pantaeva locks you in her charm and beauty.Even though the film ends in a positive note,you will suffer from the DISTANT WALK.This film made me look beyond the horizon Hollywood, and ignited a liking for German movies.A great movie if you have the TIME. If you like this movie you will also like THE GREAT ESCAPE(pow classic)

I agree with some other commentators who said that this movie was somewhat overtly dramatic - in some points getting almost too sugary/tear-jerking experience. I haven't read the book so it is hard to comment how faithful the film is to the book, but seems that the authors of the film almost a bit overemphasized the great survival story and the connection between the father and the child.

This is counter-balanced by good acting, rather good cinematography and beautiful images of nature. "So weit die Füsse tragen" is fairly entertaining as an adventure film and I was strangely attracted by the story about travelling through endless wastes of Siberia. The portrayal of nature is captivating. The film isn't a remarkable masterpiece, but I'd still recommend seeing it if the subject sounds appealing. After all, German POWs in Russia isn't exactly the most worn subject of films.