Mi chiamo Sam

It is with a great feeling of disappointment that I write this negative commentary on the movie, I am Sam.

The movie starts off reminiscent of Rain Man. The obsessive-compulsive traits of autism are apparent as Sean Penn's character; Sam guides his fingers through the packets of Equal and Sugar Twin separating them into their own groups.

We then learn that Sam works at Starbucks and before we have a chance to get to know him we're off to a hospital where a woman who we are never introduced to is giving birth to the other lead character, Sam's daughter, Lucy. We are never given any more information about this woman.

Somehow Sam manages to raise this child some help from his neighbour who I assume is agoraphobic, but we never really know for sure. Anyway, after a series of circumstantial events, Lucy is taken from Sam by the social workers and Sam is forced to look for a lawyer (Michelle Pfeiffer) who will argue his case to keep Lucy in his care.

Sean Penn's portrayal a mentally disabled person is very good, but what sort of mental illness does he have? Is he autistic? How severe is it? One minute, Sam is answering questions by relating their answers to obscure Beatles lyrics and the next, he is losing his patience and causing a scene in a restaurant that doesn't have his pancakes on the menu. I am no expert on mental illness, but would someone that has Sam's condition be able to make connections his life and the Beatles song, "Michelle"?

I also had a problem with the fact that just because Sam is sweet and good and able to live independently that we should by default assume that he is the best person to raise Lucy. The social workers and layers are portrayed as terrible people with no other goal than to tear a happy family apart.

I believe this movie was intended to display mentally disabled people in a different light, and to show that there are many things that mentally disabled people can do, but it failed. Because the antagonists and so many elements of the movie were so unrealistic, it doesn't convince the audience that, in the real world, a person like Sam could actually raise a child.

In 'Rain Man', Dustin Hoffman gave the best portrayal I have ever seen of a mentally disturbed person, but Sean Penn came very close here. He was quite convincing but somewhat funnier. With Hoffman, I never quite knew when he was supposed to be funny, but with Penn there were many funny moments that I felt okay about laughing at. And I just had to like the character.

I've heard so many good things about Dakota Fanning, and now I see for myself. She's great.

The actors playing Sam's friends also seemed very convincing, one in particular. I didn't catch his name, but he wore glasses and I think he must have really been mentally disabled. The others could have been but might just have been acting.

MIchelle Pfeiffer was very good also, and gorgeous. And Richard Schiff was likable as the lawyer on the other side of Sam's case. In fact, I didn't see those who were against Sam as evil. They just had Lucy's best interests in mind. But I wanted Sam to win.

While it is true this may have been done before, I think this movie offered unique twists and qualities other movies didn't have, and the performances were very good.

I have to confess off the top that I am not and never have been a particular fan of Sean Penn. I have no specific criticism to make of him; as an actor he simply doesn't appeal to me. Because of that bias I approached this movie with low expectations. The story of a mentally handicapped man fighting for custody of his seven year old daughter sounded intriguing, but it starred Penn. But what a pleasant surprise this movie turned out to be!

Penn is actually very good in this role. He brings a realism to the character of Sam Dawson, and portrays him sensitively and with real emotion. In fact, I thought the only performance that was better than Penn's came not from Michelle Pfeiffer (who disappointed me a bit, actually) but rather from little Dakota Fanning as Sam's daughter Lucy. She seemed so natural in this role, and I would hope that we see more of her in the years to come. Pfeiffer, on the other hand, (as Sam's lawyer Rita Harrison) just didn't carry the role off that well, and even the courtroom scenes to me lacked the tension one would have expected from such an emotionally-laden issue.

The movie weakens in the last little bit, going for the sappy (and highly unrealistic) ending - unrealistic particularly in the way Lucy's foster mother (Laura Dern) ends up handling the situation.

Having said that, I still enjoyed this movie very much. It's raised my assessment of Sean Penn's acting abilities and I would recommend it to others and would watch it again.

7/10

I know that title isn't very descriptive, but all I could say for awhile after watching I Am Sam was, "Wow!" Although that's a positive endorsement of the film--it's rare that a film has me basically speechless afterward (I usually suffer from logorrhea, which sounds close enough to diarrhea that you could call it (verbal) flatulence instead if you like)--it turned out to be quite a problem, because we went to dinner right afterward and I had to give a lecture. I believe I was served some kind of raw beef, and I have an exorbitant dry cleaning bill from the tomatoes and rotten eggs.

But I won't bill director/co-writer Jessie Nelson, because it's not her fault that her film is so powerful and so stunningly constructed that it made me monosyllabic. I can only blame myself for putting off watching her work for so long.

I Am Sam begins with Sam Dawson (Sean Penn) at his job. He lives in Santa Monica and works at Starbucks. We can see that he's mentally retarded. He appears slightly autistic. Because of this, he's given only menial tasks to do. Suddenly, his boss tells him that he has to go. We see Sam running through the streets, catching buses and so on to end up at a hospital. A woman is in labor and it turns out that he's the father, but she wants nothing to do with him afterward--apparently, it was something like a one night stand. She abandons him with the baby. Aided by a quartet of developmentally disabled friends and his agoraphobic neighbor, Annie Cassell (Dianne Wiest), we see Sam doing his best to raise the girl, Lucy Diamond Dawson (eventually played by Dakota Fanning)--so named because Sam is a big Beatles fan. At least until he is "accidentally arrested". Government officials question his ability to raise his daughter, and I Am Sam becomes the tale of Sam's legal battle to retain custody of Lucy, aided by high profile lawyer Rita Harrison (Michelle Pfeiffer).

I Am Sam will likely make you say, "Wow!" afterward because it is a masterpiece on every artistic and technical level.

All of the major cast members give one of the best performances of their careers, and many of these actors have had a number of artistic triumphs on their résumés. Sean Penn is completely natural and believable as a developmentally disabled man. Two of the men playing his friends really were developmentally disabled, having been found at L.A. Goal, a non-profit agency dedicated to helping such people through a variety of programs, and it's next to impossible to tell them apart from the other actors. Nelson and her co-writer, Kristine Johnson, spent a lot of time at L.A. Goal doing research, as did Penn. Pfeiffer perfectly executes a complex character who has to undergo a number of far reaching transformations and even a breakdown of sorts. As for Fanning, I haven't seen her in a film yet where she didn't threaten to steal the whole thing from her senior, much more experienced colleagues, and during the filming of I Am Sam she was only 6 or 7. Wiest, Richard Schiff, Laura Dern and others also turn in very complex performances that convey characters with deep, multifaceted histories, despite their relatively little screen time.

Nelson approaches the film with a number of unusual artistic and technical angles that all work wonderfully. The cinematography is mostly hand-held work. Unlike similar attempts in films such as Lars Von Trier's Dogville (2003), the hand-held work never feels affected or intrusive here--it's completely "organic". The most common purpose of the unusual cinematography is to give the viewer almost a subjective sense of what it's like to be Sam, to experience the world in the way he does. Cinematographer Elliot Davis moves his camera in a way closely mirrored with Sean Penn's movements. There's an additional emotional symbolism. When Sam is feeling agitated, the camera-work is agitated. Likewise when Sam is confused, pensive, and so on. Davis shoots from a lot of unusual angles. All of them work.

Nelson also has the editing, lighting and production design match the aesthetic of the cinematography. The editing is sometimes very choppy, but always feels "natural", just right for conveying Sam's experience. Sometimes there are odd incongruencies between sound and image, or between temporal sequences. The lighting, camera angles and production design often make some elements appropriately fantastical. The production design and costuming match not only Sam's world, but other characters' worlds, as well. Not one aspect of the film seems to have gone by without close examination and artistic justification.

The music, which largely consists of Beatles tunes performed by other artists, fits the film perfectly. Sam and his friends are all a bit obsessed with the Beatles (and apparently, so were many L.A. Goal members when Nelson visited). The Beatles tunes exquisitely match the various moods of the film, and the lyrics often complement emotions and actions.

But even above all of that, I Am Sam tells a heart-wrenching story that's something of an exciting, emotional roller-coaster. There are many humorous scenes, often centered on Sam and his buddies going about the world with a kind of Winnie the Pooh-like wisdom that seems more honest and admirable than most of the film's "normal" folks. Of course, there are also many scenes that will require tissues for tears. And there's just about every emotion in between the two.

Finally, the film has a great message. Does parenting, or general personal worth, really hinge on intellectual ability and amassed knowledge? I don't think so. Parents who are very smart can have more than their share of flaws, as we see with Pfeiffer's character early on. Plenty of us had parents who were smart enough but couldn't help us with our geometry homework. Love may not be all you need, but it's definitely one of the major prerequisites.

If you're looking for a tear-jerking, emotion-provoking melodrama, this is your first on the list. I am Sam is a sensational dramatic piece that will leave you with tears to wipe. In the film, Sam Dawson (Sean Penn) is a mentally challenged single father who's left by, as what it seems, a one night stand homeless woman to raise his daughter Lucy(Dakota Fanning). Despite of being a mentally retarded person, Sam has a job working in a local Starbucks coffee store and has got friends with some what equal mental capacity. He's a sweet, good-natured, and loving father to Lucy that is equally attached to him.

Unfortunately, a sordid twist of fate takes place in their paradise, at Lucy's 7th birthday a social worker believes that Sam, having the mental capacity of a 7-year-old, can't raise his child that is outgrowing him. Lucy is taken to a foster care temporarily as her father, along with the help of his mentally challenged friends, tries to find a high-profile attorney that can help him get his child back.

After multiple attempts, Sam manages to appoint an attorney (Michelle Pfeiffer) who only takes the job at first as a dare. Rita Harrison (Michelle Pfeiffer) is a successful busy lawyer that comes home to a cheating man and a son who hates her, through the movie Sam and Rita develop a friendly relationship which is an eye-opening for Rita to value her family and be more involved in her son's life. Sam goes through a legal battle to retain custody of Lucy, aided by his mentally challenged friends, his agoraphobic neighbor Annie Cassell (Diana Wiest), and his high profile determined lawyer (Michelle Pfeiffer).

The film is enriched with major cast members that in turn give out one of their best performances in their career life. Most noticeably, Sean Penn who initially visited L.A. Goal, a center in Los Angeles for mentally handicapped persons as groundwork to his role. I was truly impressed with Sean Penn's performance on the set of I Am Sam and how well he managed his role and his dedication to it as he freely indulged in the character of Sam Dawson. For anyone who has Sean Penn as a favourite actor, it's a must watch as it is easily his one of many remarkable performance and the stepping stone of his career. As for Michelle Pfeiffer, I wouldn't expect any other actress to perform the role of Rita Harrison as beautifully good as Michelle did. It's a perfect fit to her character and she accurately embodied the character of Rita that possesses an exhausted ill-tempered work driven nature. Least but not last, the amazing Dakota Fanning did a remarkable role on the set, and by far one of her best performances as a child.

The movie is Beatles-themed as we first understand Sam's character as an impressive Beatles-knowledgeable person despite being retarded. He then names his child Lucy Diamond inspired from the Beatles song "Lucy in the Diamond Sky". As a matter of fact, Michelle Pfeiffer's character is named after the song "Lovely Rita" by the Beatles and her surname is that of a Beatles member, George Harrison and if you noticed in the film, Rita Harrison(Michelle Pfeiffer) points that George Harrison was her favourite Beatle. In addition, the background music mainly consists of Beatles music and other Beatles songs covered by various artists for certain rights.

The film is sweeping in its beauty, director Jessie Nelson did a great job in portraying her idea of "I Am Sam" into an absolutely wonderful movie especially after a 7 years of film directing drought. The cinematography is mostly hand-held work as the Camera is always close by to Sam for the obvious reason of picturing Sam's movement in a subjective sense allowing the viewer to actually feel with the character and pensively translate his actions. It's a closer look to the mentally handicapped people's world, that every act of their doing has an essence and that they are truly remarkable in their own "special" way.

Lastly, should a intellectual deficiency restrain one from raising his own child? We've all had a grandma or grandma that despite of their intelligence in life aspects, had difficulty in helping their kids with their Geometry homework but does that alone hinder the child from having a well educated natural life? The movie has a great message, that when it comes to parenting, love is the most important thing and if that is present then it most certainly paves the way to a healthy parent-child relationship.