Where Eskimos Live

I caught this film yesterday on cable TV channel. Though it wasn't about eskimos it was surprisingly very good. So I was pleasantly surprised watching this touching and realistic drama about recent Balkan war. Well, it can be any of modern war - war it's a horrible thing wherever it happens.

I don't like tell many words about the plot but because this film isn't famous it worth several lines. It's a 1995, in former Yugoslavia, at the height of the war. Bob Hoskins (only one Anon-Polish actor in the movie) played Sharkey, who wants for some reason get a kid (perfectly played by young polish talent Sergiusz Zymelka) out of a war torn country. Everywhere is anarchy, brigandage and marauding. Man's life worth simply nothing. For young orphan Vlado Sharkey it's the only chance for escaping from this nightmare. But for this they must travel hundreds miles through many obstacles. At the time of this journey we learn more about two main characters. All scenes through the agonizing country were perfectly shot and looked incredibly powerful and realistic. Also I found story didn't so forced like in some others modern war films (though it also wasn't flawless here). Cinematography was almost perfect, also worth to mention the very good soundtrack.

Overall, I found Where Eskimos Live very good for such small-budgeted production. So, if you get a chance I recommend to all people check it out.

My grade 8,6 or A-. Thanks for reading and sorry for my bad English.

this film is far from perfect but any quibbles don't really amount to much, which is odd because the main quibble is that bob hoskins isn't very good in it. in some ways it doesn't really matter because the young boy playing his co-star is absolutely exceptional. bob hoskins' accent changes every single time he opens his mouth - at first i thought he was just doing a very embarrassing eastern European voice, then it went to his usual geezerish tones, at times he sounded like he was going to elocution lessons, and then there was the bearish grunts. also, his acting in the scene where he thinks he is going to be shot as a spy is dire - his facial expressions just looked like he'd been served with some soggy cucumber sandwiches at a tea party. the other quibble is that occasionally the music tries to milk an emotion when direction is really not needed, although on the whole the music is great. on the plus side is the child actor, & some awful war scenes of what it is like for the average person caught up in a war, scenes of victims, and the concern that how the hell can a child settle back into a normal existence who has witnessed such horror and lived this life

This film easily ranks as one of the worst movies I have ever seen! And I don't mean that in a "so-bad-it's-almost-good" kind of way. The nicest thing I can say about it was that it was well-intentioned. The plot was embarrassingly amateurish, and relied on several bizarre coincidences. For example, the entire premise (and hence the title) rests on the fact that the boy, Vlado, who has been orphaned in the Bosnian conflict, dreams of escaping to Norway, because that's "where Eskimos live". But, inexplicably, Bob Hoskins' character, Sharkey (who is supposed to be Polish) introduces himself to Vlado by saying he comes from Norway. This is never explained, but we are meant to accept that Vlado somehow trusts Sharkey, because he says he Norwegian. What's also inexplicable is just how bad Bob Hoskins (sublime in films like "Felicia's Journey") is in this film. He didn't phone in his performance - he asked a casual acquaintance to email it for him. Hoskins' accent veered from Cockney to very fake-sounding upper-crust British, to very fake-sounding sort-of Polish. Then he just gave up and grunted like a dyspeptic bear. But the other actors weren't any better. If you want to see a good film about the Bosnian conflict, try "Cabaret Balkan" or "No Man's Land". Just don't waste any time or money trying to get through "Where Eskimos Live".

I generally stay away from war movies. Its hard for me have to watch what people have to endure on a daily basis. It is especially hard to have to think about all the children out there who are orphans because of it. That is the basis of the movie. Sharkey has papers to get a 9 yrs old boy out of the country, so he searches for a boy that fits the profile. He runs into a gang of orphans who banned together to take care of each other. The boy who designated himself the leader will only let him take a grown boy with learning disabilities. As Sharkey continues on his quest, a young boy sneaks away from the group to see if Sharkey will take him. He is the right age, so Sharkey sets off with the boy. This is the story of their journey of running into other gangs, road blocks, dodging gun fire and other dangers. When he gets to his destination, he wonders if the boy is in just as much danger. He has to figure out how to get him out of that situation. It was a good movie, depressing and disturbing at times. But it was made very well and the acting by Sharkey and Vlado was wonderful. I am sure it did a good job of realistically depicting the horrors of war.

Perhaps it was because I had missed two other movies because the Sundance volunteers couldn't give directions to save their lives (only partially kidding, I know there were some people there who were doing great work), but when I finally got to actually see a movie at this year's Festival I was excited to begin with. But being the cynical b***ard that I am that excitement would have worn off if the movie I was watching would have sucked. Luckily, it didn't.

Expecting a semi-documentary on grainy film focusing in on igloos, I was surprised to see a surly Bob Hoskins fill the screen. In your typical An-American-passport-will-get-you-through-almost-anything sort of way this movie progressed rather nicely. (What's with movies where the local "police" feel free to take passports? e.g. The Mexican and this movie) What are they going to do with them anyway?)

It tells a story that is not so heartwarming when you find out certain things about Hoskins character but he does a nice 180. How he finds the little fella he is escorting across the border after they separate is a slight suspension of disbelief but was done in a charming enough way that I was willing to do so.

A little harder to believe was the pride of the little boy in some scenes. When give the ability to get out of his war-torn country he definitely displays some spunk that I don't know would still be present in a small child in the middle of the war. But children and movies surprise us all the time.

Check this out when you get a chance.