The Hours

When I asked him about this one, the young chap in the video rental shop said it was just about the best film on the shelves at the time. I had no idea about it whatsoever and just went with his recommendation. He wasn't wrong - it is impossible to fault at any level: Acting, dialogue, costumes, locations, soundtrack, scenery, settings or storyline.

Films like this don't come along too often - beautifully made in an almost understated way, it relates to no major event or cataclysm, it chronicles no turning-point in history and it poses no worrying conundrum for the future. It is simply a quietly-told story that will criss-cross between various points in time and take you deep into the characters' emotions and portray the effect that they have on their lives. When you have seen and come to understand the events that take place, by the time it concludes it will leave you feeling refreshed and perhaps a little better in touch with the emotions in your own life - just like good films should, but sadly, so rarely do...

Easily 9 out of 10 - If you watch this one, you will not regret the time spent.

If you have read any of the other reviews on this page, you have probably figured out "The Hours" is not the easy, mainstream film it was made out to be by the ads and the reviews. Starring three of today's most popular leading actresses, winner of some Golden Globe awards, based on a Pulitzer Prize winning novel, and the recipient of numerous rave reviews; it would seem to be a film that would appeal to a lot of people.

"The Hours" is not a regular Hollywood type of drama film. It has more in common with Ingmar Bergman films than with "Terms of Endearment." I think the thing that most people are having problems with is that the film does not explain what takes place or the significance of the context of what takes place. Things happen and it is up to the viewer to decide what it means. This is a controversial film and people will not only argue about whether or not the film is worthwhile, but they can also debate what exactly takes place during the film. How a person interprets this film says more about the person than the film.

The film follows a single day in the lives of three women in different time periods. During this day, each of them makes a decision that will affect the rest of their life.

I felt the film improved upon the book by bringing more clarity into the decisions of each character. Also, some of the most memorable lines and scenes in the film did not exist in the book.

While I would normally be the last person in the world to say anything positive about Phillip Glass, his score is evocative of the relentlessness of time. This is accentuated by the ticking of the clock throughout the film. The ethereal music also helps tie the three storylines together, to make it seem as if they are happening simultaneously.

I think a lot of people were taken off-guard by this film because they were expecting a more standard type of drama. Also, the PG-13 rating implies a lighter subject matter than is actually in the film. Just as a warning: There is crying, suicide, and women kissing women. Even though the violence and language is mild and there are no sex or nudity in the film, it should have probably been given an R rating because of the extreme emotion displayed in the film. Emotionally unstable people should probably not see this film.

As I said earlier, people will interpret this film differently since things are not spelled out for them. For the record, I did not think all three women were suffering from clinical depression as suggested by some people. Virginia's malaise would seem to fit the description of schizophrenia rather than clinical depression. Clarissa was suffering from regret over a decision she made thirty years previous and the feeling that she will never experience that happiness again. That does not necessarily mean she is clinically depressed. Laura is the depressed one and she makes a decision to handle that depression the way she thinks is best for her. Also, I do not feel Virginia was either incestuous or a lesbian. I think she was expressing her desperation through her disease and it came out in a socially unacceptable manner.

There is no doubt in my mind that "The Hours" is a great film. I only recommend it to people who are up to the challenge of thinking about the film long after they have left the theater and deciding about what it means. It is not a film for everybody but I felt it was worth the effort.

WARNING: This is an intensely depressing film and should not be seen by kids or the severely depressed. Additionally, if you just can't handle an unrelentingly dark and somber film, then you might want to look further.

"The Hours" is a very unusual film in that there completely separate but parallel stories that are interwoven throughout. While "Julie and Julia" did this with two, "The Hours" manages to do it with the lives of three women--three very, very, very depressed women who are suffering in silence.

I loved reading Claudio Carvalho's review. While short, it really summed up the film very well when "The Hours" was called 'A depressive and boring movie with outstanding cast'. I couldn't have said it any better. While there are three dynamite performances by three top actresses (one of which earned the Best Actress Oscar for this film), the film itself is all about depression and is a bit slow. Despite this, the writing IS good--and weaves together the disparate stories in a very unusual manner that is quite clever. So, it's a film I can respect but certainly didn't enjoy. After all, three ladies who have parallel stories who are fixated on suicide--this isn't exactly a comedy!! I see this film as one that is worth seeing for the performances and I can respect the way the film was constructed...but I just felt disconnected from the characters and didn't like the film. Well done but very inaccessible for most viewers--including me. If you are severely depressed, I sure DON'T recommend you watch it--it might just send you over the edge. Also, it's really NOT a film for kids...so think twice about having them watch it.

THE HOURS (2002) **** Nicole Kidman, Meryl Streep, Julianne Moore, John C. Reilly, Ed Harris, Jeff Daniels, Allison Janney, Claire Daines, Stephen Dillane, Miranda Richardson, Toni Collette, Jack Rovello. David Hare's brilliant adaptation of the acclaimed novel by Michael Cunningham depicts three interlocking storylines all sharing the one common thread: Virginia Woolf's novel `Mrs. Dalloway' ping-ponging back in forth from 1940's where the suicidal Woolf (Kidman barely recognizable under a prosthetic nose; one of her finest roles to date) is in the midst of composing her work in question; 1950's with depressed homemaker Moore (equally compelling) preparing her loving husband's birthday celebration and contemporary book editor Streep (ditto) organizing a banquet party for her ex-lover and poet (Harris in a memorable performance) dying of AIDS, all three characters are imploding while their world's are spinning (metaphorically) out of control and their very lives' meanings in question to how trivial they truly are/aren't. The sterling assembled cast gives the film merit despite its melodramatic trappings and director Stephen Daldry showcases his three leads to their best strengths and utter vulnerabilities. At points poignantly heartbreaking and wholeheartedly humane.

In all honesty, as much as I liked Nicole Kidman's performance, the movie was made for me with Julianne Moore's. She made me so nervous, has me so much on edge, cause you didn't know what the hell was wrong with her. Did she have a crush on Toni Collette? Did she just have a breakdown? Does she want to burn the house down? To the movie's credit, you don't know what exactly is wrong, until the end. But as tense as it made me, I realized that in most movies you are clearly tipped off as far as who is angry, and why. This movie doesn't, and I didn't appreciate that until it was over.

Kidman was great, but I've always thought she had more talent than she was given credit for. Not many people could have made "To Die For" so convincing. Kudos to Nic for her career choices, post-divorce.

Streep, Ed Harris and Jeff Daniels were non-entities. I worship Streep and Ed Harris, but their part of the story didn't do a single thing for me. I kept waiting to see if Julianne was going to drive her car off a cliff. Without having seen all the nominees in Best Supporting Actress, I'd have to say another actress would have to go pretty damn far to impress me as much as she did. 8/10.