Tanguy

Since I didn't enjoy "La vie est un long fleuve tranquille", I didn't expect too much from "Tanguy" when I went to the cinema. Surprisingly enough, the movie was good. I mean really good. Monsieur Chatiliez, the director of "La vie..." and "Tanguy", shows that french comedies can actually be a thousand times better than some modern American comedies. Because Tanguy has it all: this movie has a soul, charming and believable actors, a good script and well thought gags. The movie tells the story of Tanguy, a 28-year old guy who still lives with his parents. One day, his mother Edith can't take this situation any longer, and together with her husband she tries to get Tanguy out their home. It's easy to see that this storyline is a good basis for some great gags and funny situations; and the movie eventually succeeds. I left the cinema with satisfaction, because I saw one of the few intelligent - and most importantly funny - modern comedies. I recommend this gem to anyone who's tired of stupid and underwhelming American comedy-flicks like "Dumb and Dumber".

Etienne Chatiliez chose to broach a (rather dramatic) social phenomenon on a comedy tone: young adults who stay more and more longer with their parents. But his movie is far from the reality: these adults stay with their parents because they've got either financial problems, either psychological problems. But Tanguy doesn't suffer from both of these inconvenients, he comes from a quite wealthy family (his father is an architect and his mother a set designer. So, the movie articulates around a convenient but unlikely situation.

This doesn't stop Chatiliez from having made a lively movie, often funny, filled with numerous details that kick the bull's eye and powerful cues. In a way, his fourth movie (in thirteen years!) ranks in the tradition of his first film. You find a caustic and often cutting humor, some disagreeable situations for certain characters (and particularly his parents) and the destruction of a peaceful universe. All in all, Tanguy's parents wanted to make Tanguy's life impossible but they'll fall into their own trap.

The movie also enjoys a performance globally equal to the situation. Eric Berger, both nice and naive behind his student's glasses but also unaware of the problems he makes his parents endure. André Dussollier, entertaining in his role of exasperated and shattered father. However, Sabine Azéma hams it up a bit too often and his bombastic role fits badly to the screen.

At the end, Chatiliez showed talent, intuition and perspicacity to make an honorable success. You can just also regret that Tanguy's description lacks of vivacity and temperament. Maybe the fact of being (too much) keen on Chinese philosophy destroys anger or rebellion.

Tanguy Guetz is the single child of boomer parents (represented in a way far different from the buttoned-down standard model of US movies, but probably a whole lot closer to the American boomers who'll actually see the movie). At 28, Tanguy is staying home with his parents, and intends to go on staying home for a year or two, because he's extremely comfortable there, never has to pick up anything or handle any bills, and lives with the two people he loves most. The feeling of comfort is definitely not mutual.

But, as his parents mobilize for a get-out-of-here campaign, they meet the perfect stonewall. Tanguy is a major specialist of traditional Chinese thought, and he faces everything with an equanimity that a hundred-year-old sage would envy. The one-sided war escalates to the point where Tanguy sues his parents for bed and board, and wins. Eventually, he does fly off for a long stay in Beijing, and then, of course, the parents discover what it means to be the sandwich generation: Tanguy's grandmother breaks a hip.

The blows are softened by the fact that the Guetz are quite well off. Else the movie would cut too close to the bone to be the uproarious farce that it is. The main actors, Eric Berger (Tanguy) and Sabine Azéma (his mother) play their characters with contagious fun.

Etienne Chatiliez made three excellent films about families thrown into turmoil by the arrival of outsiders: Life is a Long Quiet River, Tatie Danielle and Happiness Is in the Field. In each of these, the idea was worked out beautifully until the end; the director was fully in possession of his talent. Alas, Tanguy just isn't in this class.

It starts off well; we are set up with the domestic discontent of a middle-aged couple whose son can't quite get on the career track. The endless dissertation, the plan to move to Beijing that doesn't firm up: we know all these quirks. After Tanguy's first trip to the hospital (Dad smacks him with a tennis ball) Chatiliez seems to go on auto-pilot for the rest of the picture. It's as if there wasn't enough inspiration to carry him through to the end. Sabine Azema and Andre Dussolier are superb as the parents; Azema has this wonderful attack of gas whenever she's flustered by her son, and that's many times. My rating is a compromise; 9 for the first hour, 3 for the rest.

'Tanguy' is a nice French comedy, although it does not start that funny. It tells about a 28-year old guy named Tanguy (Eric Berger) who still lives with his parents. At first everything seems normal, but we slowly learn that especially his mother Edith (Sabine Azéma) wants him out of there. His father Paul (André Dussloier) basically wants the same thing, but at any cost. Tanguy himself has not a clue. Here the movie becomes funnier. The parents decide to make their house a terrible place for Tanguy; he must get annoyed of the place. Things do not work out as planned and slowly Paul becomes more and more upset with his son, especially after Tanguy has tried living on his own for a couple of days.

The story becomes darker and therefore funnier. Tanguy seems a lovable person at first but slowly we come to understand the parents. His mother is truly a nice person, but too nice when Tanguy is around. Instead of being honest with him she constantly makes sure Tanguy does not want to move away. When the father starts losing it the best parts of 'Tanguy' arrive. It is too bad that the movie is already playing for an hour and a half; this is where conclusions should have been made.

Another complaint I have is the save turn the movie takes near the end. Since both parents really started hating their son, certain other events help you understand why, you wish the screenplay kept following that path. The happy ending could have been the parents being really happy, butt the turn here is even saver. Not that it's really a big deal, I enjoyed everything that leads up to the ending. Not great, but certainly entertaining.