Una donna adulta che ha mantenuto i suoi istinti e comportamenti infantili inizia a lavorare come tata di una bambina di 8 anni che in realtà si comporta come un'adulta. Ma tutto finisce per... Leggi tuttoUna donna adulta che ha mantenuto i suoi istinti e comportamenti infantili inizia a lavorare come tata di una bambina di 8 anni che in realtà si comporta come un'adulta. Ma tutto finisce per il verso giusto.Una donna adulta che ha mantenuto i suoi istinti e comportamenti infantili inizia a lavorare come tata di una bambina di 8 anni che in realtà si comporta come un'adulta. Ma tutto finisce per il verso giusto.
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Recensioni in evidenza
I will not attempt to prove that this movie should be ranked among the great movies, but I am more than willing to defend Uptown Girls against the mostly male haters. True, this movie could be deemed a 'chick flick', but why is that so unbelievably, unforgivably horrible? If you don't like movies with mostly female characters and even some slightly feminist themes, than you will not like this movie. I, on the other hand, watched this movie for the first time expecting the worst and most guilty kind of entertainment, and was more than pleasantly surprised by the dark tones and impeccable performances. I'm a harsh critic, and if you don't trust me, check out the link to Ebert's review of this film via 'external reviews'. Murphy and Fanning are a refreshing duo in a buddy film and like many female buddy films, Uptown Girls is unfairly abused and underrated. If you are trying to sound pretentious you probably shouldn't admit to liking this film. However, if you honestly found this film entertaining, and in some small respect, refreshing, you should admit the merit of this 'chick flick'. Murphy should be commended for choosing roles like Molly and her character in Little Black Book, because in a sea of fantasy and escapism there is an aspect of actual female representation written by women and made for women. Boys, if you want to win points with the ladies, stop letting your testosterone take over your actual pleasure gauge, and attempt to see the positive attributes of films such as this one. Trust me, it will do no good in the long run to hide your opinions on the basis of reputation and ornery stoic persuasion.
Just rewatched this classic. Brittany Murphy was so pretty. I miss her so much.
Rich girl loses all her money and has to be a nanny for an uptight brat; it certainly sounds like a bad movie in the making. But actually I quite enjoyed this one. The stars are appealing, a lot of the scenes are quite funny and even though the movie is predictable and maudlin it does have scenes with a genuine emotional impact. With a script that has some intelligence and nuance and actresses who bring sincerity and belief to rather clichéd characters (child-woman and woman-child, essentially), this movie winds up being far better than it has a right to be. I feel like I have to make excuses for liking it, because it is kind of dumb, but I really very much enjoyed it.
This just goes to show you that you shouldn't go into movies with preconceptions, because I went in expecting (hoping, even) to hate this movie, and did for a while, but somewhere along the way it started working on me, and by the end I was practically eating out of its hand.
Molly Gunn (Brittany Murphy) is the rich, immature, hard-partying daughter of a deceased rock star, but when she loses all her money and belongings, she has to take a job as the nanny to a rich little girl named Ray (Dakota Fanning). Ray is very young, but acts like an uptight 45 year-old woman, because she's been ignored by her cold, socialite mother (a "Melrose Place"-ish Heather Locklear).
Both of these characters, but especially little Ray, are entirely fantasy creations. I don't care how self-sufficient she's had to be, no single-digit kid is going to act like this all the time and speak this kind of dialogue.
What makes the movie work is the actors. Murphy is a very likeable actress and with her mixture of raspy sexuality and innocent flakiness, I can't think of anyone who would have been better playing this spoiled rock princess.
And as Ray, Dakota Fanning once again shows that she is one of the absolute best child actors out there. This is the third time in a row she's been the best part of the movie she's in (the other two being the irritating "I Am Sam" and the downright hideous "Trapped"). Once her character begins to lighten up in the second half of the film, her performance really takes off.
So the story is very predictable, the dialogue often weak, and I hated the character of Molly's on-again, off-again "rock star" boyfriend (who inexplicably makes it big with a horrifyingly bad song about Egyptian cotton), but the characters played by Murphy and Fanning are a pleasure to spend time with, and that's what sold it to me.
Molly Gunn (Brittany Murphy) is the rich, immature, hard-partying daughter of a deceased rock star, but when she loses all her money and belongings, she has to take a job as the nanny to a rich little girl named Ray (Dakota Fanning). Ray is very young, but acts like an uptight 45 year-old woman, because she's been ignored by her cold, socialite mother (a "Melrose Place"-ish Heather Locklear).
Both of these characters, but especially little Ray, are entirely fantasy creations. I don't care how self-sufficient she's had to be, no single-digit kid is going to act like this all the time and speak this kind of dialogue.
What makes the movie work is the actors. Murphy is a very likeable actress and with her mixture of raspy sexuality and innocent flakiness, I can't think of anyone who would have been better playing this spoiled rock princess.
And as Ray, Dakota Fanning once again shows that she is one of the absolute best child actors out there. This is the third time in a row she's been the best part of the movie she's in (the other two being the irritating "I Am Sam" and the downright hideous "Trapped"). Once her character begins to lighten up in the second half of the film, her performance really takes off.
So the story is very predictable, the dialogue often weak, and I hated the character of Molly's on-again, off-again "rock star" boyfriend (who inexplicably makes it big with a horrifyingly bad song about Egyptian cotton), but the characters played by Murphy and Fanning are a pleasure to spend time with, and that's what sold it to me.
As I say over and over again, a film doesn't have to be a work of art (that few even understand) to be a film. The keyword here is entertainment. And I thought this film was entertaining, not be confused with a work of art, or anything with a higher meaning. I could lean back and just enjoy watching the two characters change.
I thought, when I saw what a low rating it had gotten here on IMDb, that it would really stink. But the story did appeal to me. I'm glad I watched it - I give it a 7/10, just because I enjoyed watching it. So my advice: watch it, but as usual, don't expect Oscar material.
I thought, when I saw what a low rating it had gotten here on IMDb, that it would really stink. But the story did appeal to me. I'm glad I watched it - I give it a 7/10, just because I enjoyed watching it. So my advice: watch it, but as usual, don't expect Oscar material.
Lo sapevi?
- QuizThe denim dress Molly wears when picking Ray up from school for the first time is a vintage dress from the seventies that belonged to the costumer designer's sister Kate when she was twelve and had been hand-customized by a babysitter. The name "Kate" was bedazzled on the back of the dress, but Brittany Murphy opted to wear a backpack to cover it up rather than ruin the history of the dress by removing the name. The name can still be seen briefly a few scenes later.
- BlooperAt the very end of the movie, Neal the musician is playing his guitar and singing, while the girls are dancing on the stage. Then we see him at the side of the stage, clapping, although we still hear him playing and singing.
- ConnessioniFeatures Ready.. Set.. Zoom! (1955)
- Colonne sonoreCharmed Life
Written by Keith Brown and Steve Mandile
Performed by Leigh Nash of Sixpence None the Richer
Produced by Keith Brown and Steve Mandile
Leigh Nash appears courtesy of Squint Entertainment
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Pequeñas Grandes Amigas
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 20.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 37.182.494 USD
- Fine settimana di apertura Stati Uniti e Canada
- 11.277.367 USD
- 17 ago 2003
- Lordo in tutto il mondo
- 44.617.342 USD
- Tempo di esecuzione1 ora 32 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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