VALUTAZIONE IMDb
6,7/10
4951
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaTwo best friends grow up on the Isle of Wight and in Brighton in the 1970s and 1980s.Two best friends grow up on the Isle of Wight and in Brighton in the 1970s and 1980s.Two best friends grow up on the Isle of Wight and in Brighton in the 1970s and 1980s.
- Regia
- Sceneggiatura
- Star
- Nominato ai 1 BAFTA Award
- 3 candidature totali
Russell Mabey
- Craig
- (as Russell Maybey)
Recensioni in evidenza
I'm a middle-aged white man, not a teen chick, and yet I must confess to having felt that this was a fine bit of work from so many POVs- and an entertaining package for their efforts.
Yes, there were times when it was too clear that the actresses were improvising their lines for a scene- but I could forgive it! There were far more instances where the lines were so spontaneously delivered that their candor felt just right, honesty beyond reproach.
The young women were excellent in their craft and sincerity. The screenplay was very believable, intelligent and did not pander- even if it tried too hard to include too much turmoil. The dialogue was delicious.
The direction was tentative in its lack of assurance (some moments that the cast ought to have been reined in rather than indulged) but mostly, the direction shows solid instinct and craft.
Finally, the cinematography is very fine. The framing and tracking show the viewer a smoothly handsome progress of scene and plot - without any trendy or self-conscious technical digression. Thank you, my friend, for your refusal to drown us in camera-shake!
All in all, I feel this was a fine project lovingly rendered by a sincere and generously talented team. As for their slight lack of self-confidence, it leads me to expect greater pleasure from their next work. This lot will not be undone by complacent ennui!
Yes, there were times when it was too clear that the actresses were improvising their lines for a scene- but I could forgive it! There were far more instances where the lines were so spontaneously delivered that their candor felt just right, honesty beyond reproach.
The young women were excellent in their craft and sincerity. The screenplay was very believable, intelligent and did not pander- even if it tried too hard to include too much turmoil. The dialogue was delicious.
The direction was tentative in its lack of assurance (some moments that the cast ought to have been reined in rather than indulged) but mostly, the direction shows solid instinct and craft.
Finally, the cinematography is very fine. The framing and tracking show the viewer a smoothly handsome progress of scene and plot - without any trendy or self-conscious technical digression. Thank you, my friend, for your refusal to drown us in camera-shake!
All in all, I feel this was a fine project lovingly rendered by a sincere and generously talented team. As for their slight lack of self-confidence, it leads me to expect greater pleasure from their next work. This lot will not be undone by complacent ennui!
Every actor gives a remarkable performance in this film which has become my new favorite. Even the soundtrack is excellent, combining The Clash, Echo the Bunnymen, along with other pulsing musical giants, it provides a perfect backdrop to the gorgeous storyline. This simple however very rich tapestry of two young girls growing up together throughout the 70's, 80's, until today reminds me why I love movies. And the character of Nat (Oliver Milburn) reminds me why I want to love. I could watch it over and again still never tiring of the struggle between the two main characters Holly and Marina to grow up into independence. This is especially difficult for Holly as she strives to live under her best/worst friend Marina's constant control. She manipulates every situation with no shame in order to keep Holly closely tied to her and out of her older brother's (Nat) arms. It is a truly intense dynamic between these three souls, one that has inspired me to recommend the movie to others, both men and women as it reaches both sexes. Looks can be deceiving because it is no chick flick, but a highly interesting portrayal of human behavior, highlighted by flaws each one of us have and take for granted. So if you want to see a movie that will stay with you always see this one. It's clever, incredibly moving and intelligently sexy. I highly recommend it!!! : )
This was a very good movie and definitely not just for females in their teens and 20's. I think all females (and even many males) can relate to this movie in one way or another. It's a very realistic movie about LIFE--- friendship, growing up, partying, sex, learning from mistakes, morals, family problems, falling in love, self-destruction, standing up for yourself, being with someone you don't love because it's expected of you, long term friendships and much more. It is definitely emotional at times, but very realistic. I live in the states and get irritated at the movies here being so idealistic--that's why i really enjoy the foreign made movies so much.
A real look at women with depth and foibles sustaining a friendship- Why is this so rarely done? The details are succinct and amazing. This is what real people look like and act like- when they're tired, confused, angry, jealous etc., etc. No glossing. By showing the 'bones' of the characters' neuroses the evolution of the people themselves and their friendship becomes complex and satisfying. And,
hey, the period details are fabulous- I was right back there with them wearing tarty, tatty club clothes and listening to Adam Ant with fake pirates. Loved this movie.
hey, the period details are fabulous- I was right back there with them wearing tarty, tatty club clothes and listening to Adam Ant with fake pirates. Loved this movie.
If Dawson's Creek had to exist, let it be for the emergence of Michelle Williams. She was excellent in Dick and Me Without You. Besides the sappy, soap opera dramatizations, I enjoyed this film and I must say Oliver Milburn is a hottie.
Lo sapevi?
- QuizWhile filming, Michelle Williams had to constantly fly back and forth between the UK and the North Carolina, USA to work on her television series Dawson's Creek (1998).
- BlooperIn 1982 fragment "Do you want me to want you to?" Holly said her favorite film of Tarkovsky was "Nostalghia" (1983) which hadn't been released yet by that time.
- ConnessioniReferences Il settimo sigillo (1957)
- Colonne sonoreWhite Horses
Performed by Lucy Street
Recording Courtesy of Mercury Records Limited (London)
Licensed by kind permission from the Film & TV Licensing Division, part of the Universal Music Group
Written by Michael Carr and Ben Nisbet
Published by B Feldman & Co. Ltd. T / As Gerrard Music
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
- How long is Me Without You?Powered by Alexa
- Chapter Headings, an official version:
Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- 最愛她
- Luoghi delle riprese
- 55 Downs Wood, Epsom, Surrey, Inghilterra, Regno Unito(Holly's house)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 304.909 USD
- Fine settimana di apertura Stati Uniti e Canada
- 12.816 USD
- 7 lug 2002
- Lordo in tutto il mondo
- 369.226 USD
- Tempo di esecuzione1 ora 47 minuti
- Mix di suoni
- Proporzioni
- 2.35 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti
Divario superiore
By what name was Me Without You (2001) officially released in India in English?
Rispondi