Bicho de Sete Cabeças

a true story about a young man that's put in an asylum by his own father when he founds a pot cigarette on the son's pocket. wonderfully photographed in a documental way, with a camera that's always on movement, this movie has a perfect script, great soundtrack, composed by two of brazil's most talented musicians and absolutely marvelous performances, specially by the lead character, neto, played by Rodrigo Santoro and his friend on the asylum, Ceara. this movie is a must see!!!

This film is brilliant, flawless performances and beautifully told story, coupled with the beautiful soundtrack. Unfortunately Brazilian films still suffer discrimination even here.

I would love people to disclose this marvelous work.

When I see the potential of this movie, seriously believe that would be worthy of an Oscar, two or three Oscar's. Not that Oscar is so important to the quality of a film if the film did not win is not a sign that he is not good.

Briefly, this movie demonstrates what happens when people are prejudiced, and prefer to push the issue to another, than face it. And still today, because it shows that you treat marijuana like crazy, can only worsen things.

Shocking. This is how I felt when watching this movie. It is a raw picture of the mental institutions system of Brazil and the ignorance by the parents and relatives about dealing with the subject of drugs. Is the act of putting someone in public mental institution the best solution or the easiest ? The madness of our society leads the family to take the easiest solutions instead of giving love. Medicine instead of friendship. This astonishing movie shows us all these kind of conflicts. Conducted by a fantastic music composed by Arnaldo Antunes.

Neto is a teenager. He's quiet, doesn't seem to care about anything, and is tight-lipped with his mother, father and sister. He hangs out, drinks, smokes pot with his friends, and gets arrested for spray-painting graffiti. He even gets into a pushing fight with his father when they argue.

When his father finds a marijuana joint in his clothing, the family thinks that he has a drug habit. They decide to practice tough love to help him. Do they talk to him about what they've found? No. Do they put him in a drug-counseling program? No.

This is where the title, Bicho de Sete Cabeças (animal with seven heads) comes in. It's a Brazilian term that loosely means, 'making a mountain out of a molehill,' 'blowing something way out of proportion' or 'something horrible.' The action that Neto's family takes when they find that he's been smoking joints is drastic. Convinced that they are doing the proper thing, they commit him into a mental institution. They have every faith in the staff to help their loving son and brother.

Neto's nightmare begins, when it is evident that he is in the wrong place. The Institution staff is corrupt and mistreats its patients. In order to keep him docile and to restrain him in the ward to get more government funds, they give him drugs and shock therapy.

This film is based on the real life experience of Austregésilo Carrano who has made it his mission in life to expose and fight abuses that can take place in Brazilian mental institutions. While watching the film, I thought the entire situation would end in a tragedy, but I was happy to see that something positive came out of the experience.

The entire cast gives a heart-wrenching performance. Rodrigo Santoro, who plays the role of Neto gives a very strong performance. My heart ached for Neto as I watched his father trick him into going to the mental institution and then finding himself trapped in a nightmare, where he was sane among the other patients.

The sister (played by Daniela Nefussi) and parents (played by Othon Bastos and Cássia Kiss) give convincing performances. I could understand their actions, although clearly misguided and drastic.

Bicho de Sete Cabeças is the story of something horrific that ends well.

Alternative (and artistic said) direction is a tradition among Brazilian movies, and Bicho de Sete Cabeças does not escape from it. The first thing you notice when watching it that the image is not of a very high quality; a cheaper type of film was used. That can be explained by the fact that the movie industry is not very sponsored in Brazil, forcing some cuts on the budget. But that can also be a consequence of the constant fight of Brazilian moviemakers to never do things in the conventional way. That is also noticed on the unusual takes and camera movements.

Normally, that is the exact reason why Brazilian people themselves dislike Brazilian movies. It is rather unpleasant to watch. Some scenes even create a certain dizziness. And for that reason, this alternative direction is a nuisance for the beginning of the movie, where we see Neto living his everyday life. It may not be an ordinary one, but his personal decadence could have been shown using modern filming techniques, that wouldn't create in the audience the feeling that they're watching an amateur movie, something homemade. However, when it comes to the scenes that occur inside the madhouse, this alternative directions fits exactly with the horrible climate that fills the place. It transmits to the audience the point of view of the character; a normal person who's under the effect of heavy drugs and is surrounded by mad people. That uncommon filming enters the audience mind, as if they were there, living that situation. It makes them feel uncomfortable, but that's the purpose.

The poison for some is the balm for others. So the lesson here is that nations should exchange their techniques and use them to best fit their movie, instead of keeping fighting against what is foreigner.