Les âmes fortes

After having watched that movie, i am still asking myself who is buried. And it seems i am not alone asking that question. When the film ended, people where asking each other "excuse me i haven't seen the beginning can you explain the plot of the film". Laetitia Casta try to act as an actress, she will probably succeed in a few decades. Nevertheless a good thing : the photography is excellent.

This story is about an attractive manipulative little tramp who gets involved with a wealthy couple,the man played by John Malcovich.Most of the movie follows this situation and the couple's behaviour is so mysterious that the only resaon i kept watching is to see how this is resolved or explained,which never happens.After that the movie goes on but i was already bored and i never cared for the rest which is even more boring.Too bad for the beautifull photography, especially of the french countryside.

This movie gave an academic soul like my own the urge to read Giono's book. A critic at Liberation pans the movie for being too linear and academic, while the critics at Le Monde were more enthusiastic about it -- correctly pointing out that a number of very key logical connections in the story were omitted in the film. This tactic keeps the viewer from having a firm grasp of what is happening in the story -- particularly if your native language does not happen to be French.

The opening scene with the old women (les veilleuses) is virtually incomprehensible unless one has a very solid grasp of idiomatic French -- for the non-natives I recommend either reading the book first or seeing a subtitled version. The story of Thérèse (played by Monique Mélinand and Laetitia Casta) develops from the gossip at the vigil.

The story becomes easier to follow once the camera leaves the old women, but just...

The filming is done in a style that reminds me of Peter Greenaway, with lots of long shots and bright colors (for which the viewer is quite eager by this point of the movie). Towards the end of the film there is a scene which in itself is worth the price of admission: Eric Gautier and Raoul Ruiz apparently spent a very long time on this scene filmed in 4 below weather on the side of a mountain in Luse. The result is stunning. I am not sure that it is an intentional nod towards Bergman's Seventh Seal -- perhaps it is just the carts but the color and fury of the storm were enhanced with this weird memory of death playing chess with a man...

John Malkovich. Brilliant body language. This is a good thing, because his French is quite incomprehensible at a couple of points in this film. This may have been intentional -- his character's motivation is meant to be unfathomable, why not his speech as well? After the role he played in Les Miserables for France 3, it is clear that he can speak French very clearly (apparently he worked closely with a coach -- the result was a very good Inspector Javert). In this movie, though, my friend (a French prof) and I were very glad when he started counting in English.

Laetitia Casta is quite good in the movie. With the exception of a badly botched kiss at the beginning of the movie, she seems very credible in the role and fits as seemlessly into the skin of an 89-year-old as that of a youngster.

To sum up... the movie is long, and difficult to understand. It is not a cheeseburger. I do think it will be richer the second time around and so I will wait to give it a rating until then. The work that went into the movie is worth at least that much effort...

Despite the unquestioned talent of Raul Ruiz, this movie is an unqualified disaster. The plot drifts aimlessly, tv-series like, coupled with inadequate acting and over-elaborate voice-over in order to further the "action" in an ad-hoc manner. Practically very little of any importance actually happens, even less of what occurs on the screen is dramatically convincing in this terminally unexciting journey of a manipulative young girl and her encounters in rural France of the 19th century. Vacuity disguised as ambiguity or worse, profundity. Good cinematography though, but there are far better literary adaptions done recently such as Assayas' "Les destinees sentimentales".

Is this the Victoria's Secret and L'Oreal supermodel , starring in this very ambitious movie ??? It seems it is. Yet, what a rich personality this girl must have. I found her surprisingly good, deep, right for the role, at the opposite of the image I had of her. The whole movie is very faithful to the original XXth century French classic by Jean Giono. It might seem a little complicated because its characters are fully ambiguous. This is the main theme of the movie and of the novel. Thanks to the screenwriters and the director, it is great to see such movies that do not take the average cinema goer for a silly person. A movie you can interpret your own way, in which everything is not explained. Not another silly psychological drama ! A movie with depth.. I have seen it four times already and can't wait for the DVD. With Laetitia Casta actress, I would say a star is born.