Son de mar

The first part of the movie is very intriguing and the contrast between Martina's quiet satisfaction with her life and her husband's undying need from freedom is both startling and emotionally charged. The second part, however, left me unsatisfied since the established conflict never gets solved and the final twist, albeit suggestive, felt anticlimactic and empty.

At first I thought: oh come on, give me a break... The wandering, dreamy-eyed young teacher, the pouting, rap-music-blasting village Lolita sucking oranges, the white panties on the clothes-line, could you be any more clichéd? But then the story grew on me, with its many parallels to the Greek myths, so much so that I think I'll go back to the source and reread the original material. Some of the sea and water images reminded me of "Sex and Lucia" which I still prefer. Also, in the R-Rated version I rented from Blockbuster, the sex scenes must have been cut. Nothing spectacular, by far. So Bigas Luna likes breasts, but then again, we knew that already. ***1/2

it is not a great film. only a Bigas Luna. romantic, sexy, dramatic, cruel. victim of clichés , saved buy Eneida quote, it is a beautiful not surprising film.its key - Bigas Luna vision about a story who has basic mixture of salt and honey. the slices of soap drama, the nuances of acting, the love scenes makes entire plot not realistic but decent for many of viewers. only problem - the expectations. the impression than the story is the same like many others. but the real virtue is only its role of clean story. not extraordinary , not amazing. only as a form of remember of pink novels and essence of not happy love stories. so, just a Bigas Luna. and a silk story about love.

I saw this movie last year on SBS while I was trying to fall asleep in my room late at night. I saw this and after watching it for around half an hour i couldn't believe how much passion was between Ulises and Martina was magical.

I thought it portrayed a perfect love story, well, perfectly. It had passion, drama and the unforgettable love. A great movie in my opinion.

An excellent performance by the main characters and I would recommend it to anyone who wants to sit down and watch a beautiful drama with excellent acting and a wonderful drama.

I, unfortunately didn't get to watch the whole movie but from what i did manage to see i enjoyed it very much and i wish that more movies in Hollywood could capture the love, passion nd drama that this movie does.

Bigas Luna is a Spanish director who has his own style (Jamón, jamón, Huevos de oro, Bámbola, Lumière et compagnie, La Femme de chambre du Titanic, etc) and his method of storytelling takes some adjustment on the part of the viewer. For those who treasure the magical mysteries of Latin dramas this film SON DE MAR (Sound of the Sea) will surely satisfy. Keeping with the title he has chosen (from Rafael Azcona's screenplay based on Manuel Vicent's novel) the presence of the complex sounds of water are ever present and the carriage that escorts the lovers to their ultimate destiny is a boat of the same name. It works.

Ulises (Jordi Mollà) is a teacher brought in midterm to a little town's school. His obsession (and teaching assignment) is Virgil's Aeneid, and he constantly reads it, quotes it, coaxes his students to read aloud the poetry therein, and when he finds an apartment belonging to a couple whose daughter Martina (Leonor Watling) falls under Ulises spell, Ulises quotes from the book scenes involving serpents from the sea, words that make the young and very beautiful Martina awaken sexually. In rapid sequence they become pregnant and marry - though Martina's parents prefer the young wealthy Sierra (Eduard Fernández) as a suitable husband.

Soon after their baby son is born the couple attend a party at Sierra's estate and Ulises eyes a beautiful woman while Sierra attempts to win Martina's heart. Ulises buys a fishing boat and sets out to fish for Martina but the boat is wrecked and thinking Ulises dead, a Requiem mass is held and Martina in time marries Sierra for his ability to provide for her infant son. Five years pass and the now steely Martina lives in luxury and receives a phone call from - Ulises! First enraged that Ulises left her for five years, Martina is quickly wooed to the strains of poetry from the Aeneid and hides Ulises in the top floor of one of Sierra's new buildings. Sierra discovers the reunited lovers' tryst and plans for their end. The lovers escape - to a destiny foretold by phrases from the Aeneid.

Despite his greasy long hair and scruffy beard Jordi Mollà delivers a smoldering presence as Ulises. But it is the presence of Leonor Watling's Martina that makes this at times shaky film work. She is a powerhouse presence. The photography by José Luis Alcaine and the sensuous musical score by Glen Johnson enhance Bigas Luna's concept for the film. It is another satisfying work by a unique director who knows how to mold a story with fleshy means and make it work. In Spanish with English subtitles. Grady Harp