Shiki-Jitsu

This movie is closer to a character study that to a conventional story. The minimal plot we have is about a struggling director who returns to his hometown and meets a young a girl who lives in her own fantasy world and follows strict rituals seemingly just to get by every day. Their unconventional love runs its course over 30 days and sees the girl confront her deamons and the director get more involved than he wanted.

The girl is so desperately runs from her past that we would believe something extraordinary and horrible happened to her but as we find out what happened was horrible yes but all too ordinary. The main similarity between this movie and Hideaki Anno's other more famous work Neon Genesis Evangelion is that personal trauma is given subjective significance, it is shown as dramatically as it is felt. We we think of family trauma most of the time we think of the death of a loved one or serious physical/sexual abuse but as it is shown it this film verbal abuse and neglect alone can have absolutly devastating effects on a person. Despite what she tells herself the girl's family is alive she probably hasn't been touched in any way but throughtout her formative years she was insulted, blamed and compared, hasn't been given the respect or even validation as a person she deserves, which collectively let to her current state.

Anno's roots in animation are felt as the movie is beautifully shot, I especially like the contrast between the lush imagery of the girls place and the bleakness of the industrial town representing her fantasy and the outside world respectively.

Ayako Fujitani portrays madness very believably, while Shunji Iwai is subtle and precise. My only grievances are that it may be needlessly complicated and long.

How come none of the reviews here have mentioned bipolar disorders, manic depressive episodes, or anything of the like? For all I'm reading about the fragile human psyche and the likes I only saw a character who needed serious help and only used thinking errors to improperly cope.

Yeah there was an artistic approach but a total lack of dealing with the mental issues at hand. I only give the five stars for the decent acting and cinematography. Without at least some acknowledgment of the improper functions of her brain I can't give this movie anything better.

I must say, I was really not expecting this film... I gave this film a view without any idea of the plot or basic info to back it up and I finished the film with an uncomfortable feeling. From a personal perspective I can assure you this isn't simply the story of a "crazy" girl and a washed out filmmaker...this is the story of a profoundly sorrowed girl and exploring how she deals with this sorrow in her day to day life. The reason she may not have jumped that ledge on the roof may very well be due to those lies she kept telling herself and her whole "ritual", she only needed someone to appreciate her and stay with her and teach her life isn't as painful as she was brought up thinking it was.

I can't believe how well fujitani played this role...As someone else mentioned, why hasn't she done more film? She was even TOO convincing in her role...I could have filled a litre of water with my tears.

The uber-emotional plot and performances aside, the visuals were equally wonderful, especially her "secret" basement filled with red umbrellas, water, and her bathtub. I haven't seen such unique and beautiful set designs for a while.

I'll wrap this up...AMAZING movie 10/10 getting a DVD copy soon, i HAVE to. You definitely HAVE to watch this movie.

Ayako Fujitani is gorgeous and amazing in this film, it's hard to believe that her only other significant credits are three giant monster Gamera movies! (Which I would now like to see!)

Anno, for those who know his anime, is well-suited for film. The type of fun visual metaphors that filled "KareKano" from wall to wall are here, too, but used a bit more sparingly.

The plot concerns a burnt-out animator/filmmaker who, running away from his career, returns to the industrial town where he was born. There he encounters a waif, a half-crazy, suicidal, obsessive-compulsive girl who nevertheless has an incredible charm about her. By just listening to her (and eventually filming her), he becomes a part of her life.

As the two grow ever closer, of course disaster looms. Will he need to retreat from this crazy girl? Will his retreat destroy her fragile heart?

The end of the film is a bit disappointing. Anno offers some explanations of why she is like she is, but there really is no revelation. Without revelation, it would be better if left mysterious. This may be the novelist's fault but, given his history, Anno does seem to have problems with endings.

The cinematography is quite beautiful, even the polluted landscape of an industry town is gorgeous here.

Another viewer complained about metaphors, wondering specifically about the girl liking railroad tracks because they are always together but never meet. Well, the girl begs the guy to always be with her, and she also says that she does not like sex. Simple if you use your brain, but you do have to have one.

Any metaphors or philosophizing in this movie are just as simple. Nothing high-faluting or divorced from real experience.

If you liked Evangelion and think you will like this, please remember that there are no giant robots in this movie. If that's cool with you, you will probably have a good time. Thank you.

addendum: a year after writing the above, I learned that Fujitani is the daughter of action star Steven Seagal, and (between Gamera films) appeared in his 1998 movie The Patriot. Her novella "Shiki-Jitsu," which Anno adapted to the screen was inspired by the difficulties she experienced during the time she spent in Los Angeles. Now I'm even more in awe!

Ritual is without a doubt one of my favorite films of all time. Interestingly its from a from a very unexpected director.

I had seen Evangelion a few years back and thought it lacked maturity and was way too pretentious for its own good. I had heard some good things about Anno's live action work but didn't pursue it until some of my friends online came across this film and loved it.

This is the film where all the talent I thought Anno was capable of in Evangelion springs to life. This film has some of the most stunning photography I've seen, the performances are spot on, the writing is a tad on the pretentious side, but still feels very personal and is very much the voice of the director in his jaded post-anime days.

The film is subtle, beautiful and very creative. Its full of wonderful camera-work and cinematography that have a polish and subtlety lacking in his other work. If I had to complain about one thing I'd say that it drags a bit around the 1:45 mark.

One thing that surprised me about the acting is that Fujitani is actually Stephen Segal's daughter, showing that their is some acting talent in that family...

Its a real shame that Anno took a step backwards with his next film Cutey Honey (2004), because here is a film where one gets to see the beginnings of a brilliant auteur - I hope Anno directs something of this caliber again. (particularly if its animated, animation needs less trash and more art on the par with Isao Takahata's work) If you didn't care for Anno's anime work but thought he had talent I'd highly recommend checking this film out.